Hoya ProND8 Manual
Hoya
Ikke kategoriseret
ProND8
Læs nedenfor 📖 manual på dansk for Hoya ProND8 (56 sider) i kategorien Ikke kategoriseret. Denne guide var nyttig for 10 personer og blev bedømt med 4.5 stjerner i gennemsnit af 5.5 brugere
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F I L T E R S
www.hoyafilter.com

O U T L I N E
THE PRODUCTION PROCESS OF
HOYA FILTERS
Each Hoya filter is the result of research, know-how and complete
precision facilities backed by full quality control.
Before production starts, controls are first programmed into a
computer. Then the finest materials are carefully mixed by an
automatic V-blender for absolute uniformity. After being melted with
highly sophisticated equipment, this material is then precision
molded with automatic direct pressing equipment. The pressed
blanks are next slowly and continuously cooled to remove strain,
and are then polished by high-speed, double-surface polishing
machines that assure precise surface quality and perfect flatness.
Next is the coating process which improves the filter light
transmission ability. And the transmission characteristics are
checked by Spectro-Photometer, after which an ultrasonic cleaner
removes all foreign matter from the surfaces. Only after passing all of
Hoya's quality tests are the filters assembled, finished and made
ready for shipment to customers throughout the world.
HOYA SEES AND RESPONDS TO
THE NEEDS OF TODAY
HOYA
Corporation has diversified its operations by capitalizing on
the potential of optoelectronic technologies since its establishment in
1941 as Japan's first specialty manufacturer of optical glass. Today,
Hoya is active in four fields of business: Information Technology business
makes mask blanks and photomasks for semiconductor devices and
liquid crystal panels, optical lenses, and glass memory disks for hard disk
drives. The Eye Care provides eyeglasses and operates contact lenses
retail shops, as well as makes intraocular lenses for cataract surgery. The
Life Care Business provides endoscopic system. The Imaging System
produces SLR/compact digital cameras and interchangeable lenses as
well as digital camera lens module and microlens.
INFOMATION TECHNOLOGY
EYE CARE
MEDICAL
IMAGING SYSTEM

D I G I TA L C A M E R A S N E E D
M U LT I C OAT E D F I LT E R S
T H E C L E A R A D VA N TAG E
Take a bare glass filter, hold it so that light reflection off the
surface can be seen. Then take a long, very thin object like a
pin or the tip of a pen and hold it over the filter so that its
reflection can be seen. There will actually be two reflections
of the pin on the surface, one a little more pronounced than
the other. The more pronounced reflection is from the front
surface and the lighter one is from light reflecting off the rear
surface. Now try it with a HOYA Digital Multi-Coated filter and
see how much more dim the reflection is, a dimmer reflection
means less light is reflected off the surface of the glass.
Digital camera CCD or CMOS sensors are highly
susceptible to reflections - this stray light can ruin your
photographs! Don't risk your valuable photos by using
bare-glass filters.
DMC digital multi-coated
non-coatedmono-coated

4
Title:Root River Quietly
Photographed by:Chen Lei
International Filter Photo Contest 2008-2009 3rd Prize

5

Premium Performance in Lens Protection
and Image Enhancement
HARDENED GLASS (UV / PROTECTOR)
Hardened optical glass that has 4 times the breaking strength in
ANSI standardized testing (ANSI Z80.3 : 2001) where a steel balls of
varying size and weight were dropped from a height of 50 inches
onto the glass.
HIGH TRANSPARENCY POLARIZING FILM (CIR-PL)
The polarizing film is the same as that used in the latest high
definition LCD TV screens. It has 25% higher light transmission than
standard polarizing film used in current photographic filters.
HARDENED 8 LAYER WATERPROOF MULTI-COATING
THAT IS SCRATCH & STAIN RESISTANT
Newly developed industry leading 8-layer multi-coating yields an
average light transmission rate of 99.35% between 400 and 700nm
(visible spectrum). These coatings greatly reduce reflections off the
surface of the glass allowing you to capture more light in your photos.
As with all HOYA multi-coatings, HD HMC is applied in a furnace at
high heat, bonding the coating to the surface of the glass. This
process is called "hard coating" and it is far more durable than other
coating techniques. The chemistry of the top layer is formulated not
just to be more durable but to be resistant to oil stains. This means
that finger prints and other oils are much easier to remove.
F I L T E R S
6

