User Manual - EN
Thank You
We would like to thank you cordially for choosing this sE microphone! This manual contains some
important instructions for setting up and operating your new equipment. Please take a few
minutes to read the instructions below carefully. We hope you will enjoy working with it as much
as we enjoyed designing and building it for you.
Most Sincerely,
Your sE Team
Brief Description
The sE7 is a high-quality back-electret small diaphragm condenser microphone intended for a
wide range of studio and live sound applications, from acoustic guitars to pianos to drums and
beyond. With an optimized acoustic design, discrete class-A circuitry and transformerless a
output, it delivers clear, natural sound quality at all frequencies, without suffering from fizzy highs
or a lack of low-frequency punch .
The discrete electronics and the switchable attenuation pad ensure a high dynamic range, with
high sound pressure level (SPL) handling capability and extremely low-noise components. The
switchable low-cut filter helps eliminate rumble or footfall noise, and can also compensate for an
excess of bass frequencies caused by the proximity effect. This enables the sE7 to close-mic
many instruments including electric guitar speaker cabinets, brass instruments and drums.
Reliable operation even in demanding on-stage applications in difficult environments is ensured by
the roadworthy all-metal design, robust construction, and high-quality manufacturing standards.
What’s in the box
Your packaging should contain the follow items. If anything is missing, please contact your sE
Electronics dealer and let them know.
s ingle)E7 (S
• sE7 microphone
• mic clip (with thread adapter)
• wind screen
sE7 (Matched Pair)
• 2x sE7 microphone
• 2x mic clip (with thread adapters)
• 2x wind screens
Controls
The sE7 features a switch for the attenuation pad and a switch for the low-cut filter.
Attenuation Switch
The is located on the upper rear side of the Attenuation Switch
microphone. When switched on, the incoming signal is reduced by 20
dB for the capture of loud instruments and/or close-miking without
distortion. Using the switch also helps prevent overloading the input
stage of recording interfaces, mixing desks and microphone preamps.
