Nikon D100 Manual
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The documentation for this product includes the manuals listed below. Please
be sure to read all instructions thoroughly to get the most from your camera.
Quick Start Guide
The Quick Start Guide takes you through the process of unpacking and set-
ting up your Nikon digital camera, taking your first photographs, and trans-
ferring them to your computer.
Guide to Digital Photography
The Guide to Digital Photography (this manual) provides complete operat-
ing instructions for your camera.
Nikon View 5 Reference Manual
The Nikon View 5 Reference Manual can be found in electronic format on
the reference CD provided with your camera. For information on viewing
the , see the Reference Manual Quick Start Guide .
Product Documentation
CAUTION: Foreign Matter on the CCD
Nikon takes every possible precaution to prevent foreign matter from coming into con-
tact with the CCD during production and shipping. The D100, however, is designed to
be used with interchangeable lenses, and foreign matter may enter the camera when
lenses are removed or exchanged. Once inside the camera, this foreign matter may
adhere to the CCD, where it may appear in photographs taken under certain conditions.
To prevent foreign matter from entering the camera, do not exchange lenses in dusty
environments. To protect the camera when no lens is in place, be sure to replace the
body cap provided with the camera, being careful to first remove all dust and other foreign
matter that may be adhering to the body cap.
Should foreign matter find its way onto the CCD, clean the CCD as instructed on pages
186–187 of this manual, or have the CCD cleaned by authorized Nikon service person-
nel. Photographs affected by the presence of foreign matter on the CCD can be re-
touched using the clean image options available in some third-party imaging software.

i
How to Read This Manual
First, be aware of the warnings, cautions, and notices on pages ii–vii.
Overview
Getting to Know the Camera
First Steps
Basic Photography
Basic Playback
Choosing a Shooting Mode
Image Quality and Size
Sensitivity (ISO Equivalency)
White Balance
Focus
Exposure
Flash Photography
Self-Timer Mode
More About Playback
Menu Guide
Connections
Technical Notes
Image Adjustment
Next, read “Overview” and “Getting to Know
the Camera” to familiarize yourself with the
conventions used in this manual and the names
of camera parts, then set up your camera as de-
scribed in “First Steps.”
Now you are ready to take photographs and
play them back.
Once you have mastered the basics of digital
photography, you can read these sections for
complete information on when and how to use
camera controls.
Read this chapter for more on thumbnail play-
back, playback zoom, and photo information.
Refer to these chapters for information on cam-
era menus and custom settings…
…on connecting your camera to a television or
computer…
…and on optional accessories, camera care, and
troubleshooting.

ii
To prevent damage to your Nikon product or injury to yourself or to others,
read the following safety precautions in their entirety before using this equip-
ment. Keep these safety instructions where all those who use the product will
read them.
The consequences that could result from failure to observe the precautions listed
in this section are indicated by the following symbol:
WARNINGS
Do not look at the sun through the
viewfinder
Viewing the sun or other strong light
source through the viewfinder could
cause permanent visual impairment.
Turn off immediately in the event
of malfunction
Should you notice smoke or an un-
usual smell coming from the equip-
ment or from the AC adapter (avail-
able separately), unplug the AC
adapter and remove the battery im-
mediately, taking care to avoid burns.
Continued operation could result in
injury. After removing the battery,
take the equipment to a Nikon-autho-
rized service center for inspection.
Do not use in the presence of flam-
mable gas
Do not use electronic equipment in
the presence of flammable gas, as this
could result in explosion or fire.
Do not place strap around neck
Placing the camera strap around your
neck could result in strangulation.
Special care should be taken to avoid
placing the strap around the neck of
an infant or child.
Do not disassemble
Touching the product’s internal parts
could result in injury. In the event of
a malfunction, the product should be
repaired only by a qualified technician.
Should the product break open as the
result of a fall or other accident, re-
move the battery and/or AC adapter
and then take the product to a Nikon-
authorized service center for inspec-
tion.
Observe proper precautions when
handling batteries
Batteries may leak or explode if im-
properly handled. Observe the follow-
ing precautions when handling batter-
ies for use in this product:
• Be sure the product is off before re-
placing the battery. If you are using an
AC adapter, be sure it is unplugged.
• Use only batteries approved for use in
this equipment.
• Do not attempt to insert the battery
upside down or backwards.
• Do not short or disassemble the bat-
tery.
• Do not expose the battery to flame or
to excessive heat.
• Do not immerse in or expose to water.
• Do not transport or store with metal
objects such as necklaces or hairpins.
For Your Safety
This icon marks warnings, information that should be read before us-
ing your Nikon product to prevent possible injury.

iv
Do not drop
The product may malfunction if subjected
to strong shocks or vibration.
Keep dry
This product is not waterproof, and may
malfunction if immersed in water or ex-
posed to high levels of humidity. Rusting
of the internal mechanism can cause irrepa-
rable damage.
Avoid sudden changes in temperature
Sudden changes in temperature, such as
occur when entering or leaving a heated
building on a cold day, can cause conden-
sation inside the device. To prevent con-
densation, place the device in a carrying
case or a plastic bag before exposing it to
sudden changes in temperature.
Keep away from strong magnetic fields
Do not use or store this device in the vicin-
ity of equipment that generates strong
electromagnetic radiation or magnetic
fields. Strong static charges or the mag-
netic fields produced by equipment such as
radio transmitters could interfere with the
monitor, damage data stored on the
memory card, or affect the product’s inter-
nal circuitry.
Do not touch the shutter curtain
The shutter curtain is extremely thin and
easily damaged. Under no circumstances
should you exert pressure on the curtain,
poke it with cleaning tools, or subject it to
powerful air currents from a blower. These
actions could scratch, deform, or tear the
curtain.
Handle all moving parts with care
Do not apply force to the battery-chamber,
card-slot, or connector covers. These parts
are especially susceptible to damage.
Cleaning
• When cleaning the camera body, use a
blower to remove dust and lint, then wipe
gently with a soft, dry cloth. After using
your camera at the beach or seaside, wipe
off any sand or salt using a cloth lightly
dampened with pure water and then dry
your camera thoroughly. In rare in-
stances, static electricity produced by a
brush or cloth may cause the LCD displays
to light up or darken. This does not indi-
cate a malfunction, and the display will
shortly return to normal.
• When cleaning the lens and mirror, re-
member that these elements are easily
damaged. Dust and lint should be gen-
tly removed with a blower. When using
an aerosol blower, keep the can vertical
(tilting the can could result in liquid being
sprayed on the mirror). If you do get a
fingerprint or other stain on the lens,
apply a small amount of lens cleaner to a
soft cloth and wipe the lens carefully.
• See “Technical Notes: Caring for Your
Camera” for information on cleaning the
CCD.
Storage
• To prevent mold or mildew, store the
camera in a dry, well-ventilated area. If
you will not be using the product for long
periods, remove the battery to prevent
leakage and store the camera in a plastic
bag containing a desiccant. Do not, how-
ever, store the camera case in a plastic
bag, as this may cause the material to de-
teriorate. Note that desiccant gradually
loses its capacity to absorb moisture and
should be replaced at regular intervals.
• Do not store the camera with naphtha or
camphor moth balls, close to equipment
that produces strong magnetic fields, or
in areas subject to extremes of tempera-
ture, for example near a space heater or
in a closed vehicle on a hot day.
Caring for the Camera and Battery

viii
Table of Contents
For Your Safety ............................................................................................... ii
Caring for the Camera and Battery ................................................................. iv
Notices ........................................................................................................... vi
Introduction: Getting Started ......................................................................... 1
Overview: About This Manual ....................................................................... 2
Getting to Know the Camera: Camera Controls and Displays ..................... 4
First Steps: Getting the Camera Ready for Use ............................................. 14
Step 1—Attach the Camera Strap ................................................................... 15
Step 2—Insert the Battery ............................................................................... 16
Step 3—Choose a Language .......................................................................... 18
Step 4—Set the Time and Date ....................................................................... 19
Step 5—Attach a Lens .................................................................................... 20
Step 6—Insert a Memory Card........................................................................ 22
Tutorial: Basic Photography and Playback ..................................................... 25
Basic Photography: Taking Your First Photographs ..................................... 26
Step 1—Ready the Camera ............................................................................. 27
Step 2—Adjust Camera Settings ..................................................................... 28
Step 3—Frame a Photograph .......................................................................... 30
Step 4—Focus ................................................................................................ 31
Step 5—Check Exposure................................................................................. 32
Step 6—Take the Photograph ......................................................................... 34
Basic Playback: Viewing Photographs ........................................................... 35
Taking Photographs: The Details.................................................................... 37
The Shooting Menu ........................................................................................ 39
Choosing a Shooting Mode: Single Frame, Continuous, or Self-Timer ....... 41
Image Quality and Size: Making Effective Use of Memory ......................... 43
Image Quality ................................................................................................. 44
Image Size ...................................................................................................... 46
Sensitivity (ISO Equivalency): Reacting Faster to Light ................................ 48
White Balance: Keeping Colors True ............................................................. 50
Fine-Tuning White Balance .............................................................................. 53
Preset White Balance ...................................................................................... 55
Image Adjustment: Shooting Menu Settings ............................................... 58
Making Edges More Distinct: Image Sharpening ............................................. 58
Adjusting Contrast: Tone Compensation ......................................................... 59
Suiting Colors to Your Workflow: Color Mode ................................................ 60
Controlling Color: Hue Adjustment ................................................................. 62

x
The Shooting Menu: Shooting Options ........................................................ 135
Choosing a Settings Bank: Bank Select ........................................................... 135
File Type and Compression: Image Quality ....................................................... 136
Choosing an Image Size: Resolution ............................................................... 137
Keeping Colors True: White Balance ............................................................... 138
Setting Sensitivity: ISO .................................................................................... 139
Making Edges More Distinct: Image Sharpening ............................................. 140
Adjusting Contrast: Tone Compensation ......................................................... 141
Setting Colors Based on Workflow: Color Mode ............................................. 142
Controlling Color: Hue Adjustment ................................................................. 143
Custom Settings: Fine-Tuning Camera Settings ............................................ 144
The Setup Menu: Camera Setup .................................................................... 161
Formatting Memory Cards: Format ................................................................. 162
Adjusting Monitor Brightness: LCD Brightness ................................................ 163
Readying the CCD for Inspection: Mirror Lock-up ........................................... 163
Choosing a Video Standard: Video Mode ........................................................ 164
Adding Comments to Photographs: Image Comment ..................................... 164
Connections: Connecting to External Devices ............................................... 167
Television Playback: Connecting Your Camera to a Video Device ............... 168
Connecting to a Computer: Data Transfer and Camera Control ................. 169
Software for the D100 .................................................................................... 169
Direct USB Connection ................................................................................... 172
Technical Notes: Camera Care, Options, and Resources ............................... 175
Optional Accessories: Lenses and Other Accessories .................................... 176
Lenses for the D100 ....................................................................................... 176
Other Accessories ........................................................................................... 180
Approved Memory Cards ................................................................................ 183
Caring for Your Camera: Storage and Maintenance .................................... 184
Storage .......................................................................................................... 184
Cleaning ......................................................................................................... 185
Troubleshooting: Understanding Error Messages and Displays .................. 188
Web Resources: On-Line Resources for Nikon Users .................................... 192
Specifications .................................................................................................. 193
Index ................................................................................................................. 198