U V
HD GLASS
• High Density Sharp Cut UV Glass
• Chemically Enhanced Optical Glass is 4x Stronger
HD COATING
• 8-layer Anti-Reflective Multi-Coating
• Water & Oil Repellent, Scratch & Stain Resistant
HD FRAME
• Wide-Angle Lens Compatible Ultra Thin Frame
• Glass Mounted with High Pressure Press Technology
A multi-purpose fine-weather filter
Absorbs the ultraviolet rays which often make outdoor photographs
hazy and indistinct. A multi-purpose, fine-weather filter for color as well
as black and white films. Also serves as a permanent lens protector.
Best Quality Filter in History
7
Available sizes (mm):
37 43 46 49 52 55 58 62 67 72 77 8240.5

C I R - P L
HD POLARIZING FILM
• High Transparency & High Durability UV Absorbing Film
• 25% Greater Light Transmission than Standard Polarizing Film
HD COATING
• 8-layer Anti-Reflective Multi-Coating
• Water & Oil Repellent, Scratch & Stain Resistant
HD FRAME
• Wide-Angle Lens Compatible Ultra Thin Frame
• Glass Mounted with High Pressure Press Technology
Color and contrast enhancement
Light rays which are reflected by any surface can become polarised
so polarising filters are used to select which light rays enter your
camera lens. CIR-PL filters allow you to remove unwanted reflections
from non-metallic surfaces such as water, glass etc. They also enable
colors to become more saturated and appear clearer with better
contrast. This effect is often used to increase the contrast and
saturation in blue skies and white clouds. HOYA's polarising filters will
not affect the overall color balance of a shot.
Best Filter Performance in History
8
Available sizes (mm):
37 43 46 49 52 55 58 62 67 72 77 8240.5

P R O T E C T O R
HD GLASS
• Ultra Clear High Transparency Optical Glass
• Chemically Enhanced Optical Glass is 4x Stronger
HD COATING
• 8-layer Anti-Reflective Multi-Coating
• Water & Oil Repellent, Scratch & Stain Resistant
HD FRAME
• Wide-Angle Lens Compatible Ultra Thin Frame
• Glass Mounted with High Pressure Press Technology
Protect your valued lenses
This is the ultimate in clear filters. It will not affect the color balance or
performance of your lenses in the slightest. However, constant use will
protect your valued lenses from expensive front element damage
which could be caused by dirt, knocks or scratches. A cracked filter
costs nothing in comparison to a cracked lens.
Best Lens Protection in History
9
Available sizes (mm):
37 43 46 49 52 55 58 62 67 72 77 8240.5

Digital Multi-Coated
Digital multi-coated filters greatly
reduce the appearance of lens flare
and ghosting caused by reflections.
Black Almite Frame
Filters feature a black matte
aluminum satin finish almite frame
which reduces reflections.
Black Rimmed Glass
These filters are equipped with black
rimmed glass to reduce the chance of
light reflecting off the edge.
Low Profile Frame
Ultra thin filter frames to help avoid
vignetting on super wide angle lenses
are also designed to hold a lens cap.
Knurling Edge Frame
These filters are equipped with a
straight knurling edge for non-slip,
easy attachment and removal.
UV Protected Case
Filter cases are UV protected to
further lengthen the life of filters.
DE S IG NE D EXC LU SI VE LY
FO R DIG I TA L CAM E RA S
KE Y FEATUR ES
10
PRO1 Digital Filter Series
f o r D i g i t a l

