MeldaProduction MCabinet Manual


Læs gratis den danske manual til MeldaProduction MCabinet (127 sider) i kategorien Audio Software. Denne vejledning er vurderet som hjælpsom af 2 personer og har en gennemsnitlig bedømmelse på 3.9 stjerner ud af 1.5 anmeldelser. Har du et spørgsmål om MeldaProduction MCabinet, eller vil du spørge andre brugere om produktet?

Side 1/127
MCabinet
MCabinet is a revolutionary solution for simulating eletric guitar cabinets, eletric bass cabinets, and technically any other cabinet for that
matter. Many musicians agree that these are half of the resulting sound. As it turns out, MCabinet can also produce various creative tones, a
very natural sounding stereo expansion and even double tracking and short reverberation.
MCabinet's main core is based on a statistical analysis of measurements of actual physical cabinets, impulse responses, resulting in the so-
called profiles. Many are already provided as presets. Guitarists are used to browsing thousands of IR files and using one or a few of them in
parallel via convolution. While this is certainly possible, it is extremely clumsy, requires having tons of tiny files (usually commercial) on your
computer, and selecting the right one is kind of a hit and miss process taking lots of precious time.
A profile can be made by analyzing a single IR file, but the true magic is made by analysing thousands of them. MCabinet extracts what's
"common" between all the recorded cabinets as well as how much they differ from each other. The profile itself can often sound better than
the original IRs, since it avoids the intermediary faulty resonances, but the true fun comes from using the MCabinet's parameters. First you
can alter the cabinet response by various processes such as spectral smoothing and tilting. But the actual creative power is brought by the
resonators and wideners. As a result, MCabinet is able to produce pretty much infinite number of cabinets and you can control various
aspects of these cabinets directly instead of just browsing thousands of files. There is also a dynamic equalizer to fine-tune the resulting
sound.
Resonators
MCabinet's resonators are based on physical processes that occur within real cabinets, taken to an extreme. These generate the actual
variations in the response of the cabinet, taking into account the actual profile. By analyzing a profile of thousands of cabinet IRs and using
the resonators, MCabinet can produce variations of the original cabinets, ranging from realistic stuff that does or doesn't exist, up to a
completely creative madness.
When recording guitars through real cabinets, it is kind of a hit and miss process, since the tone and resonances depend on the actual
cabinet, microphone, position of the mike and recording room at the same time. In most cases this produces unnatural sounding
resonances, which are then attenuated by mixing multiple microphones (or IRs in the box) etc. MCabinet on the other hand profiles the
cabinets without these unnatural resonances, or can intentionally remove them, and then it can give the sound a character based on the
parameters you like. It can produce the unnatural resonances you are used to if you like them for some reason. Or it can give it more
natural character you are used as a listener when a real cabinet isn't recorded yet.
You are going to enjoy MCabinet even more when you start using stereo processing. Guitarists are traditionally searching for matching IRs,
one for left and one for right channel, especially if they are not double tracking the guitar performances. This is an enormously time
consuming task. MCabinet makes that extremely quick and simple by creating stereo responses, which are matched naturally.
Whether you are using mono or stereo processing, the sound of each resonator is defined by its few parameters and the 3 seeds, one for
bass, one for mids and one for treble. Seeds are basically random numbers, that somehow produce the response. All you need to do is press
the seed buttons until you find a sound you like. The main resonator controls are Depth, which controls how much the resonator does, and
Smoothing, which basically defines how many spectral hills and valleys there will be. The higher the value, the more natural the response
is and it can be called "tone". With low values, steep hills and valleys start occuring, producing more distinct resonances. With very low
values you may experience ringing and a sort of ambience or short reverberation. It is often useful to use mutliple resonators, with different
smoothing values, each controlling a different aspect of the audio.
Wideners
Wideners serve as a supplement to the resonators with main purpose - create artificial stereo. Whereas resonators mainly change the
spectral level profile, wideners produce spectral delay profile. So in a way wideners delay frequencies differently between left and right
channels, which is a similar process to what happens when doing a manual double tracking.
Wideners have pretty much the same parameters as the resonators and work similarly, but do a very different thing. With high enough