1
First Steps
14–24
Overview
2–3
Getting to Know the
Camera
4–13
This chapter is divided into the following sections:
Overview
Read this section for a description of how this
manual is organized and for an explanation of the
symbols and conventions used.
Getting to Know the Camera
Bookmark this section and refer to it as you read
through the manual for information on the names
and functions of camera parts.
First Steps
This section details the steps you will take when
using your camera for the first time: inserting the
battery and memory card, attaching a lens and cam-
era strap, and setting the date, time, and language.
Introduction
Getting Started

2
Introduction—Overview
Overview
About This Manual
This manual is designed to help you enjoy taking photographs with the ad-
vanced Nikon D100 single-lens reflex (SLR) digital camera. First-time users
who can’t wait to experience the simplicity and immediacy of digital photog-
raphy can follow the step-by-step instructions in the Quick Start Guide or
read “First Steps” and “Tutorial” in this manual, referring to “Getting to Know
the Camera” for information on the location of camera controls and displays.
Once you have mastered the basics, detailed information on when and how
to use the various camera settings can be found in “Taking Photographs” and
“Menu Guide.” Information on what to do with your pictures once you have
finished shooting is available in “Connections,” which describes how to con-
nect your camera to a television, video-cassette recorder, or computer.
Principal Features
• The D100 is equipped with a large (23.7 × 15.6 mm/0.9˝ × 0.6˝) CCD with
6.1 million effective pixels capable of producing photographs in three dif-
ferent sizes (3008 2000, 2240 1488, and 1504 1000 pixels).× × ×
• Proven elements of the D1-series’ 3D digital matrix image control, includ-
ing precise exposure control based on 3D matrix metering and TTL white
balance for optimum color temperature measurements, have been further
improved for unerring color reproduction and smooth tonal transitions.
• Three color modes, adapted to sRGB or Adobe color spaces, are available
for different work flows.
• Photographs are stored in a temporary memory buffer during shooting,
allowing up to six photographs (or four RAW images) to be recorded at a
rate of approximately three frames per second.
• Noise reduction is available to reduce the occurrence of randomly-spaced,
brightly-colored pixels at shutter speeds of around
1/2s or slower.
• The D100’s built-in Speedlight ensures that you will never miss the chance
for that perfect shot, even when lighting is poor.
• The camera is equipped with an automatic sensitivity adjustment function
that helps ensure optimal exposure when correct exposure can not be
achieved at current settings.
• Twelve-bit output from the camera’s CCD can be saved without modifica-
tion as high-quality RAW data.
• The optional MB-D100 multi function battery pack can expand your camera’s
potential with voice-memo recording and a shutter-release button and
command dials for taking photographs in vertical (portrait) orientation.

3
Introduction—Overview
To make it easier to find the information you need, the following symbols and
conventions are used:
Take Test Shots
Before taking pictures on important occasions (for example, at weddings or before
taking the camera with you on a trip), take a test shot to ensure that the camera is
functioning normally. Nikon will not be held liable for damages or lost profits that may
result from product malfunction.
Life-Long Learning
As part of Nikon’s “Life-Long Learning” commitment to ongoing product support and
education, continually-updated information is available on-line at the following sites:
• For users in the U.S.A.: http://www.nikonusa.com/
• For users in Europe: http://www.nikon-euro.com/
• For users in Asia, Oceania, the Middle East, and Africa: http://www.nikon-asia.com/
Visit these sites to keep up-to-date with the latest product information, tips, answers to
frequently-asked questions (FAQs), and general advice on digital imaging and photog-
raphy. Additional information may be available from the Nikon representative in your
area. See the URL below for contact information:
http://www.nikon-image.com/eng/
Replacing This Manual
Should you lose this manual, replacements can be ordered, for a fee, from any autho-
rized Nikon service representative.
This icon marks cautions, informa-
tion that you should read before use
to prevent damage to your camera.
This icon marks tips, additional in-
formation you may find helpful
when using your camera.
This icon marks notes, information
that you should read before using
your camera.
This icon indicates that more infor-
mation is available elsewhere in this
manual.
This icon marks settings that can be
adjusted using camera menus.
This icon marks settings that can be
fine-tuned from the Custom Settings
menu.

4
Introduction—Getting to Know the Camera
Getting to Know the Camera
Camera Controls and Displays
Take a few moments to familiarize yourself with camera controls and displays.
You may find it helpful to bookmark this section and refer to it as you read
through the rest of the manual.
Camera Body
4
3
2
1
5
6
11
10
7
8
9
1
13
14
12
1 Eyelet for camera strap ................. 15
2 Shooting-mode dial lock release ... 41
3 Shooting mode dial ...................... 41
4 Accessory shoe ........................... 104
5 Depth-of-field preview button ...... 76
6 AF-assist illuminator ..................... 72
Self-timer lamp ........................... 108
Red-eye reduction lamp ................ 97
7 Power switch ................................ 27
8 Release terminal ......................... 182
9 Shutter-release button ...... 31–34, 72
10 Exposure compensation ( ) button
.................................................... 86
11 Flash sync mode ( ) button ..... 98
12 LCD illuminator ( ) button (press to
illuminate control panel) ............. 155
Format ( ) button ................... 23
13 Control panel ................................. 8
14 Focal plane mark ( ) ................. 74

5
Introduction—Getting to Know the Camera
15
16 18
17
20
19
21
15 Built-in Speedlight .................. 94, 98
16 Sub-command dial ....................... 12
17 Function dial ................................ 12
See also:
Exposure mode .......................... 76
Sensitivity (ISO equivalency) ....... 48
White balance ........................... 50
Image quality ............................. 44
Image size ................................. 46
AF-area mode ............................ 65
18 Speedlight lock release ................. 98
19 Connector cover ......... 168, 172, 191
20 Lens release button ...................... 21
21 Focus-mode selector ..................... 63
The LCD Illuminator
The control panel backlight (LCD illuminator) will light when the LCD illuminator button
( ) is pressed, allowing you to confirm camera settings in the dark. The illuminator
will remain lit while the camera exposure meters are active or until the shutter is re-
leased.

6
Introduction—Getting to Know the Camera
Getting to Know the Camera
Camera Body (continued)
24
25
26
27
28
29
23
22
32
34
33
36
37
30
31
35
38
39
22 Viewfinder eyepiece ..................... 30
23 Flash exposure compensation
( ) button ............................... 102
Format ( ) button ................... 23
24 Bracketing ( ) button ................ 88
25 Monitor ( ) button ........... 35, 112
26 MENU ( ) button ............. 39, 122
27 Thumbnail ( ) button .............. 116
28 Protect ( ) button ................... 119
29 ENTER ( ) button ............. 40, 125
Playback zoom ( ) button .......... 118
30 Viewfinder eyepiece cup............... 30
31 AE/AF lock ( ) button .. 70, 84, 154
32 Main command dial ..................... 12
33 Memory card slot cover ................ 22
34 Multi selector ........... 35, 39, 64, 114
35 Focus area lock switch .................. 64
36 Memory card slot cover latch ........ 22
37 Memory card access lamp ............ 34
38 Delete ( ) button .............. 35, 120
39 Monitor .................................. 15, 35

7
Introduction—Getting to Know the Camera
40
41
44
45
42
43
40 Tripod socket
41 Connectors for MB-D100 ........... 180
42 Metering selector ......................... 75
43 Diopter adjustment control........... 30
44 Battery-chamber cover latch ......... 16
45 Battery-chamber cover ......... 16, 180
Camera Controls and Displays

8
Introduction—Getting to Know the Camera
Control Panel
2
7
6
5
3
4
1
8
9
14
13
12
11
10
15
17
16
Getting to Know the Camera

9
Introduction—Getting to Know the Camera
Camera Controls and Displays
1 Shutter speed ......................... 79–80
Sensitivity ..................................... 48
Exposure compensation value ....... 86
Flash compensation value ........... 102
Number of shots in bracketing
sequence ...................................... 88
White balance adjustment ............ 90
2 Battery indicator ........................... 17
3 Image size .................................... 46
4 Image quality ............................... 44
5 Flash compensation indicator ..... 102
6
Exposure compensation indicator ..
86
7 Flexible program indicator ............ 78
8 Flash sync mode ........................... 96
9 Aperture ...................................... 81
Bracketing increment ................... 88
Image transfer mode indicator .... 173
10 Custom-settings indicator........... 146
11 Number of exposures remaining ... 27
Number of shots remaining before
memory buffer fills ....................... 41
Remote control mode indicator .. 173
12 White balance mode .................... 50
13 Bracketing indicator ..................... 88
14 Clock battery indicator ................. 19
15 “K” (appears when memory remains
for over 1,000 exposures) ............. 42
16 Bracketing progress indicator ....... 89
17 Focus area .............................. 64–69
The Control Panel Display
The control panel display tends to darken and exhibit slower response times at high
temperatures. The display will return to normal at room temperature.