Features:
11
f o r D i g i t a l
PRO1 Digital Filter Series
Color and contrast
enhancement
With CIRCULAR PL Filter
Without Filter
Light rays which are reflected by any surface can become polarised
so polarising filters are used to select which light rays enter your
camera lens. CIRCULAR PL filters allow you to remove unwanted
reflections from non-metallic surfaces such as water, glass etc. They
also enable colors to become more saturated and appear clearer
with better contrast. This effect is often used to increase the contrast
and saturation in blue skies and white clouds. HOYA's polarising
filters will not affect the overall color balance of a shot.
CIRCULAR PL
Available sizes (mm):
37 43 46 49 52 55 58 62 67 72 77 8240.5

Absorbs the ultraviolet rays which often make outdoor photographs
hazy and indistinct. A multi-purpose, fine-weather filter for color
as well as black and white films. Also serves as a permanent lens
protector.
12
PRO1 Digital Filter Series
f o r D i g i t a l
Without Filter
A multi-purpose
fine-weather filter
UV (0)
With UV(0) Filter
Available sizes (mm):
Features:
37 43 46 49 52 55 58 62 67 72 77 8240.5

This is the ultimate in clear filters. It will not affect the color
balance or performance of your lenses in the slightest. However,
constant use will protect your valued lenses from expensive
front element damage which could be caused by dirt, knocks or
scratches. A cracked filter costs nothing in comparison to a
cracked lens.
13
f o r D i g i t a l
PRO1 Digital Filter Series
Protect your valued lenses
PROTECTOR
With PROTECTOR Filter
Features:
Available sizes (mm):
37 43 46 49 52 55 58 62 67 72 77 8240.5

14
PRO1 Digital Filter Series
f o r D i g i t a l
With ND8 Filter
With ND4 Filter
Without Filter
Without Filter
These ND filters reduce the amount of light entering the lens so
wider apertures can be selected, which is perfect for portraiture to
reduce depth of field. Subject appears crisp and clear while the
background becomes a soft blur. Also widely used for photographs
of waterfalls and other nature scenes to emphasize movement.
For wider apertures or
longer exposures
ND4 • • • •8 16 32 64
Available sizes (mm):
Features:
52 55 58 62 67 72 77 82

Creates a picture with a clear focus and a soft gradation. This effect is
especially evident on an object with a point light source. A filter
randomly arranging minute lens shaped like drops of water on the
surface of an acrylic board scatters the light and results in a soft focus.
15
f o r D i g i t a l
PRO1 Digital Filter Series
Clear focus and
soft gradation
SOFTON-A
With SOFTON-A Filter
Without Filter
Available sizes (mm):
Features:
52 55 58 62 67 72 77 82

16
PRO1 Digital Filter Series
f o r D i g i t a l
Add a dramatic
four-cross flare
STAR-4
With STAR-4 Filter
Without Filter
The STAR-4 filter adds a dramatic four-cross flare to very bright
areas, giving a soft-focus effect. ldeal for photographs of night scene
illumination or other scenes with strong reflections.
Available sizes (mm):
Features:
52 55 58 62 67 72 77 82

17
f o r D i g i t a l
PRO1 Digital Filter Series
A world of new creativity
CLOSE-UP No.3
The CLOSE-UP No.3 lens turns a normal lens into a macro by
reducing the lens minimum focusing distance. Depth-of-field is
shallow so use as small an aperture as possible. CLOSE-UP NO.3
offers a world of new creativity.
With CLOSE-UP No.3 Filter
Without Filter
Available sizes (mm):
Features:
52 55 58 62 67 72 77 82

18
H
H
H
H
HR
R
R
R
RT
T
T
T
TC I R - P L U V F I L T E Rfor F ilm & Digi t a l
CIR-PL UV FILTER
The perfect filter to capture seasons
High-Rate Transparency Film
This filter uses a newly developed High-Rate Transparency film that
passes more visible light through the filter while still filtering the
same amount of polarized light. The HOYA HRT circular polarizer
filter transmits as much as 25% more light through the polarizing
film giving the photographer about 1/3 stop more light than a
standard circular polarizer. This new polarizing film is also used in
the latest HD LCD TVs.
UV Absorbing
The glass of the HOYA HRT filter also has UV absorbing properties
making the HRT a combination UV/circular polarizing filter.
The most common use for a circular polarizer filter is to darken bright
blue skies in outdoor photography, but they also can reduce or
eliminate reflections from non-metallic surfaces such as glass and
water. By rotating the outer ring of the filter the change of effect can
be seen by looking though the filter or through the viewfinder if it is
mounted on a camera.

