Soundcraft Spirit FX16 Manual

Soundcraft Ikke kategoriseret Spirit FX16

Læs gratis den danske manual til Soundcraft Spirit FX16 (6 sider) i kategorien Ikke kategoriseret. Denne vejledning er vurderet som hjælpsom af 16 personer og har en gennemsnitlig bedømmelse på 3.5 stjerner ud af 8.5 anmeldelser. Har du et spørgsmål om Soundcraft Spirit FX16, eller vil du spørge andre brugere om produktet?

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Side 1/6

Folio FX16

16 mono mic/

line inputs

Lexicon Effects

Processor

MAIN FEATURES

Digital Sound Quality

26 Inputs to Mix as standard

16 Mic/line

inputs with bullet-proof studio grade UtraMicª preamps

Built -in

Lexicon Dual Effects Processor with editable programs and parameters

16 pre/post switchable Direct Outs for recording or FX sends

4 Auxes including pre/post fader configurability

3-band British EQ

with swept mid on mono inputs

Steep 18dB per Octave HPFs on

mono ins

Real Solo-in-Place and PFL solo available

4 Bus Structure

with 2 subgroup outs

4 Stereo Returns for effects units or stereo

instruments

100mm tapered faders throughout

+48V Phantom

Power for condenser mics

Channel, Group and Mix Inserts

10 segment tri-coloured metering

Dedicated Mono Sum Output

Relocatable connector field

Rackmount Option

APPLICATIONS

Bands

Small venues

Clubs

Conferences

Schools

Places of worship

Digital and analogue

multitrack setups

(up to 16 tracks)

Small studios

Home studios

Pre-production suites

Video post

production suites

The 1st 16 mic/line input mixer

with on board Lexicon effects

FOLIO FX16

MIC/LINE INPUTS

1-4 Connectors

Each channel includes a

Direct Out for multitrack

recording or individual

eects feeds. A balanced

XLR connector allows you

to connect microphones,

with Phantom Power

available from the master

section for condenser mics.

The balanced 1/4" jack

allows you to connect

electronic instruments,

such as keyboards, with

balanced or unbalanced

cables. Connect signal

processors such as

compressors or graphic

EQs to each channel’s

insert point using a

“Y” cable.

5 Gain Control

Unlike the gain control on

some manufacturers’

mixers, the custom design

of the gain control on the

new UltraMic™ gives you

an even spread of gain and

a smooth response across

its 60dB range.

6 High Pass Filter

FX 16’s steep 18dB per

Octave High Pass Filter is

ideal for cutting out

unwanted low frequency

“muddiness” at live

performances or in the

studio. It is particularly

recommended for vocals.

7 Equaliser

Section

Spirit’s genuine 3 band

British EQ provides extra

clarity and control over

standard designs with the

xed high and low

frequency points carefully

chosen to add sizzle or

punch to your sound. In

addition, the swept mid

section allows you to

choose the frequencies that

need to be altered for the

optimum mix - something

that is not possible with a

xed mid control.

HF at 12kHz with 15dB of

cut or boost.

LF at 80Hz with 15dB of cut

or boost.

Mid EQ sweeps between

240Hz and 6kHz, with a Q

of 1.5 and 15dB of cut or

boost available.

8 Auxiliary Section

FX16 has 4 auxiliary

controls, allowing it to be

equally useful in live or

recording situations. Aux 1

is set to pre-fader/post-EQ

for stage monitoring or

studio foldback

applications, with Auxes 2

and 3 set post-fader/post-

EQ as eects sends.

However Aux 2 send is

switchable pre-fader per

channel, giving a maximum

of 2 foldback sends if

needed. Aux 4 is labelled

FX and is a dedicated post-

fade send

to the internal Lexicon

eects unit.

9 Pan

Governs the position of the

input signal in the stereo

Mix, and allows you to

route to the left and right

subgroup.

10 Routing Section

Each channel can be routed

to MIX and SUB outputs at

the same time.

11 Mute

Mutes the input signal to

Aux, Mix and Direct Out

when it is not required.