10
Introduction—Getting to Know the Camera
Getting to Know the Camera
The Viewfinder Display
No Battery
When the battery is totally exhausted or no battery is inserted, the display in the viewfinder
will dim. This is normal and does not indicate a malfunction. The viewfinder display
will return to normal when a fully-charged battery is inserted.
The Viewfinder Display
The focus-area and grid-line displays in the viewfinder (advanced focusing screen dis-
play) tend to brighten at high temperatures and to darken and exhibit slower response
times at low temperatures. The other displays in the viewfinder tend darken and ex-
hibit slower response times at high temperatures. All displays will return to normal at
room temperature.
2
1
3
4 5 6 87 9 10 11
1615141312
2

11
Introduction—Getting to Know the Camera
Camera Controls and Displays
1 12-mm (0.47˝) reference circle for
center-weighted metering ............ 75
2 Focus brackets (focus areas) ... 64–69
Spot-metering targets .................. 75
3
Reference grid (displayed when ON is
selected for Custom Setting 19) ..
157
4 Focus indicator ....................... 31, 70
5 Metering ...................................... 75
6 Auto-exposure lock ...................... 84
7 Exposure mode ............................ 76
8 Flash compensation indicator ..... 102
9
Exposure compensation indicator ..
86
10 “K” (appears when memory remains
for over 1,000 exposures) ............. 42
11 Flash-ready indicator .................... 99
12 Battery indicator ........................... 17
13 Shutter speed ......................... 80, 82
14 Aperture ................................ 81–82
15 Electronic analog exposure display
.................................................... 83
Exposure compensation ................ 86
16 Number of exposures remaining ... 27
Number of shots remaining before
memory buffer fills ....................... 41
Exposure compensation value....... 86
Flash exposure compensation value
.................................................. 102
Advanced Focusing Screen Display
When the background is bright, the active focus area ( 64) is highlighted in black.
When the background is dark, the active focus area is highlighted briefly in red as
needed to establish contrast with the background (“Vari-Brite” focus areas), making it
easier to identify the selected focus area. The viewfinder is also equipped with on-
demand grid lines. When is selected for Custom Setting 19 (ON Grid Display;
157), a reference grid is superimposed over the display in the viewfinder. This grid is a
useful aid when composing landscape shots or when tilting or shifting a PC Nikkor lens.
Owing to the characteristics of this type of viewfinder display, you may notice fine lines
radiating outwards from the selected focus area, or that the display in the viewfinder
turns red when the selected focus area is highlighted. These phenomena are normal
and do not indicate a malfunction.

12
Introduction—Getting to Know the Camera
Getting to Know the Camera
The Command Dials
The main- and sub-command dials are used alone or in combination with
other controls to adjust a variety of settings.
+
+
Image quality and size
Choose an image size ( 47)
Set image quality ( 46)
+
+
White balance
Fine-tune white balance ( 53–54)/mea-
sure a value for preset white balance (
56)
Choose a white balance setting ( 52)
+
Sensitivity (ISO equivalency)
Set sensitivity (ISO equivalency; 49)
Flash sync
mode button
Function dial
Sub-command
dial
Exposure
compensation
button
Main command
dial
Bracketing button
Flash exposure
compensation
button

13
Introduction—Getting to Know the Camera
Camera Controls and Displays
+
AF-area mode
Choose a setting for AF-area mode (
65)
+
+
Flash settings
Set flash compensation (when function
dial set to P S, , A M, or ; 102)
Choose a flash sync mode (when func-
tion dial set to , or P, , S A M; 98)
Exposure
+Set exposure compensation (when func-
tion dial set to P, S, ; 86)A, or M
+Activate or cancel bracketing (when func-
tion dial set to , or P, , S A M; 88)
+Change bracketing settings (when func-
tion dial set to , or P, , S A M; 88)
+Choose a combination of aperture and
shutter speed (exposure mode P 78)
+Choose a shutter speed (exposure mode
S M or ; 80)
+Choose an aperture (exposure mode A or
M; 81–82)

14
Introduction—First Steps
Insert the Battery 16–17STEP 2
Choose a Language 18STEP 3
Set the Time and Date 19STEP 4
First Steps Getting the Camera Ready for Use
Before using your camera for the first time, complete the following steps:
Attach the Camera Strap 15STEP 1
Attach a Lens 20–21STEP 5
Insert a Memory Card 22–23STEP 6
To learn more about batteries and alternative power sources, see:
• Technical Notes: Optional Accessories ........................ 176–183
• Caring for the Camera and Battery ............................ iv–v
To learn more about the lenses available for the D100, see:
• Technical Notes: Optional Accessories ........................ 176–183
To learn more about compatible memory cards, see:
• Technical Notes: Approved Memory Cards ................. 183
For more information on formatting memory cards, see:
• The Setup Menu: Formatting Memory Cards .............. 162

16
Introduction—First Steps
Step 2—Insert the Battery
Your camera is powered by a single rechargeable Nikon EN-EL3 lithium-ion
battery (provided).
2 .1 Charge the battery
The EN-EL3 battery supplied with your camera is not fully charged at
shipment. To maximize shooting time, batteries should be fully charged
before use. The battery will recharge in about two hours when inserted
in the MH-18 quick charger provided with your camera; instructions for
use may be found in the documentation provided with the charger.
2 .2 Turn the camera off
Turn the camera off before inserting or re-
moving batteries.
a
b
2 .3 Open the battery-chamber cover
Slide the battery-chamber cover latch to the
open position ( ; a) and open the battery-
chamber cover (b).
2 .4 Insert the battery pack
Insert a fully charged battery with the con-
tacts oriented as shown at right.
2 .5 Close the battery-chamber cover
To prevent the battery from being dislodged
during operation, be sure the cover is se-
curely latched.
First Steps
2

17
Introduction—First Steps
Removing the Battery
To remove the battery, turn the camera off, open the battery chamber cover as de-
scribed above, and slide the battery out.
Camera Off Display
When the camera is off and the main battery is inserted or
the camera is powered by an optional EH-5 AC adapter,
the control panel will show only the number of exposures
re
maining. If no memory card is inserted,
will be
displayed.
7—Auto Meter Off ( 151)
The length of the auto meter off delay can be adjusted using Custom Setting 7.
Getting the Camera Ready for Use
2
2 .6 Check the battery level
Turn the camera on and check the battery level in the control panel or
viewfinder.
NotesStatus
View-
finder
Control
Panel
To save power, aperture and shutter-
speed indicators in the control panel and
all indicators in viewfinder turn off if no
operations are performed for six seconds
(auto meter off). Press shutter-release
button halfway to reactivate display.
—Battery fully
charged
Battery partially
discharged
—
Battery exhausted
(Flashes)
Shutter-release disabled. No pictures can
be taken until battery has been replaced.
* No icon displayed when camera powered by optional AC adapter.
(Flashes)
Ready a fully-charged spare battery.Low battery
Icon
*

18
Introduction—First Steps
Step 3—Choose a Language
Camera menus and messages can be displayed in your choice of German,
English, French, Japanese, and Spanish.
First Steps
3
Display SET UP menu
Format
LCD Brightness
Mirror Lock-up
Video Output
Date
Language
Image Comment
En
O
– –
OFF
NTSC
– –
OFF
SET UP
3.3
Position cursor in SET UP menu
Format
LCD Brightness
Mirror Lock-up
Video Output
Date
Language
Image Comment
En
O
– –
OFF
NTSC
– –
OFF
SET UP
3.4
Highlight Language
Format
LCD Brightness
Mirror Lock-up
Video Output
Date
Language
Image Comment
En
O
– –
OFF
NTSC
– –
OFF
SET UP
3.5
Display options
OK
日本語
De
En
Fr
Es
Language
English
Deutsch
Français
Español
SET UP
3.6
Highlight option
OK
Language
De
En
English
Deutsch
Français
Español
Fr
Es
SET UP
3.7
Make selection and
return to SET UP menu
Format
LCD Brightness
Mirror Lock-up
Video Output
Date
Language
Image Comment
En
O
– –
OFF
NTSC
– –
OFF
SET UP
3.8
Display camera menus
Delete
Folder Designate
Slide Show
Hide Image
Print Set
Display Mode
PLAYBACK MENU
ND100
3.2
Turn camera on
3.1

19
Introduction—First Steps
Step 4—Set the Time and Date
The time and date of recording is included with all pictures. To ensure that
your pictures are stamped with the correct time and date, display the setup
menu as described opposite, then set the time and date as described below.
Save changes to settings and return
to SET UP menu
Format
LCD Brightness
Mirror Lock-up
Video Output
Date
Language
Image Comment
En
O
– –
OFF
NTSC
– –
OFF
SET UP
4.5
The Clock Battery
The clock-calendar is powered by an independent, rechargeable power source, which is
charged as necessary when a charged EN-EL3 battery is installed or the camera is pow-
ered by an optional EH-5 AC adapter. Three days of charging is sufficient to provide
about five months of back-up power. If the icon in the control panel flashes,
the clock battery is exhausted and the clock has been reset to 2002.01.01 00:00:00.
Set the clock to the correct date and time as described above.
Getting the Camera Ready for Use
4
Edit Year
2002 01
00 15
01
20
SET OK
Date
Y M
H M
D
S
SET UP
4.3
Select next item. Repeat Steps 4.3–
4.4 to set onth, ay, our, inute,M D H M
and econdS
2002 05 10
11 00 00
SET OK
Y M
H M
D
S
Date
SET UP
4.4
Highlight Date
Format
LCD Brightness
Mirror Lock-up
Video Output
Date
Language
Image Comment
En
O
– –
OFF
NTSC
– –
OFF
SET UP
4.1
Display menuDate
2002 01
00 15
01
20
SET OK
Date
Y M
H M
D
S
SET UP
4.2
• The camera clock is less accurate
than most battery-powered time-
pieces, and should be regularly
checked and reset as necessary.