19
for F ilm & Digi t a l
H
H
H
H
HR
R
R
R
RT
T
T
T
TC I R - P L U V F I L T E R
CIR-PL UV
With CIR-PL UV Filter
The perfect filter to capture seasons
Without Filter
Available sizes (mm):
49 52 55 58 62 67 72 77 82

20
H
H
H
H
HM
M
M
M
MC
C
C
C
CU V ( C ) F I L T E Rfor F ilm & Digi t a l
Heat-resistant / High-Transparency glass
The HOYA UV (C) filter uses the highest quality heat-resistant
tempered glass, which creates a smooth, clear image.
This filter cuts out all range of UV rays to give an astounding
sharpness and clarity without the least affect on color balance.
Constant use for lens protection is recommended.
These popular filters are renowned for their ability to minimize
reflection on filter surfaces which reduces flare and ghosting.
With an average light transmission of over 97%, the HOYA HMC
filters are engineered to enhance the performance of today's
multi-coated lenses.
UV(C) FILTER
A multi-purpose fine-weather filter

22
S P E C I A L E F F E C T S F I L T E R Sfor F ilm & Digi t al
For wider apertures or longer exposures
ND(NEUTRAL DENSITY) 2X 4X 8X 16X
Neutral Density filters are often ignored by photographers, but they
have several uses and offer the possibility to get otherwise
unachievable results. ND filters appear grey and reduce the amount
of light reaching the film and sensor. They have no affect on color
balance. There four main uses are:
To enable slow shutter speeds to be used, especially with fast
film, to record movement in subjects such as waterfalls, clouds,
cars, the sea, etc.
To decrease depth of field by allowing wider apertures to be used,
which helps separate subjects from their background.
To decrease the effective ISO of high speed film (i.e., above ISO
400) and allow it to be used outdoors in bright situations.
To allow HDSLR, movie and video cameras (which have fixed
shutter speeds) to film subjects such as snow, sand or other
bright scenes which would normally cause overexposure.
1)
2)
3)
4)
Without Filter
With ND 8X Filter With ND 4X Filter
With ND 2X Filter

Blurring time to create beauty
ND X400
With ND X400 Filter
Without Filter
The ND 400 can be used in many
creative ways to achieve super slow
shutter speeds in daylight. It can
create beautiful blurred motion or
render moving subjects invisible.
Control bright/dark contrast
HALF ND X4
With HALF-ND X4 Filter
Without Filter
One half of this filter is ND X4 Neutral Density and the other half is
clear, with a soft boundary between the two. It is used to control
bright/dark contrast, by reducing half the shot by 2 stops.
Particularly useful in landscape photography, the rotating mount
allows bright skies to be easily controlled for dramatic effect.
23
for F ilm & Digi t a lS P E C I A L E F F E C T S F I L T E R S
Photographing solar eclipses and ultra-bright light sources can be
extremely dangerous. This filter reduces light values by 9 stops to less
than 1/500th of its original intensity and allows safe photography. It can
also be used to achieve super slow shutter speeds in daylight to render
moving subjects invisible.