12 Solo

Normally FX16 offers a Pre-

Fade Listen Solo allowing

you to set the optimum

gain for your input signal.

However, when the SOLO

IN PLACE button is pressed

in the master section, your

signal will be solo’d in its

true stereo position, after

the fader, and including

any eects that have been

added. All channels which

are not solo’d are then

muted. This type of solo is

ideal for a studio mixdown

situation where tracks need

to be auditioned.

13 Peak LED

This dual function LED

lights 4dB before clipping

occurs or when the

channel’s solo is activated.

14 Direct Pre

Normally the channel’s

direct output is set post

fader for use as a studio

multitrack send or as an

individual eects send in a

live performance. Pressing

the PRE switch sets the

signal pre-fader, making

the send ideal as a live

multitrack feed,

independent of the Front-

of-House mix.

15 100mm Alps

Fader

Provides more resolution

than standard 60mm small-

mixer designs, giving you

more control in difcult

mixes where ne tuning is

required. An extra 10dB of

gain above the zero mark is

also provided for when you

need a little extra boost for

soloists.

GROUP/MASTER

SECTION

Connectors

16 2-Track Return

Two phono connectors

allow you to play back your

master stereo recording.

17 Mono Sum Out

This output is extremely

useful as an additional bass

bin send or as a side ll

feed. It may also be used

for mono PAs or as an

induction loop feed.

18 Monitor Outs

Connect these outputs to a

pair of neareld monitors

via an amplier.

19 Mix Outs

2 impedance-balanced male

XLR connectors allow you

to send the mix signal to a

pair of PA speakers, or to a

stereo mastering device if

recording.

20 Mix Inserts

For processing the mix

signal with a compressor/

limiter or other device,

using “Y” cables.

21 Subgroup Outs

2 impedance-balanced 1/4"

jacks for sending the

subgroup signal to a

multitrack or additional set

of speakers.

22 Subgroup

Inserts

Allow you to process the

subgroup signal with a

compressor or graphic EQ,

for example.

23 Auxiliary

Outputs

3 impedance-balanced 1/4"

jacks for sending signals to

eects units or

monitor/foldback

ampliers.

24 +48V Phantom

Power

Provides DC power to the

mic inputs for condenser

mics. The adjacent LED

illuminates when Phantom

Power is on.

25 Power LED

Indicates when FX16 is

powered up.

26 Stereo Return

Section

FX16 includes 4 stereo

returns which may be used

as returns from effects

units or as additional stereo

inputs for keyboards, CD

players or other stereo

sources. Each return may

be routed to Mix or the

Subgroup, with level being

governed by a rotary

control. Each return also

has access to either Aux 1

or Aux 2, allowing the

returns to be part of a

foldback mix so that it may

include reverb, or to have

access to their own eects

if they are being used as

stereo inputs. A rotary

control governs aux

send level.

27 Auxiliary Master

Section

4 rotary controls govern

the master levels of auxes

1-4 and the Lexicon eects

unit. Each master may be

solo’d after the fader.

28 Subgroup Faders

Two 100mm faders control

the left and right subgroup

levels.

29 Sub to Mix

This switch routes the

Subgroup to Mix.

30 2-Tk Ret

This rotary control sets the

playback level of any

mastering device (such as a

DAT or cassette recorder)

that you may have

connected.

31 Monitor Source

By pressing the associated

switches it is possible for

FX16 to monitor either the

Mix signal, the Subgroup

signal or a combination of

the two. When 2 Tk is

pressed, the 2-track return

signal replaces the mix or

subgroup selection. This

allows you to play back

your master recordings

without repatching.

32 2-Tk to Mix

The 2-track return may be

routed to mix, giving you

an extra stereo input or

eects return if you run

out of inputs. Alternatively

this switch allows you to

play pre-show or interval

music through the Front-

House PA without tying u

precious line inputs or

eects returns.

Produkt Specifikationer

Mærke:	Soundcraft
Kategori:	Ikke kategoriseret
Model:	Spirit FX16

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