20
Introduction—First Steps
First Steps
Step 5—Attach a Lens
We recommend that you use a type G or type D CPU lens to take full advan-
tage of the features your camera offers.
5 .1 Turn the camera off
Turn the camera off before attaching or re-
moving lenses.
5 .2 Attach a lens
Keeping the mounting mark on the lens
aligned with the mounting mark on the cam-
era body, position the lens in the camera’s
bayonet mount. Being careful not to press
the lens-release button, rotate the lens
counter-clockwise until it clicks into place.
Protect the Camera from Dirt and Dust
Any dust, dirt, or other foreign matter inside your cam-
era could show up as specks or blotches in your photo-
graphs or the viewfinder display. When no lens is in
place, keep the lens mount covered with the BF-1A body
cap supplied with your camera. When exchanging lens
or replacing the body cap, keep the lens mount pointed
down.
5
Type D lens
T
ype G lensCPU lenses have CPU
contacts

21
Introduction—First Steps
Getting the Camera Ready for Use
5 .3 Lock aperture at the minimum setting
This step is not necessary if you are using a type G lens (type G lenses
are not equipped with an aperture ring). If you are using a lens of
another type, lock aperture at the minimum setting (highest f/-number).
If you do not perform this step when using a CPU lens, the aperture
displays in the control panel and viewfinder will show a blinking
when the camera is turned on. Photographs can not be taken until you
have turned the camera off and locked aperture at the highest f/-num-
ber.
Detaching the Lens
Be sure the camera is off when removing or exchanging
lenses. To remove the lens, press and hold the lens-
release button while turning the lens clockwise.
5
Non-CPU Lenses
Non-CPU lenses can only be used when the function dial is set to M (manual exposure
mode). In other exposure modes, the shutter release will be disabled. When a non-
CPU lens is attached, the camera exposure meters will not function, and the aperture
displays in the control panel and viewfinder will show to indicate that aperture can
only be set using the lens aperture ring.
For more information on:
176 Lenses for the D100

22
Introduction—First Steps
First Steps
Step 6—Insert a Memory Card
In place of film, your Nikon digital camera uses CompactFlash
™ memory cards
or IBM Microdrive® cards to store photographs. For a list of approved memory
cards, see “Technical Notes: Approved Memory Cards” ( 183).
6 .1 Turn the camera off
Turn the camera off before inserting or re-
moving memory cards.
6 .2 Open the card slot cover
Open the card slot cover as shown at right.
6 .3 Insert a memory card
Insert the memory card with the rear label
toward the monitor, sliding the card in until
it is fully seated in the contacts at the back
of the slot (1) and the eject button pops up
(2). Close the card slot cover.
6
2
1
1
2
Inserting Memory Cards
Insert the memory card in the orientation shown above;
do not use force. Do not attempt to insert cards in an-
other orientation, as this could damage the camera or
card.
The memory card slot is on a slight angle (see illustra-
tion at right). Match the angle of the memory card slot
when inserting memory cards.
Direction of
insertion
Rear
label
Terminals

23
Introduction—First Steps
Getting the Camera Ready for Use
6
6 .4 Format the memory card
Memory cards must be formatted before first use. Note that formatting
memory cards permanently deletes any data they may contain. Be sure
to copy any photographs and other data you wish to keep to a com-
puter before proceeding ( 169).
To format the card, turn the camera on and hold the ( and )
buttons down simultaneously for approximately two seconds. A blink-
ing will appear in the shutter-speed display and the frame count
will blink. Pressing both buttons together a second time will format the
memory card. Press any other button to exit without formatting.
During formatting, the letters will be appear in the frame-count
display. Do not remove the card or battery or unplug the AC adapter
(available separately) during formatting. When formatting is complete,
the frame-count display will show the number of photographs that can
be recorded at current settings.
No Memory Card
If no memory card is inserted in the camera when a
charged EN-EL3 battery is inserted or the camera is pow-
ered by an AC adapter, will appear control panel
exposure-count display. When the camera is on and
indicators are displayed in the viewfinder, the exposure-
count display in the viewfinder will also show .
Format ( 162)
Memory cards can also be formatted using the Format option in the setup menu.

24
Introduction—First Steps
Removing Memory Cards
Memory cards may be hot after use. Observe due caution when removing memory
cards from the camera.
Removing Memory Cards
Memory cards can be removed without loss of data when
the camera is off. Before removing the memory card,
wait for the green card access lamp next to the card slot
cover to go out and then turn the camera off. Pressing
the memory card slot cover latch, open the card slot
cover and press the eject button to partially eject the
card (1). You can then remove the card by hand (2). Do
NOT attempt to remove the card while the access lamp is
on. Failure to observe this precaution could result in
loss of data or in damage to the camera or card.
2
1
First Steps
6
Access
lamp

25
This chapter takes you step-by-step through the
process of taking your first photographs and play-
ing them back.
Basic Photography
This section describes how to use autofocus and
auto multi program autoexposure for simple, “point-
and-shoot” photography that will produce optimal
results in most situations.
Basic Playback
Read this section for information on viewing pho-
tographs in the monitor.
Tutorial
Basic Photography and Playback
Basic Photography
26–34
Basic Playback
35–36

26
Tutorial—Basic Photography
Adjust Camera Settings 28–29STEP 2
Ready the Camera 27STEP 1
There are six basic steps to taking photographs:
Basic Photography Taking Your First Photographs
Frame the Photograph 30STEP 3
Focus 31STEP 4
Check Exposure 32STEP 5
Take the Photograph 34STEP 6
To learn more about the battery level display, see:
• Introduction: First Steps ............................................. 16–17
To learn how to restore settings to their default values, see:
• Taking Photographs: Two-Button Reset ...................... 110
• Menu Guide: The Custom Settings Menu................... 144–160
To learn more about the following camera settings, see:
• Taking Photographs: Choosing a Shooting Mode ....... 41–42
• Taking Photographs: Image Quality and Size .............. 43–47
• Taking Photographs: Sensitivity (ISO Equivalency) ....... 48–49
• Taking Photographs: White Balance ........................... 50–57
• Taking Photographs: Focus ......................................... 63–74
• Taking Photographs: Exposure .................................... 75–93
To learn how to preview the effects of aperture, see:
• Taking Photographs: Exposure .................................... 75–93
To learn about optional viewfinder accessories, see:
• Technical Notes: Optional Accessories ........................ 180–183
To learn more about focus options, see:
• Taking Photographs: Focus ......................................... 63–74
To learn how to change the composition after setting exposure, see:
• Taking Photographs: Exposure .................................... 75–93
To learn more about flash photography, see:
• Taking Photographs: Flash Photography ..................... 94–106
To learn how to delay shutter release, see:
• Taking Photographs: Self-Timer Mode ........................ 108–109

27
Tutorial—Basic Photography
Step 1—Ready the Camera
Before taking photographs, ready the camera as described below.
1 .1 Turn the camera on
The control panel will turn on and the dis-
play in the viewfinder will light.
1
1 .2 Check the battery level
If the low-battery icon ( ) appears in the
control panel or flashes in the viewfinder,
recharge the battery or replace it with a fully-
charged spare battery before proceeding.
1 .3 Check the number of exposures remaining
The exposure-count displays in the control
panel and viewfinder show the number of
photographs that can be taken at current
settings. When this number reaches zero,
the shutter-speed display in the control panel
will show a blinking , the viewfinder
shutter-speed display, . You will need
to delete pictures, insert a new memory card,
or adjust image quality and size settings be-
fore you will be able to take additional pho-
tographs.

29
Tutorial—Basic Photography
Taking Your First Photographs
2
Non-CPU Lenses
Exposure mode (auto multi program) is only available when the lens mounted on theP
camera is a CPU lens. When a non-CPU lens is used, will flash in the aperture
displays in the control panel and viewfinder and the shutter can not be released. Non-
CPU lenses can only be used in manual exposure mode (exposure mode M).
2 .2 Set the shooting mode to single frame ( 41)
Hold the mode-dial lock release down (1)
and turn the shooting mode dial (2) to
(single frame). This sets the camera to take
one photograph each time the shutter-re-
lease button is pressed.
2 .3 Set the focus mode to single-servo autofocus ( 63)
Turn the focus-mode selector until it clicks
into place pointing to S (single-servo
autofocus). At this setting, the camera will
automatically focus on the subject in the se-
lected focus area when the shutter-release
button is pressed halfway. Pictures can only
be taken when the camera is in focus.
2 .4 Choose matrix as the metering method ( 75)
Rotate the metering selector to (matrix
metering). Matrix metering uses informa-
tion from all areas of the frame to deter-
mine exposure, ensuring optimal results for
the entire frame.
2 .5 Set the function dial to (auto multi program; 77)P
Before shooting, rotate the function dial to
P (auto multi program). At this setting, the
camera will automatically adjust
shutter-speed
and aperture according to a built-in expo-
sure program, producing optimal exposure
in most situations.
1
2

30
Tutorial—Basic Photography
Basic Photography
3Step 3—Frame a Photograph
To prevent blurred photographs caused by unsteady hands (camera shake),
hold the camera steadily in both hands, with your elbows propped lightly
against your torso for support. Hold the handgrip in your right hand and
cradle the camera body or lens with your left.
The recommended stance for taking photographs is with one foot a half pace
in front of the other and your upper body stable.
Using the Diopter Control
When operating the diopter control with your eye to the viewfinder, care should be
taken to avoid accidentally putting your fingers or fingernails in your eye.
Viewfinder Focus
The viewfinder is equipped with diopter adjustment to
accommodate individual differences in vision. To adjust
viewfinder focus, slide the diopter adjustment control
up and down until the focus brackets in the viewfinder
are in sharp focus. If necessary, you can remove the
rubber viewfinder eyepiece cup when adjusting diopter;
when replacing the cup, the lettered face should be
down.
Diopter can be adjusted in the range –2 m –1 to +1 m–1. Corrective lenses (available
separately; 180) allow diopters of –5 m–1 to +3 m–1. The rubber viewfinder eyepiece
cup must be removed when using diopter adjustment lenses.
The optional MB-D100
multi function battery
pack is equipped with a
shutter-release button for
taking photographs in
portrait (tall) orientation.