24
S P E C I A L E F F E C T S F I L T E R Sfo r F ilm & Dig it a l
Variable Density FILTER
The creative possibilities are endless
With Variable Density
Without Filter
The Hoya Variable Density filter uses two polarizing layers to
control the amount of light that passes through the filter and into
the camera lens. At its minimum effect the filter passes 1/3 of the
light in a scene. That is equal to 1.5 stops on the aperture or
shutter speed. At its maximum effect the filter passes just 1/400 of
the light in a scene. That is equal to 9 stops on the aperture or
shutter speed.
After the filter is mounted on the lens, turning the filter ring between
“MINI” and “MAX” can greatly control the amount of light entering
the lens. With the Hoya Variable Density filter it is possible to shoot
with fast lenses like a 50mm f/1.4 lens wide open at f/1.4 in full sun
for a very shallow depth of field. Or, to slow down the shutter
speed to where the shutter can be open for several seconds in full
sunlight. This is enough to create artistic blurring shots of motion
on water, cars, people or almost anything that moves. The creative
possibilities are endless.
The Hoya Variable Density filter uses high-quality optical glass from
Hoya Corporation, the worlds largest optical glass manufacturer
and is available in sizes 52mm to 82mm.
For best results Hoya recommends using a tripod when photo-
graphing with slow shutter speeds.

25
for F ilm & Digi t a lS P E C I A L E F F E C T S F I L T E R S
UV & IR Cut FILTER
Blocks both UV rays and IR rays
With UV & IR Cut Filter
HOYA has introduced the new Hoya UV & IR Cut filter in 49mm
through 82mm sizes. This specialized filter has the ability to cut out
both UV rays below 390nm and IR rays above 700mn leaving just
the light rays in the visible spectrum passing through the filters and
into the camera. This is important because CCD and CMOS sensors
are extremely susceptible to UV and IR rays just outside the visible
spectrum that have a very negative impact on image quality.
The Hoya UV & IR Cut filter blocks both UV rays and IR rays yielding
clearer and sharper pictures outdoors. This filter can reduce the
effects of atmospheric haze to an even greater degree than a
standard UV filter.
The Hoya UV & IR’s light transmission curve shows the sharp-cut
nature of the filter glass and coatings as well as the consistent light
transmission in the visible spectrum. This curve demonstrates a
more even light transmission than the closest competitor. This
means that sharper images with more depth and finer, richer color
gradations are possible with the Hoya UV & IR Cut filter.

Absorbs the ultraviolet rays which often make outdoor photographs
hazy and indistinct. A multi-purpose, fine-weather filter for color as
well as black and white films. Also serves as a permanent lens
protector.
26
G E N E R A L F I L T E R Sfor F ilm & Digi t al
UV (0)
A multi-purpose fine-weather filter
With UV Filter
Without Filter

Reduces excessive bluishness that frequently occurs in outdoor color
photography, especially in open shade under a clear, blue sky. The
absorption peak is in the range which corresponds to the film’s green
spectrum. This means outstanding outdoor shots with superb color
balance and clarity under all conditions. Also keeps skin tones free
of colored reflections from nearby objects such as the shade of trees.
27
for F ilm & Digi t a lG E N E R A L F I L T E R S
SKYLIGHT 1B
For outdoor color photography
With SKYLIGHT 1B Filter
Without Filter

What is a polarizing filter?
Light rays which are reflected by any surface can become polarised
so polarising filters are used to select which light rays enter your
camera lens. CIRCULAR PL filters allow you to remove unwanted
reflections from non-metallic surfaces such as water, glass etc. They
also enable colors to become more saturated and appear clearer
with better contrast. This effect is often used to increase the contrast
and saturation in blue skies and white clouds. HOYA's polarising
filters will not affect the overall color balance of a shot.
28
G E N E R A L F I L T E R Sfor F ilm & Digi t al
PL/PL-CIR
Color and contrast enhancement
With PL Filter
Without Filter

How to select the correct Polarizing Filter
Two kinds of polarizing filters are the PL (Linear Polarizing) and
PL-CIR (Circular Polarizing) filters which have the same effect of
reducing glare, however, there are differences in the way each works
in combination with your specific camera so it is important to
research and choose the correct version of filter for your camera.
Many of today's cameras use semi-silvered mirrors or prisms to split
the light (a.k.a. beam) entering the viewfinder in order to
calculate exposure and focusing distance. PL filters can sometimes
interact with these light controlling devices to give unpredictable
exposure or focusing. If your camera, whether auto or manual, is
equipped with this kind of device, we recommend using a PL-CIR filter.
Both types of filters allow you not only to remove unwanted
reflections from non-metallic surfaces such as water, glass etc., but
also filter out atmospheric haze enabling colors to become more
saturated and appear clearer with a much sharper contrast.
These effects will prove to be invaluable to photographers at any
level of interest.
29
for F ilm & Digi t a lG E N E R A L F I L T E R S
Without Filter
With PL-CIR Filter