smoothing they can provide a very natural stereo expansion, almost like a double tracking, especially when inserted before a stereo amp.
With low smoothing you can again expect audible reverberation effects.
Using MCabinet and performance considerations
To use MCabinet, it's best to simply start with one of the global presets or profiles presets. Then use one or more resonators to get the
specific sound you want. Finally if you are into stereo processing, you can use a stereo resonator, but usually more effective is to use a
widener, which is designed for the job. On the other hand, if you are processing a mono signal and expect a mono output, it would be
desirable not to use any of the stereo tools, and potentially set the global Channel mode to M (as mid or mono) to save some CPU if your
DAW doesn't tell the plugin that it is processing a mono signal.
Flat profile and creative processing
MCabinet may be quite useful for general sound design as well. The classic profiles produce the specific sound character typical for say
guitar cabinets. But the default Flat profile doesn't initially alter the spectrum levels, so it becomes pretty natural and you can exploit the
resonators and wideners to create entirely original effects. Also consider producing profiles by analyzing samples that aren't really cabinet
IRs. You may also exploit the included modulators, but be aware that modulating any of the resonator & widener parameters may require
lots of CPU and since recalculation of the processing structures is performed in background, you may need to perform "live" rendering in
your DAW.
Easy screen vs. Edit screen
The plugin provides 2 user interfaces - an easy screen and an edit screen. Use the Edit button to switch between the two.
By default most plugins open on the easy screen (edit button released). This screen is a simplified view of the plugin which provides just a
few controls. On the left hand side of the plugin you can see the list of available devices / instruments (previously called 'active presets'),
that is, presets with controls. These controls are actually nothing more than multiparameters (single knobs that can control one or more of
the plug-in's parameters and sometimes known as Macro controls in other plug-ins) and are described in more detail later. Each device may
provide different controls and usually is intended for a specific purpose. The easy screen is designed for you to be able to perform common
tasks, quickly and easily, without the need to use the advanced settings (that is, those available on the Edit screen).
In most cases the devices are highlighted using different text colors. In some cases the colors only mark different types of processing, but in
most cases the general rule is that black/white devices are the essential ones designed for general use. Green devices are designed for
a specific task or audio materials, e.g. de-essing or processing vocals in a compressor plugin. Red devices usually provide some very
special processing or some extreme or creative settings. In a distortion plugin, for example, these may produce an extremely distorted
output. Blue devices require an additional input, a side-chain or MIDI input usually. Without these additional inputs these Blue presets
usually do not function as intended. Please check your host's documentation about routing side-chain and MIDI into an effect plugin.
To the right of the controls are the meters or time-graphs for the plugin; the standard plugin Toolbar may be to the right of these or at the
bottom of the plugin.
By clicking the Edit button you can switch the plugin to edit mode (edit button pushed). This mode provides all the of the features that
the plugin offers. You lose no settings by toggling between edit mode and the easy screen unless you actually change something. This way
you can easily check what is "under the hood" for each device, or start with an device and then tweak the plugin settings further.
Devices are factory specified and cannot be modified directly by users, however you can still make your own and store them as normal
presets. To do so, configure the plugin as desired, then define each multiparameter and specify its name in its settings. You can then switch
to the easy screen and check the user interface that you have created. Once you are satisfied with it, save it as a normal preset while you
are on the easy screen. Although your preset will not be displayed or selected in the list of available devices, the functionality will be exactly
the same. For more information about multiparameters and devices please check the online video tutorials.
If you are an advanced designer, you can also view both the easy and edit screens at the same time. To do that, hold Ctrl key and press
the Edit button.


Produkt Specifikationer

Mærke: MeldaProduction
Kategori: Audio Software
Model: MCabinet

Har du brug for hjælp?

Hvis du har brug for hjælp til MeldaProduction MCabinet stil et spørgsmål nedenfor, og andre brugere vil svare dig