31
Tutorial—Basic Photography
4
Step 4—Focus
In single-servo AF, the camera focuses on the sub-
ject in the selected focus area when the shutter-
release button is pressed halfway. After centering
the focus brackets on your subject, press the shut-
ter-release button halfway and check focus in the
viewfinder. If the subject is dark, the AF-assist il-
luminator will light automatically to assist with the autofocus operation.
The Function Dial
Pictures can only be taken when the function dial is set to . At otherP S A, , , or M
settings, the shutter release will be disabled.
Viewfinder Frame Coverage
Approximately 95% of the image exposed on the CCD is visible through the viewfinder.
The view through the viewfinder shows slightly less than appears in the final photo-
graph.
Viewfinder Display Meaning
●Subject in focus.
●
(flashes)
Camera unable to focus on subject in focus brackets using
autofocus.
If the camera is unable to focus using autofocus, use manual focus ( 74), or
use focus lock to focus on another subject at the same distance, then recom-
pose your photograph ( 64). To focus on an off-center subject, use focus
lock ( 70) or select the focus area containing your subject using the multi
selector.
Taking Your First Photographs

32
Tutorial—Basic Photography
5Step 5—Check Exposure
With the shutter-release button pressed halfway,
check the shutter-speed and aperture indicators
in the viewfinder. If the photo would be under- or
over-exposed at current settings, one of the fol-
lowing indicators will appear in either the shutter-
speed or aperture display.
Indicator Meaning
Photo will be overexposed. Use a Neutral Density (ND) filter.
Shutter Speed and Camera Shake
To prevent blurring caused by camera shake, the shutter speed should be faster than
the inverse of the focal length of the lens, in seconds (for example, if a lens has a focal
length of 50 mm, shutter speed should be faster than 1
/
50 s). Use of a tripod is recom-
mended when shooting at slower shutter speeds. To prevent blur, try raising the built-
in Speedlight (see following page) or increasing sensitivity ( 48).
3—ISO Auto ( 148)
When ON is selected for Custom Setting 3 (ISO Auto), the camera will automatically
vary sensitivity from the value selected by the user to help ensure optimum exposure.
9—EV Step ( 151)
By default, shutter speed and aperture are shown in increments equivalent to 1/3EV.
Using Custom Setting 9, you can change the increment to 1/2EV.
Basic Photography
Photo will be underexposed. Use the built-in Speedlight (see opposite)
or choose a higher sensitivity (ISO equivalency).

33
Tutorial—Basic Photography
Taking Your First Photographs
5
When Lighting Is Poor
When lighting is poor, shutter speed slows and photographs may be blurred. At shut-
ter speeds slower than 1
/
60 s, you can use the built-in Speedlight to prevent blur. A flash
can also be used to “fill in” (illuminate) shadows and back-lit subjects ( 94). To use
the built-in Speedlight:
aRaise the Speedlight
Press the Speedlight lock release. The Speedlight will
pop up and begin charging.
bSet the flash-sync mode to front-curtain sync
Press the button and rotate the main command dial until is displayed in the
control panel.
cCheck the flash-ready indicator in the viewfinder
Press the shutter-release button halfway and check
the flash-ready indicator in the viewfinder. When
the built-in Speedlight is raised, photographs can only
be taken when the flash-ready indicator is displayed.
If the flash-ready indicator is not displayed, remove
your finger briefly from the shutter-release button
and try again.
When the Speedlight Is Not in Use
To save battery power when the Speedlight is not in use, return it to the closed position
by pressing it lightly downward until you hear the latch click into place.

34
Tutorial—Basic Photography
Basic Photography
6Step 6—Take the Photograph
Smoothly press the shutter-release button the rest
of the way down.
While the photograph is being recorded to the
memory card after shooting, the access lamp next
to the card slot cover will light. Do not eject the
memory card, turn the camera off, or remove or
disconnect the power source until the lamp has
gone out. Removing the memory card or cutting
power in these circumstances could result in loss
of data.
Do Not Photograph Strong Light Sources
Avoid taking pictures with the camera focused on the sun or other strong light source.
Intense light may cause deterioration in the charge-coupled device (CCD) that the cam-
era uses in place of film. It may also produce a white blur effect in the final photograph.
1—Image Review ( 147)
Photographs can be displayed at any time during or after recording by pressing the
button. When is selected for (Custom Setting 1), photographs areON Image Review
automatically displayed in the monitor immediately after shooting.

35
Tutorial—Basic Playback
To play photographs back, press the button. The most recent photograph
will be displayed in the monitor.
Viewing Additional Photographs
To page through photographs in the order recorded, press the multi selector
down. Press the multi selector up to view photographs in reverse order. To
scroll rapidly through the images on the memory card, press and hold the up
or down buttons on the multi selector.
When the last photograph on the memory card is displayed, you can return to
the first photograph by pressing the multi selector down. When the first
photograph in memory is displayed, you can view the last photograph by
pressing the multi selector up.
Deleting Unwanted Photographs
To delete the photograph currently
displayed in the monitor, press the
button. A confirmation dialog will be
displayed. Press the multi selector
down to highlight , then press YES
to delete the image and return to play-
back. To exit without deleting the
picture, highlight NO and press .
Basic Playback Viewing Photographs
100-1
ENTER
OK
NO
YES
Delete?
Delete ( 124)
To delete multiple images, use the option in the playback menu.Delete

36
Tutorial—Basic Playback
Basic Playback
6—Monitor Off ( 151)
The monitor will turn off automatically to save power if no operations are performed
for the time specified in Custom Setting 6 ( ). Press the Monitor Off button again to
return to playback mode.
Take Additional Photographs
To end playback and return to shooting mode, press the button or press
the shutter-release button halfway.

37
In “Tutorial: Taking Photographs,” you learned the
basic order of operations for taking photographs at
the most commonly-used settings. This chapter
explains how and when you can adjust camera set-
tings for different shooting conditions.
Taking
Photographs
The Details
Choosing a
Shooting Mode
41–42
Image Quality and
Size
43–47
Sensitivity (ISO
Equivalency)
48–49
White Balance
50–57
Image Adjustment
58–62
Focus
63–74
Exposure
75–93
Flash Photography
94–107
Self-Timer Mode
108–109
Two-Button Reset
110

38
Taking Photographs
Taking Photographs
The chart below shows the basic order for adjusting settings when taking
photographs.
Will this be a single photo, or a series of photos?
➡ Choosing a Shooting Mode ................................................ 41–42
How will I use the photo?
➡ Image Quality and Size ........................................................ 43–47
➡ Image Adjustment .............................................................. 58–62
What lighting is available?
➡ Sensitivity (ISO Equivalency) ................................................. 48–49
➡ White Balance ..................................................................... 50–57
What is my subject, and how will I compose the photograph?
➡ Focus .................................................................................. 63–74
How important is background lighting to my photograph?
➡ Exposure: Metering ............................................................. 75
Is my subject very bright, very dark, or high contrast?
➡ Exposure: Exposure Compensation ...................................... 86
➡ Exposure: Bracketing ........................................................... 87–93
What is my priority for this subject, shutter speed or aperture?
➡ Exposure: Exposure Mode ................................................... 76–83
Will I need the flash?
➡ Flash Photography .............................................................. 94–107
Do I need to delay shutter release?
➡ Self-Timer Mode ................................................................. 108–109

39
The Details
Taking Photographs
The Shooting Menu
Changes to some camera settings (shooting mode, focus, metering, exposure
mode, exposure compensation, flash sync mode, and flash exposure com-
pensation) are made using the buttons and dials on the camera body. Others
(image sharpening, tone compensation, color mode, and hue adjustment) are
made from the shooting menu, while still others (image quality and size, sen-
sitivity, and white balance) can be made either from the shooting menu or
using the buttons and dials on the camera body. To make a selection from the
shooting menu:
Highlight to select shooting menu
Bank Select
Image Quality
Resolution
White Bal
ISO
A
NORM
A
200
L
SHOOTING MENU
3
Press MENU button. Active menu will
be displayed in monitor. If menu dis-
played is shooting menu, go to Step 5.
1
Delete
Folder Designate
Slide Show
Hide Image
Print Set
Display Mode
ND100
PLAYBACK MENU
If other menu is displayed, press
multi selector left until icon at left of
menu is highlighted
2
Delete
Folder Designate
Slide Show
Hide Image
Print Set
Display Mode
PLAYBACK MENU
ND100
Position cursor in shooting menu
Bank Select
Image Quality
Resolution
White Bal
ISO
A
NORM
A
200
L
SHOOTING MENU
4
Highlight menu item. Current selec-
tion for item is displayed to right of
menu.
5
Bank Select
Image Quality
Resolution
White Bal
ISO
A
NORM
A
200
L
SHOOTING MENU
Display options
6
OK
Image Quality
NEF (Raw)
TIFF-RGB
JPEG Fine
JPEG Normal
JPEG Basic
SHOOTING MENU

40
Taking Photographs
Taking Photographs
7
OK
Image Quality
NEF (Raw)
TIFF-RGB
JPEG Fine
JPEG Normal
JPEG Basic
SHOOTING MENU
8
Bank Select
Image Quality
Resolution
White Bal
ISO
A
FINE
A
200
L
SHOOTING MENU
Highlight option Make selection and
return to main menu
• To return to the previous menu without making a selection, press the multi
selector to the left.
• The selection for some options is made from a sub-menu. Repeat steps 7
and 8 to make a selection from a sub-menu.
• The , , , op-Bank Select Image Quality Resolution White Bal, and ISO
tions are not available when the function dial is set to QUAL, WB, or ISO.
• Some menu items are not available while images are being recorded to the
memory card.
• The button performs the same function as pressing the multi selector
to the right. In some cases, a selection can only be made using the
button.
Exiting the Menus
To exit the menus, press the button (if a menu option is highlighted, press
the button twice). You can also exit the menus by pressing the but-
ton to turn the monitor off or by turning the camera off. To exit the menus
and focus the camera for the next shot, press the shutter-release button half-
way.
Using the Multi Selector
The multi selector can be used at any time when the monitor is on. The focus selector
lock switch only takes effect when the monitor is off.