30
C O L O R E D F I L T E R Sfor F ilm & Digi t a l
RED ENHANCER
(
INTENSIFIER)
Enhance red, orange and brown
With RED ENHANCER
Without Filter
Also known as a “didymium” filter, this is used to enhance red,
orange and brown subjects to give more color saturation and
contrast, while having very little effect on other colors. It can be used
in many situations such as architecture where certain building
features need emphasizing, or for landscapes to enhance foliage
and rocky features.
BLUE ENHANCER
(BLUE
INTENSIFIER)
Brighten landscapes
Intensifies and enhances colors in the Blue region of the spectrum
without adversely affecting other colors. It is particularly useful for
brightening seascapes and pare or cloudy skies, but also suitable for
when, due to the sun’s direction, polarizing filters are ineffective
in increasing the saturation of a blue sky. Combination use with
PRO1D UV (0) or Circular PL is recommended for increased con-
trast and sharpness.
GREEN ENHANCER
(
GREEN FIELD)
Improve outdoor shots
Intensifies and enhances colors in the Green region of the spectrum
without adversely affecting other colors. It is particularly useful for
improving outdoor shots which include nature, flowers, landscapes
and water. Combination use with PRO1D UV (0) or Circular PL is
recommended for increased contrast and sharpness.
With GREEN ENHANCER
Without Filter
With BLUE ENHANCER
Without Filter

33
f o r F i l m C a m e r aC O L O R E D F I L T E R S
81A • 81B • 81C
Decrease color temperatures
With 81A
These are light balancing filters
used to decrease the color
temperature slightly for a
warmer (redder) tone. Corrects
the tendency toward bluish
tones. For example, the 81A
should be selected when using
tungsten type B color film
(3200ºK) with photoflood lamps
(3400ºK) These filters can be
used together.
With 81B
With 81C
Without Filter
85 • 85B • 85C
Color conversion filters
With 85
These are color conversion filters
for the use of tungsten type
color films in daylight. 85
decreases the color temperature
from 5500ºK to 3400ºK for the
use of Type A color film. 85B
decreases the color temperature
from 5500ºK to 3200ºK for the
use of Type B color film. 85C
decreases the color temperature
from 5500ºK to 3800ºK. The
effect obtained is the same as
with daylight type color film used
in daylight.
With 85B
With 85C
Without Filter

34
C O L O R E D F I L T E R Sfor F ilm & Digi t a l
K2 (YELLOW)
For clear contrast
With K2 Filter
Without Filter
Especially useful for clear contrast between blue sky with clouds and
foreground. Provides a natural tonal rendition. Often used for
subjects at intermediate distances.
25A (RED)
Increases contrast
Especially effective for increasing contrast. Ideal for dramatic cloud
effects in landscapes. Can also be applied creatively in color and
infrared photography.
G (ORANGE)
For balancing contrast
Increases contrast between reds and yellows. Particularly useful for
distant outdoor shots taken with a telephoto lens. Also useful in
color photography for spectacular sunsets, seascapes, etc.
With G Filter
Without Filter
With 25A Filter
Without Filter

35
for F ilm & Digi t a lC O L O R E D F I L T E R S
X0 (YELLOW GREEN)
Great for outdoor portraits
With X0 Filter
Without Filter
Used primarily for black and white photography. X0 is highly effective
for outdoor portraits because red is rendered dark while green
appears lighter. Great for correcting skin tones, bringing out facial
expressions in close-ups and emphasizing the feeling of liveliness.
X1 (GREEN)
Great for indoor portraits
With X1 Filter
Without Filter
Used primarily for black and white photography. X1 is highly
effective for indoor portraits under tungsten lighting.

