MeldaProduction MTurboEQ Manual

MeldaProduction Audio Software MTurboEQ

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MTurboEQ

Overview

MTurboEQ is an equalizer inspired by many of the good analog EQs of the past, made to be easy and quick to use, sound great, but not

necessarily emulate the originals. It doesn't produce any unnecessary noise or distort the signal (unless is used). MTurboEQ isSaturation

designed in such a way that all the equalizers that it provides "feel" the same. They always have pretty much the same features, even when

the original EQs didn't come close to such versatility. We cloned what we decided to be advantageous, but discarded everything else. Each

equalizer has a different filter design, which essentially defines which frequencies are affected and how. That's after all the magic of these

analog devices. Simply choose the one that sounds best to you. And, of course, you can use the A-H presets for comparison.

Globals

First, there's always a section, which is the same for all EQs. It provides the basic processing one often needs. Globals

Input gain lets you adjust the input level to your needs. Note that when saturation is used, the gain affects the amount of

saturation/distortion.

Saturation lets you bring some character, or analog feel, to the signal. It generally simulates the nonlinear characteristics of most analog

devices and produces higher harmonics. Be careful not to overuse this feature.

High-pass Low-pass and filters are essential for mixing. For most tracks, which don't contain bass frequencies, it is advantageous to

remove the low-end using a high-pass filter. This clears the area of unnecessary rumble, noise and other artifacts, and clears the space for

the instruments, which actually need it - bass and bass drum usually. It is often useful for these instruments too however, to remove DC for

example. The low-pass filter is less widely used, but it can still be advantageous for tracks, which don't require the high frequencies, hence it

lets you clear additional space in the mix.

Dry/Wet provides an easy way to adjust the amount of equalization. Please note that since this is a minimum phase equalizer, it's not a

true dry/wet as that would cause problems with phase cancellation. Instead it emulates how the dry/wet would work, if it were actually

possible. It does not affect the input HP/LP section though.

Filters

Low-shelf and high-shelf filters are most likely the most essential filters. Low-shelf lets you control the bass frequencies and high-shelf

targets the high frequencies and lets you get some sparkle. Be careful not to overuse them, since positive gain almost always sounds

"better", but that's due to the psychoacoustical hi-fi effect. It is common to perform some slight high end boost though, to make the output

brighter as that usually sounds more professional and microphones tend to lower the level of high frequencies.

Peak filters are used to control a specific part of the spectrum and are often combined with shelves, which will most likely be the first to be

used. For example, it's common to equalize a bass drum by amplifying the bass spectrum with a low-shelf and then remove some of the

mids using a peak filter.

Stepped / Continuous

MTurboEQ lets you easily switch between 2 editor modes at any time. mode is inspired by analog devices, which couldn't have aStepped

slider or knob for technical reasons, so instead they had a multi-position switch, which let you choose between a limited set of predefined

values. The engineers had to take their time and use their expertise to select the most useful ones. There's some appeal in having this

limited set, since it is often hard to decide what is better, if you have potentially infinite possibilities. It is also easier to compare values that

are further apart, so there's some distinct difference in sound. In most cases we cloned the values that the designers of the original devices

had chosen, but we often added some more. In Stepped mode (almost) all filter parameters provide the stepped behaviour, even if the

originals provided a knob for example, simply to have a standardized behaviour. After all we are not limited by the problems of the analog

world any more.

Continuous mode is the exact opposite - it lets you choose any value in the available interval, even if the original designs didn't provide

them. The advantage is that you can tune the equalizer much further, the disadvantage is that you need to be able to choose. In any case

you can freely switch between the 2 modes and perform major decisions in Stepped mode and then switch to Continuous mode for fine-

tuning for example.

Mid-side and other goodies

Similarly to most MeldaProduction plugins, MTurboEQ has several goodies you can use to speed-up your workflow and perform more

complex tasks. These are documented below, but let's have a quick review. button controls the channel mode - which channels areL+R

affected. You can use it to make the EQ process only left or right channel for example, or even mid and side channels, surround etc. AGC

may be handy to avoid loudness changes and getting fooled by your own ears. is generally handy if you want to make sureSafety limiter

the output won't get too loud no matter how crazy processing are you going to perform. Oversampling shouldn't be necessary, but if you

want to avoid even potential aliasing when using saturation for example, feel free to use it. A-H presets are essential for fast workflow and

let you store, compare and morph between 8 settings.

Devices

This plugin can be though of as a collection of plugins listed on the left side of the GUI. Select a device simply by clicking on it. Its GUI will

appear on the right side. Compared to other MeldaProduction plugins it doesn't have any , so you cannot edit the internaledit screen

functionality, which may be extremely complex. If you are interested in complex editing, please check MXXX, the ultimate modular

effect.

Presets

Presets button shows a window with all available presets. A preset can be loaded from the preset window by double-clicking on it, selecting

via the buttons or by using your keyboard. You can also manage the directory structure, store new presets, replace existing ones etc.

Presets are global, so a preset saved from one project, can easily be used in another. The arrow buttons next to the preset button can be

used to switch between presets easily.

Holding while pressing the button loads a random preset. There must be some presets for this feature to work of course. Ctrl

Presets can be backed up by 3 different methods:

A) Using "Backup" and "Restore" buttons in each preset window, which produces a single archive of all presets on the computer.

B) Using "Export/Import" buttons, which export a single folder of presets for one plugin.

C) By saving the actual preset files, which are found in the following directories (not recommended):

Windows: C:\Users\{username}\AppData\Roaming\MeldaProduction

Mac OS X: /Library/Application support/MeldaProduction

Files are named based on the name of the plugin like this: "{pluginname}.presets", so for example MAutopan.presets or MDynamics.presets.

If the directory cannot be found on your computer for some reason, you can just search for the particular file.

Please note that prior to version 16 a different format was used and the naming was "{pluginname}presets.xml".

The plugin also supports

an online preset exchange. If the computer is connected to the internet, the plugin connects to our server once a week, submits your

presets and downloads new ones if available. This feature is manually maintained in order to remove generally unusable presets, so it may

take some time before any submitted presets become available. This feature relies on each user so we strongly advise that any submitted

presets be named and organised in the same way as the factory presets, otherwise they will be removed.

Left arrow

Left arrow button loads the previous preset.

Right arrow

Produkt Specifikationer

Mærke:	MeldaProduction
Kategori:	Audio Software
Model:	MTurboEQ

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