41
Taking Photographs—Choosing a Shooting Mode
Choosing a Shooting Mode
Single Frame, Continuous, or Self-Timer
Your choice of shooting mode determines how the camera takes photographs:
one at a time, in a continuous sequence, or with a delay after the shutter-
release button is pressed.
To choose a shooting mode, press the shooting
mode dial lock button and turn the shooting mode
dial to the desired setting. The following modes
are available:
Mode Description
Single frame
The camera takes one photograph each time the shutter release
button is pressed all the way down.
Continuous
Camera records photographs at a rate of about three frames per
second * while the shutter-release button is held down. Up to six
frames (four frames in RAW mode) can be recorded before tempo-
rary memory buffer ( 42) fills. When noise reduction ( 149) is
on, memory buffer holds up to three photographs (two photographs
in RAW mode). Additional photographs can be taken as soon as
enough memory is available in buffer. This setting can be used to
capture a fleeting expression on a portrait subject, or to photograph
a subject that is moving unpredictably.
Self-timer
Use the self-timer to reduce blurring caused by camera shake or to
appear in photographs you take yourself ( 108).
* Average obtained at 20 C (68 F) with manual focus, manual exposure, a shutter° °
speed of 1/250 s or faster, and memory remaining in the buffer.
Buffer Size
During shooting, or while the shutter-release button is
pressed halfway, the number of images that can be stored
in the memory buffer at current settings is shown in the
exposure-count displays in the control panel and
viewfinder.

42
Choosing a Shooting Mode
Taking Photographs—Choosing a Shooting Mode
The Memory Buffer
The camera is equipped with a memory buffer for temporary storage of photos during
shooting, allowing you to take several photographs in succession without waiting for
the images to be transferred to the memory card. The buffer can hold up to six frames
(four in RAW mode), or three frames (two RAW images) when noise reduction ( 149)
is on. When the buffer is full, the shutter will be disabled until enough data have been
transferred to the memory card to make room for another photograph. In continuous
mode, you can continue to take photographs as long as the shutter-release button is
held down, although the rate at which photographs are taken will drop once the buffer
has filled.
While photographs are recorded to the memory card, the access lamp next to the
memory card slot will light. Depending on the number of the images in the buffer,
recording may take from a few seconds to a few minutes. Do not turn the camera off,
remove the memory card, or remove or disconnect the power source until the access
lamp has gone out. If the camera is turned off while data remain in the buffer, only the
image currently being transferred to the memory card will be saved. All other images in
the buffer will be lost. If the battery is exhausted while images remain in the buffer, the
shutter release will be disabled and all images will be transferred to the memory card.
Large-Capacity Memory Cards
When enough memory remains on the memory card to
record a thousand or more pictures at current settings,
the number of exposures remaining will be shown in
thousands, rounded down to the nearest hundred (e.g.,
if there is room for approximately 1,260 exposures, the
exposure count display will show 1.2 K).
Number of Exposures Remaining
The number of exposures remaining shown in the exposure count displays in the con-
trol panel and viewfinder is only an approximation. The number of compressed NEF or
JPEG images that can be stored on a memory card depends on the subject and compo-
sition of each photograph. In general, the more detailed the image, the larger the
resulting file and the fewer the images that can be stored.

45
Making Effective Use of Memory
Taking Photographs—Image Quality and Size
Image quality can be set using the function dial, or using the Image Quality
option in the shooting menu.
The Image Quality Menu
Highlight Image Quality in the shooting menu
( 136) and press the multi selector to the right.
Selecting NEF (Raw) from the image quality menu
displays the menu of NEF mode options shown at
right. Highlight the desired NEF mode and press
the multi selector to the right.
OK
RAW
RAW
Image Quality
NEF Mode
NEF (Raw)
Comp. NEF (Raw)
SHOOTING MENU
Bank Select
Image Quality
Resolution
White Bal
ISO
A
NORM
A
200
L
SHOOTING MENU
The menu shown at right will be displayed. After
pressing the multi selector up or down to high-
light the desired option, press the multi selector
to the right to put your choice into effect and re-
turn to the shooting menu.
OK
Image Quality
NEF (Raw)
TIFF-RGB
JPEG Fine
JPEG Normal
JPEG Basic
SHOOTING MENU
The Function Dial
Pictures can only be taken when the function dial is set to , or . When theP, , S A M
function dial set to , the shutter release will be disabled. At settings of QUAL
QUAL, WB,
and ISO
, Image Quality can not be selected in the shooting menu.
NEF (Raw) and White Balance Bracketing
White balance bracketing can not be used with an image quality of
NEF (Raw)
or
Comp.
NEF (Raw)
. Selecting either option cancels white balance bracketing. White balance for
NEF (RAW) images can be adjusted using Nikon Capture 3 (available separately;
170
).

46
Image Quality and Size
Taking Photographs—Image Quality and Size
The Function Dial
With the function dial set to QUAL, rotate the main command dial to cycle
through image-quality settings as shown below.
* You cannot choose between uncompressed and compressed NEF modes using the
function dial. Use the Image Quality option to choose the NEF mode.
Image Size
Image size is measured in pixels. Smaller sizes produce smaller files, making
them suited to distribution via e-mail or inclusion in web pages. Conversely,
the larger the image, the larger the size at which it can be printed without
becoming noticeably “grainy.” Choose image size according to the space
available on the memory card and the task at hand.
TIFF
(RGB-TIFF)
NORMAL
(JPEG Normal)
BASIC
(JPEG Basic)
RAW
(NEF*)
FINE
(JPEG Fine)
Option
Large
Medium
Small
Size (pixels)
3,008 2,000×
2,240 1,488×
1,504 1,000×
Size when printed at 200 dpi (approx.)
38 25 cm (15˝ 10˝)× ×
28 × ×19 cm (11˝ 7.5˝)
19 5˝)× 13 cm (7.5˝ ×

47
Making Effective Use of Memory
Taking Photographs—Image Quality and Size
Image size can be set using the function dial, or using the Resolution option
in the shooting menu. Image size can not be adjusted when image quality is
set to . When opened in Nikon View 5 orNEF (Raw) or Comp. NEF (Raw)
Nikon Capture 3, NEF images are 3,008 × 2,000 pixels in size.
The Resolution Menu
Highlight Resolution in the shooting menu (
137) and press the multi selector to the right.
The Function Dial
Pictures can only be taken when the function dial is set to , or . When theP, , S A M
function dial set to , the shutter release will be disabled. At settings of QUAL
QUAL, WB,
and ISO
, Resolution can not be selected in the shooting menu.
Bank Select
Image Quality
Resolution
White Bal
ISO
A
NORM
A
200
L
SHOOTING MENU
OK
L
M
S
Resolution
Large
Medium
Small
SHOOTING MENU
The menu shown at right will be displayed. After
pressing the multi selector up or down to high-
light the desired option, press the multi selector
to the right to put your choice into effect and re-
turn to the shooting menu.
The Function Dial
With the function dial set to QUAL, rotate the sub-command dial to cycle
through image-size settings as shown below.
L S
M

48
Taking Photographs—Sensitivity (ISO Equivalency)
Sensitivity (ISO Equivalency)
Reacting Faster to Light
“Sensitivity” is the digital equivalent of film speed. The higher the sensitivity,
the less light needed to make an exposure, allowing higher shutter speeds or
smaller apertures.
Sensitivity can be set between values roughly equivalent to ISO 200 and ISO
1600 in steps equivalent to 1
/3EV. Higher values of HI-1 (approximately equiva-
lent to ISO 3200) and HI-2 (approximately equivalent to ISO 6400) are also
available for situations in which high sensitivity is a priority. Sensitivity can be
adjusted using the function dial, or using the option in the shootingISO
menu.
The ISO Menu
Highlight ISO in the shooting menu ( 139) and
press the multi selector to the right.
HI-1/HI-2
The higher the sensitivity, the more likely pictures are to be subject to “noise” in the
form of randomly-spaced, brightly-colored pixels. Photos taken at settings of HI-1 and
HI-2 will likely contain appreciable amounts of noise. Use only to capture natural light-
ing under low light conditions or when a fast shutter speed is required to prevent
blurring. We recommend that image sharpening ( 58) be turned off at these settings
to avoid heightening the effects of noise.
Bank Select
Image Quality
Resolution
White Bal
ISO
A
NORM
A
200
L
SHOOTING MENU
OK
ISO
200
250
320
400
SHOOTING MENU
The menu shown at right will be displayed. After
pressing the multi selector up or down to high-
light the desired option, press the multi selector
to the right to put your choice into effect and re-
turn to the shooting menu.

49
Taking Photographs—Sensitivity (ISO Equivalency)
The Function Dial
Pictures can only be taken when the function dial is set to P S A M, , , or . When the
function dial set to ISO, the shutter release will be disabled. At settings of
QUAL, WB,
and ISO
, ISO can not be selected in the shooting menu.
3—ISO Auto ( 148)
When ON is selected for Custom Setting 3 (ISO Auto), the camera will automatically
vary sensitivity from the value selected by the user to help ensure optimum exposure.
Sensitivity can not be set to HI-1 HI-2 ON or while ISO Auto is on, and can not be
selected for is when ISO is set to ISO Auto HI-1 HI-2 ISOor . If a flash is used when
Auto is on, ISO will be fixed at the value selected by the user.
The Function Dial
With the function dial set to ISO, rotate the main command dial to cycle
through sensitivity settings as shown below.