36
S P E C I A L E F F E C T S F I L T E R Sfor F ilm & Digi t al
With STAR-4 Filter
CENTER-SPOT
Center focus for portraits
With CENTER-SPOT Filter
Without Filter
A close-up lens with a hole in the center. The periphery of the
picture is rendered a delicate, soft-focus effect while the central
image is sharply focused.
Add a dramatic cross flare
STAR-4
•
STAR-6
•
STAR-8
STAR-4 adds a dramatic four-cross flare to very bright areas, giving
a soft-focus effect. Ideal for photographs of ladies wearing
jewelry or other objects with strong reflections. STAR-6 (six-pointed
light flares) and STAR-8 (eight-pointed star flares) can also be used
for a variety of effects.
With STAR-6 Filter With STAR-8 Filter

37
for F ilm & Digi t a lS P E C I A L E F F E C T S F I L T E R S
Give a nostalgic sepia color effect
SEPIA
A • B
Without Filter
These two filters give a nostalgic effect to otherwise ordinary color
photographs. Sepia tones are produced across the whole image, as
if taken many years ago in Black & White, having then discolored
with age. Sepia B has a stronger effect than Sepia A.
With SEPIA A Filter
BLACK MIST • WHITE MIST
A subtle softening filter
The Hoya Black Mist filter is a subtle softening filter that lowers
contrast and gives an over-all soft look to portraits.
The Hoya White Mist filter yields a very subtle, pleasing effect for
softening portraits. The white sheen of the filter gives strong
highlights a soft glow.
With BLACK MIST Filter With WHITE MIST Filter

38
FOG FILTER A • B
Produce the effect of dense fog
With FOG Filter
Without Filter
Lightly veils the entire picture in white. Available in a set of two: FOG
(A) and FOG (B). FOG (B) has a stronger effect than FOG (A). Both
can be used together to produce an effect similar to dense fog.
The effect can be varied by changing the aperture of the lens, but
stopping down too far will reduce the effect.
S P E C I A L E F F E C T S F I L T E R Sfor F ilm & Digi t al
DIFFUSER • DUTO
The beauty of a Soft-focus effect
Both are diffusion type filters, but DIFFUSER gives a soft-focus effect
due to its irregularly uneven surface while DUTO has fine concentric
lines etched on its surface. The center of the picture is usually sharp
with DUTO, but DIFFUSER gives an overall soft-focus effect. Both
are particularly effective in portraiture and commercial.
With DIFFUSER Filter With DUTO Filter

39
for F ilm & Digi t a lS P E C I A L E F F E C T S F I L T E R S
SPECTRAL CROSS
Produce soft-focus and cross effects
With SPECTRAL CROSS
Without Filter
A filter made by sandwiching black gauze-like fiber between two
pieces of colorless, transparent optical glass in a rotating frame,
producing both soft focus and cross effects.
SOFTENER A • B
Scatters light for a soft-focus
A filter with randomly arranged minute lenses shaped like drops of water
on an acrylic surface which scatters the light and results in a soft focus.
Creates a picture with a clear focus and a soft gradation. This effect is
especially evident with an object with a point light source. Color
reproduction is easy and there is no need for exposure adjustment.
With SOFTENER A Filter With SOFTENER B Filter
Produkt Specifikationer
Mærke: | Hoya |
Kategori: | Ikke kategoriseret |
Model: | ProND8 |
Antal pr. pakke: | 1 stk |
Produktfarve: | Sort |
Pakketype: | Hængende boks |
Materiale: | Aluminium |
Filterstørrelse: | 72 mm |
Filtertype: | Neutral densitet kamerafilter |
Kameralinse filtertype: | ND8 |
Stop med lysreduktion: | 3 |
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Ikke kategoriseret Hoya Manualer

26 Februar 2025

26 Februar 2025

26 Februar 2025

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