Soma Enner Manual

Soma Synthesizer Enner

Læs gratis den danske manual til Soma Enner (3 sider) i kategorien Synthesizer. Denne vejledning er vurderet som hjælpsom af 15 personer og har en gennemsnitlig bedømmelse på 4.7 stjerner ud af 8 anmeldelser. Har du et spørgsmål om Soma Enner, eller vil du spørge andre brugere om produktet?

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Side 1/3

as well as separate outputs. Sliding on

the ﬁlters’ pads with your ﬁngers you

can create arich stereo image where

each channel may have not only indivi-

dual volume properties but also timbral

ones. The outputs of the ﬁlters are mi-

xed together and connected to the main

output. Also in the triangle, you have

astereo direct input (DIR) that lets you

bypass the ﬁlters.

2. The modulated stereo delay. The in-

put of the delay is the two pads on the

top of the triangle (DLY blue). The out-

put of the delay is mixed with ﬁlter out-

put and connected to the main output.

Also, you have delay output connected

to the pads placed on the left and right

sides from the top of the triangle (DLY

orange) that lets you create feedback

and other interesting effects. The delay

has two separate lines (left and right)

with individual TIME controls (ВРЕМЯ

pots), common FEEDBACK and the

common pot that deﬁnes the amount

of self-modulation (BIZZARE). The

ВРЕМЯ pots are also touch inputs for

delay time modulation.

3. On the right side of ENNER, there is

aﬁve-voice synthesizer with individual

adjustment of frequency for each voice

(TUNE knobs) with the possibility to

change the pitch of all voices simulta-

neously (PITCH knob). TUNE knobs are

also the outputs of the voices, so by

touching them you can patch the voices

to the ﬁlter’s inputs. The synthesizer

has separate output pads for each voice

(pads OUT 1–5), individual modulation

inputs (MOD 1–5) and ring modulation

outputs (the RING 12, 23, 34 numbers

indicate which voices are sources for

the ring modulation). Connecting MOD

and OUT pads of one voice with your

ﬁngers will pitch it up. The ﬁfth voice

has an additional modulation pad MOD

5 — which can shift the pitch of the ﬁfth

voice down (connect it to +12 pad or

any pad that has some positive signal

including the output of the ﬁfth voice).

4. On the left side of ENNER, there is

the second synth that has one master

generator, the output of which is di-

vided six times by two with individual

outputs for each stage of division (PUL-

SE 1–6). This synth is aimed at creating

rhythmical clicks, basses and octave

tones. The frequency of the master ge-

nerator is deﬁned by the TEMPO knob.

The output pads &1,2,3 are logical mul-

tiplications of different PULSE outputs

giving additional and more complex

rhythm combinations.

5. ENNER is also an electro- acoustic

noise instrument. It has apiezo pickup

attached to the front panel that captu-

res sound from the casing itself. There

is metallic spring and you can attach

rubber bands to the panel to crea-

te various acoustic sounds. The piezo

mic can capture clicks and scratches

you make with your ﬁngers, and it also

allows you to create ﬁltered feedback.

Not only that, it can even capture

your voice singing over the panel! To

get sound from the piezo you have to

connect the PIEZO OUT pad with some

ﬁlters or delay inputs. Applying ﬁlters

and delay on the piezo out while the

panel works as amic, catching the au-

dio signal from the speakers connected

to the ENNER output lets you create

very cool acoustic feedback- based ef-

fects. PIEZO GAIN adjusts the piezo

sensitivity.

6. The bottom of the triangle (NOISE

pad) is the output of static pink noise.

ENNER is avery expressive sound tool

that can generate bits, pads, FX, noi-

ses, clicks, glitches, but also function as

acool vocal mic with built-in analog FX

and much more! Amusician with arich

imagination and who’s experienced in

playing ENNER can perform an entire

exciting gig using just this synth.

As an instrument, ENNER is aunique

analog synthesizer with the key prin-

ciple being that all signals that make

sound pass through and are managed

by your body. Your hands become the

central part of the circuitry. Touching

different contact pads with different

parts of your ﬁngers and palms with

different amounts of pressure, letting

signals pass through your body deﬁnes

the mixing, volume, timbre, feedback

and other parameters of synthesis. Hu-

man skin has much more complex elec-

tric properties than we think. Our skin

provides not just resistance but also

some capacitive properties and even

nonlinear dependence of conductivity

from current, its direction and time du-

ring which the current was applied. All

of this affects the sound, making you

the key part of the synthesis process.

All pots of ENNER are metallic and also

function as inputs or outputs. Touching

apot can change not only the parame-

ters but also patch the audio signals.

ENNER consist of:

1. The array of ﬁlters with ﬁxed frequency

properties (the triangle in the center):

the stereo high pass ﬁlter (HPF), the ste-

reo bandpass ﬁlter (high mid

—

BPFH),

the stereo bandpass ﬁlter (low mid

—

BPFL), the stereo lowpass ﬁlter (LPF).

Stereo means that the ﬁlters have se-

parate inputs for left and right channels

USER

MANUAL

Produkt Specifikationer

Mærke:	Soma
Kategori:	Synthesizer
Model:	Enner

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