Taking Photographs—White Balance
50
Auto 4,200–8,000 K
Camera measures color temperature and ad-
justs white balance automatically. For best
results, use type G or D lens.
Fluorescent 4,200 K Use under fluorescent lighting.
White Balance
Keeping Colors True
The color of light reflected from an object varies with the color of the light
source. The human brain is able to adapt to changes in the color of the light
source, with the result that white objects appear white whether seen in the
shade, direct sunlight, or under incandescent lighting. Unlike the film used in
film cameras, digital cameras can mimic this adjustment by processing infor-
mation from the camera’s image sensor (CCD) according to the color of the
light source. This is known as “white balance.” For natural coloration, choose
a white balance setting that matches the light source before shooting. The
following options are available:
Direct Sunlight 5,200 K Use with subjects lit by direct sunlight.
Flash 5,400 K Use with Nikon Speedlights, including the
built-in Speedlight.
Option
Approximate
Color
Temperature*
Description
Cloudy 6,000 K Use in daylight under overcast skies.
Shade 8,000 K Use in daylight with subjects in the shade.
Preset —
Use to match white balance to the light
source when shooting under mixed light-
ing or lighting with a strong color cast.
Incandescent 3,000 K Use under incandescent lighting.
Auto white balance is recommended with most light sources. If you are un-
able to achieve the desired results, choose a white balance option from the
table above or use preset white balance. In auto and preset modes, the cam-
era uses “through-the-lens” (TTL) white balance measurement to ensure that
white balance is set correctly even when the camera and subject are under
different lighting.

Taking Photographs—White Balance
51
Bank Select
Image Quality
Resolution
White Bal
ISO
A
NORM
A
200
L
SHOOTING MENU
Speedlights Connected via a Sync Cable
When the AS-15 accessory shoe adapter is used to connect optional Speedlights via a
sync cable, the camera may not be able to set white balance appropriately in A (auto)
mode. Set white balance to (flash) and use fine tuning to adjust white balance, or
use preset white balance.
Color Temperature
The perceived color of a light source varies with the viewer and other conditions. Color
temperature is an objective measure of the color of a light source, defined with refer-
ence to the temperature to which an object would have to be heated to radiate light in
the same wavelengths. While light sources with a color temperature in the neighbor-
hood of 5,000–5,500 K appear white, light sources with a lower color temperature,°
such as incandescent light bulbs, appear slightly yellow or red. Light sources with a
higher color temperature appear tinged with blue.
White Bal
Auto
Incandescent
Fluorescent
Direct Sunlight
SHOOTING MENU
The menu shown at right will be displayed. After
pressing the multi selector up or down to high-
light the desired option, press the multi selector
to the right. If Preset is selected, a menu of ex-
posure mode options will be displayed ( 55). In
other cases a white-balance fine-tuning dialog (
53) will be displayed. Pressing the multi selector
to the right in the fine-tuning dialog sets a value
for fine tuning and puts your selection into effect.
The White Bal Menu
Highlight White Bal in the shooting menu (
138) and press the multi selector to the right.
White balance can be chosen using the function
dial, or using the White Bal option in the shoot-
ing menu. The current white-balance setting is
indicated by an icon in the control panel.

Taking Photographs—White Balance
White Balance
52
The Function Dial
With the function dial set to , rotate the main command dial to cycleWB
through white-balance settings as shown below.
The Function Dial
Pictures can only be taken when the function dial is set to P S A M, , , or . When the
function dial set to , the shutter release will be disabled. At settings of ISO
QUAL, WB,
and ISO
, can not be selected in the shooting menu.White Bal
“Mired”
Any given change in color temperature produces a greater difference in color at low
color temperatures than it would at higher color temperatures. For example, at a color
temperature of 6000 K, a change of 100 K produces almost no change in color, while a
change of the same amount at 3000 K would produce a large difference in color. Mired,
calculated by multiplying the inverse of the color temperature by 10 6, is a measure of
color temperature that takes such variation into account, and as such is the unit used in
color-temperature compensation filters.
(Fluorescent)(Incandescent) (Direct Sunlight)
(Cloudy)(Preset) (Shade) (Flash)
(Auto)
4000 K – 3000 K = 1000 K
Change in Color Temp.
7000 K – 6000 K = 1000 K
83 mired
Mired
23 mired

Taking Photographs—White Balance
Keeping Colors True
53
Fine-Tuning White Balance
At settings other than PRE (preset), white balance
can be “fine tuned” to compensate for variations
in the color of the light source or to introduce a
deliberate “warm” or “cold” cast into an image.
Higher settings can be used to lend images a blu-
ish tinge or to compensate for light sources with
a yellow or red cast, while lowering white balance can make photographs
appear slightly more yellow or red or compensate for light sources with a blue
cast. Adjustments can be made in the range +3 to –3 in increments of one.
In Auto mode, each increment is equivalent to about 10 mired. At other
settings, white balance is adjusted as shown below:
(daylight)
Incandescent
Fluorescent
†
Cloudy
Flash
Sunlight
Direct
(daylight)
Shade
Approximate Color Temperature*
6,700 K2,700 K 2,700 K 4,800 K 4,800 K 5,400 K+3
7,100 K2,800 K 3,000 K 4,900 K 5,000 K 5,600 K+2
7,500 K2,900 K 3,700 K 5,000 K 5,200 K 5,800 K+1
8,000 K3,000 K 4,200 K 5,200 K 5,400 K 6,000 K±0
8,400 K3,100 K 5,000 K 5,300 K 5,600 K 6,200 K–1
8,800 K3,200 K 6,500 K 5,400 K 5,800 K 6,400 K–2
9,200 K3,300 K 7,200 K 5,600 K 6,000 K 6,600 K–3
* The camera color temperature setting may differ from the value for color temperature
measured with a photo color meter.
† The size of the increments for Fluorescent reflects the wide variations in color tem-
perature among the many different types of fluorescent light source, ranging from
low-temperature stadium lighting to high-temperature mercury-vapor lamps.

Taking Photographs—White Balance
Keeping Colors True
55
Preset White Balance
Preset white balance is used to adjust white balance when shooting under
mixed lighting or to compensate for light sources with a strong color cast.
Choosing an Exposure Mode
Before measuring a value for preset white balance,
choose an exposure mode. Highlight Preset In
the White Bal menu and press the multi selector
to the right to display the menu shown at right.
OK
White Bal
WB Preset
Done
Exposure mode
SHOOTING MENU
OK
WB Preset
Exposure mode
P
S
A
M
SHOOTING MENU
OK
White Bal
WB Preset
Done
Exposure mode
SHOOTING MENU
Choose the exposure mode you will use when
measuring a value for white balance from P (auto
multi program), S (shutter-priority auto), A (aper-
ture-priority auto), or (manual), and press theM
multi selector to the right.
Highlight Done and press the multi selector to
the right to return to the shooting menu.
Manual Exposure Mode
To ensure accurate white balance, the amount of light entering the camera is increased.
In exposure mode , use the electronic analog exposure display to set exposure.M
WB Preset
White Bal
Done
Exposure mode
SHOOTING MENU
OK
Highlight Exposure Mode and press the multi se-
lector to the right.

Taking Photographs—Exposure
Exposure
88
OK
Bracketing Set
F11
CSM MENU
AE & Flash
AE Only
Flash Only
WB Bracketing
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Exposure and Flash Bracketing
1Select the type of bracketing to be performed
using Custom Setting 11 (BKT Set; 153).
Choose AE & Flash to vary both exposure and
flash level (the default setting), to varyAE Only
only exposure, or to vary only flashFlash Only
level. For more information on adjusting cus-
tom settings, see “Menu Guide” ( 121).
2Pressing the button, rotate the main command dial until is dis-BKT BKT
played in the control panel.
3Pressing the button, rotate the sub-command dial to choose a brack-BKT
eting program ( 92).
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Continuous Shooting Mode
In continuous shooting mode, shooting will pause after the number of shots specified
in the bracketing program have been taken. Shooting will resume the next time the
shutter-release button is pressed.
Resuming Exposure or Flash Bracketing
If the memory card fills before all shots in the sequence have been taken, shooting can
be resumed from the next shot in the sequence after the memory card has been re-
placed or shots have been deleted to make room on the memory card. If the camera is
turned off before all shots in the sequence have been taken, bracketing will resume
from the next shot in the sequence when the camera is turned on.

Taking Photographs—Exposure
Controlling How the Camera Sets Exposure
89
4Compose a photograph, focus, and shoot. The camera will vary exposure
and/or flash level shot-by-shot according to the bracketing program se-
lected. Modifications to exposure and flash level are added to those made
with exposure compensation ( 86) and flash exposure compensation (
102).
When exposure or flash bracketing is in effect,
the icons in the control panel and viewfinder
will flash. A segment will disappear from the
bracketing indicator after each shot. When the
unmodified shot is taken, the middle segment
will disappear (
/ /
). The right seg-
ment will disappear when a shot with negative
modification is taken ( ), the left segment when a shot with positive
modification is taken ( ). Bracketing begins again when all shots in the
sequence are taken.
To cancel bracketing, press the BKT button and rotate the main command
dial until is no longer displayed in the control panel on top of theBKT
camera. The program last in effect will be restored the next time bracket-
ing is activated. Bracketing can also be cancelled by performing a two-
button reset ( 110), although in this case the bracketing program will
not be restored the next time bracketing is activated.
Exposure Bracketing
When or AE & Flash AE Only is selected for Custom Setting 11, the camera will
modify exposure by varying shutter speed and/or aperture. What settings are affected
depends on the exposure mode:
Exposure mode Camera sets exposure by varying
Programmed auto Shutter speed and aperture
Aperture
Aperture-priority auto Shutter speed
Manual Shutter speed
Shutter-priority auto
The modified values for shutter speed and aperture are displayed during shooting.
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Taking Photographs—Exposure
Controlling How the Camera Sets Exposure
91
4Compose a photograph, focus, and shoot. Each shot will processed to
create the number of copies specified in the bracketing program, and each
copy will have a different white balance. Modifications to white balance
are added to the white balance adjustment made with white balance fine-
tuning ( 53).
When white balance bracketing is in effect, the
white balance adjustment indicator ( ) will
flash.
To cancel bracketing, press the BKT button and rotate the main command
dial until is no longer displayed in the control panel on top of theBKT
camera. The program last in effect will be restored the next time bracket-
ing is activated. Bracketing can also be cancelled by performing a two-
button reset ( 110), although in this case the bracketing program will
not be restored the next time bracketing is activated.
NEF (Raw) and White Balance Bracketing
White balance bracketing can not be used with an image quality of
NEF (Raw)
or
Comp.
NEF (Raw)
. Selecting either option cancels white balance bracketing. White balance for
NEF (RAW) images can be adjusted using Nikon Capture 3 (available separately;
170
).
Resuming White Balance Bracketing
If there is not enough memory remaining on the memory
card to record all shots in a white-balance bracketing
sequence, the shutter-speed display will show ,
the number of exposures remaining will blink, and the
shutter release will be disabled.
If the camera is turned off while the camera before all
photographs in a white-balance bracketing sequence
have been recorded, the camera will power off only af-
ter all photographs in the sequence have been recorded.
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Taking Photographs—Exposure
Exposure
92
The bracketing programs available depend on the option selected for Custom
Setting 11 and, in the cases of exposure and flash bracketing, on the size of
the exposure increment selected for Custom Setting 9 (EV Step).
Exposure/Flash Bracketing
(Custom Setting 11 set to , or AE & Flash, AE Only Flash Only)
0, –0.3, +0.33 ±1/3EV
0, –0.7, +0.73 ±2/3EV
0, –1.0, +1.0
3±
1 EV
0, –1.3, +1.33 1±1
/3EV
0, –1.7, +1.73 +12
/3EV
Bracketing
order (EVs)
Number
of shots
Exposure
increment
0, –2.0, +2.0
3±
2 EV 0, +0.32 +1/3EV
0, +0.72 +2/3EV
0, +1.02 +1 EV
0, +1.32 +11
/3EV
0, +1.72 +12
/3EV
0, +2.02 +2 EV
0, –0.32 –1/3EV
0, –0.72 –2/3EV
0, –1.02 –1 EV
0, –1.32 –1 1
/3EV
0, –1.72 –1 2
/3EV
0, –2.02 –2 EV
0, –1.0, +1.0
3±
1 EV
0, –1.5, +1.53 1±1
/2EV
0, –2.0, +2.0
3±
2 EV
0, –0.5, +0.53 ±1/2EV
Custom Setting 9
1/3 Step
(default)
1/2 Step
Control panel
display

Taking Photographs—Flash Photography
94
The D100 is equipped with a Guide Number 17/56 (ISO 200, m/ft; Guide
Number at ISO 100 is 12/39) Speedlight with a flash angle wide enough to
cover the field of view of a 20-mm lens. With a CPU lens, the built-in Speed-
light supports D-TTL flash control for flash photographs with a natural bal-
ance. The built-in Speedlight can be used not only when natural lighting is
inadequate, but to fill in shadows and backlit subjects or to add a catch light
to your subject’s eyes.
Flash Photography
Using Built-in and Optional Speedlights
Flash Angle
While the built-in Speedlight can cover the field of view of a 20-mm lens, it may not be
able to light the entire subject with some lenses or at some aperture settings.
ISO Auto
If a Speedlight is used when Custom Setting 3 ( ) is on, sensitivity (ISO equiva-ISO Auto
lency) will be fixed at the value selected by the user.
Using an Optional Speedlight
If an optional Speedlight is used with spot metering, Standard TTL flash for digital SLR
will be used. If the built-in Speedlight is raised when an optional Speedlight other than
the SB-50DX is attached, the optional Speedlight will not fire. If an SB-50DX is set to
manual in the bounce flash position, both the built-in Speedlight and the SB-50DX will
fire.

Taking Photographs—Flash Photography
Using Built-in and Optional Speedlights
97
Red-Eye Reduction
Depending on the lens used and the position of your subject, the AF-assist illuminator
(red-eye reduction lamp) may not be visible to your subject, with the result that red-eye
reduction may not have the desired effect.
Studio Flash Systems
Rear-curtain sync can not be used with studio flash systems, as the correct synchroniza-
tion can not be obtained.
Flash Sync Modes for Optional Speedlights
Front- and rear-curtain sync modes for SB-series 26, 25, and 24 Speedlights is set using
the sync mode selector on the optional Speedlight. If red-eye reduction or slow-sync
with red-eye reduction is selected with an SB-series 80DX, 28DX, 28, 27, or 26 Speed-
light attached, the Speedlight red-eye reduction lamp will be used.

Flash Photography
Taking Photographs—Flash Photography
98
Red-eye
reduction
with slow sync
1
Red-eye
reduction
Rear-
curtain
sync
3
Front-
curtain
sync
Slow
sync
2
Using the Built-in Speedlight
Follow the steps below to take photographs with the built-in Speedlight and
a type G or D lens.
1To enjoy the benefits of 3D multi-sensor balanced fill-flash for digital SLR,
choose matrix or center-weighted metering ( 75).
2Press the Speedlight lock release. The built-in
Speedlight will pop up and begin charging.
3 Press the button and rotate the main command dial until the desired
flash sync mode is selected in the control panel.
1Red-eye reduction with slow sync is available only in auto multi program and aper-
ture-priority auto exposure modes. In shutter-priority auto and manual exposure
modes, (red-eye reduction) will be selected when you release the button.
2Slow sync is available only in auto multi program and aperture-priority auto expo-
sure modes. In shutter-priority auto and manual exposure modes, (front-cur-
tain sync) will be selected when you release the button.
3In auto multi program and aperture-priority auto exposure modes, flash-sync mode
will be set to (slow rear-curtain sync) when you release the button.

Taking Photographs—Flash Photography
Using Built-in and Optional Speedlights
99
When the Speedlight Is Not in Use
To save battery power when the Speedlight is not in use, return it to the closed position
by pressing it lightly downward until you hear the latch click into place.
4 Choose an exposure mode ( 76). Note that if manual exposure is se-
lected, standard TTL flash for digital SLR will be used.
5Set shutter speed and aperture. The values that can be chosen for shutter
speed and aperture when the built-in Speedlight is raised are shown be-
low.
Exposure mode Shutter speed Aperture
Auto multi program 77Set automatically by camera *
Shutter-priority auto 79
1/180 s–30 s†
Set automatically
by camera
Aperture-priority auto 81Set automatically by camera *
Manual 82
1/180 s–30 s, †
Value chosen by
user**
* Shutter speeds are set automatically in the range 1/180 s–1/60 s, or 1/180 s–30 s at
flash sync settings of slow sync, slow rear-curtain sync, and red-eye reduction with
slow sync.
† Speeds faster than 1/180 s will be reduced to 1/180 s while the built-in Speedlight is
raised. The viewfinder shutter-speed display will show the modified value; the
original value will blink on and off in the control panel display.
** Flash range varies with aperture. When setting aperture in aperture-priority auto
and manual exposure modes, consult the table of flash ranges on the following
page.
6Check that the flash-ready indicator appears in
the viewfinder. If the built-in Speedlight is
raised, photographs can only be taken when
the flash-ready lamp is displayed.
7Compose your photograph, making sure that your subject is within range
of the flash ( 100), then focus and shoot. If the flash-ready light blinks
for about three seconds after the photograph is taken, the flash has fired
at full output and the photograph may be underexposed. Check the re-
sults in the monitor. If the photograph is underexposed, adjust settings
and try again.

Shooting Options
Menu Guide—The Shooting Menu
139
Setting Sensitivity: ISO
The ISO menu controls sensitivity, the digital
equivalent of film speed. Options range from ISO
200 (roughly equivalent to a film speed of ISO 200)
to ISO 1600 (ISO 1600 equivalent) in steps equiva-
lent to 1/3EV. Higher values of HI-1 (approximately
equivalent to ISO 3200) and HI-2 (approximately
equivalent to ISO 6400) are also available for situ-
ations in which high sensitivity is a priority. HI-1
and HI-2 are not available when ON is selected for Custom Setting 3 (ISO
Auto).
OK
ISO
200
250
320
400
SHOOTING MENU
HI-1/HI-2
Photos taken at settings of will likely contain appreciable amounts ofHI-1 HI-2 and
noise. Use only to capture natural lighting under low light conditions or when a fast
shutter speed is required to prevent blurring. We recommend that image sharpening
( 140) be turned off at these settings to avoid heightening the effects of noise. Noise
can be reduced at shutter speeds of 1/2s or slower by selecting for Custom Setting 4ON
(Long Exp. NR).
For more information on:
48 Sensitivity (ISO equivalency)

The Shooting Menu
Menu Guide—The Shooting Menu
140
OK
Image Sharpening
Auto
Normal
Low
High
None
SHOOTING MENU
Making Edges More Distinct: Image Sharpening
When you take a photograph, the camera auto-
matically processes the image to increase the dis-
tinction between light and dark areas, making the
picture appear sharper. The options in the Image
Sharpening menu give you control over the
amount of sharpening performed.
Option Description
The camera automatically adjusts sharpening according to the
subject and how other camera settings are adjusted. Amount
of sharpening performed varies from shot to shot. For best
results, use a type G or D lens.
(default)
Auto
Camera performs same standard level of sharpening on all im-
ages.
Normal
Sharpening performed, but edges are not sharpened as much
as they are in Normal mode.
Low
Images processed for increased sharpness.High
No sharpening performed.None
Produkt Specifikationer
Mærke: | Nikon |
Kategori: | Kamera |
Model: | D100 |
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