Soundiron Waterharp V3 Manual

Soundiron Audio Software Waterharp V3

Læs gratis den danske manual til Soundiron Waterharp V3 (25 sider) i kategorien Audio Software. Denne vejledning er vurderet som hjælpsom af 2 personer og har en gennemsnitlig bedømmelse på 3.6 stjerner ud af 1.5 anmeldelser. Har du et spørgsmål om Soundiron Waterharp V3, eller vil du spørge andre brugere om produktet?

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ABOUT THE INSTRUMENT

Waterharp is a deeply multi-sampled percussion and effects instrument library that captures the heart and

soul of the waterphone. This unique instrument concept was originally developed by Richard Waters in the

late 1960s. Waterphones — also commonly known as Water Harps — are found in all shapes and sizes, but

they generally follow the same basic design: a brass vessel with a hollow brass water chamber and a long

neck. The top side of the chamber is adorned with vertical brass tines or bars. It is played by strumming,

striking and bowing these tines, which resonate together creating darkly harmonic or dissonant tones and

textures. The tines are cut to specic lengths and arranged to create scales as they wind around the body

of the waterphone. Adding water to the chamber and changing the position of the waterphone drastically

changes the pitch and harmonics that are produced when the instrument is played. The water chamber itself

can also be played as a percussion instrument. Overall, the waterphone can be considered as both a tuned

and un-tuned percussion instrument, but is most often used in suspense and horror soundtracks and sound

design as a dramatic sound effect tool.

W A T E R H A R P

(

K O N T A K T F U L L V E R S I O N

)

CREATIVE CONTROL FEATURES

We’ve packed the user interface with powerful sound-shaping controls to give you complete exibility. The

master preset contains every sample in the library and a host of powerful expression features. There are 4

independent sound layers, each with a full set of parameters that can be linked, automated and customized.

These include swell, attack, start offset, release (with pad-mode), vibrato, lter, coarse and ne pitch, sound

bank selection, crossfader assignment and chromatic solo. Chromatic solo allows you to choose any

sample on the keyboard and solo it as a tuned instrument across the entire key range. It can turn any sound

into a playable instrument.

Next, we used various sound-design tricks to morph the sounds from our journey into tonal and dissonant

pads, synth-tones and ambient dreamscapes. They can be played by themselves, or used to add texture and

body to the primary sounds. We’ve also included basic synthesizer sustains and staccatos with several

shapes that can be added for transient and tonal support.

In the advanced settings pull-down window, you’ll also nd an adaptable LFO system, with selectable LFO

shape, modulation target parameter, speed, intensity, tempo-syncing and fade-in time. You can also apply

your choice of 13 lowpass, high-pass and FX lters, with assignable modulation targets such as velocity,

mod-wheel, expression, after-touch, key position and step-sequencer table control.

You can also use our customizable arpeggiator, with a built-in velocity sequencer table and control over arp

direction, note timing, swing, randomization and duration. We’ve also included a key and scale lock system

that allows you to constrain your notes to a wide variety of common scales and keys for easy melodic

composition and live performance.

The built-in modular FX rack window offers 27 different DSP effect modules that you can assign in any of 10

available slots, in any order that you wish. You’ll nd classic phase, anger, delay, distortion, amp and cab

simulators, compressors, EQ, rotator and so much more. The Reverb effect includes 99 of our own

convolution reverb impulse presets. We’ve captured a huge variety of different rooms, halls, chambers and

outdoor environments, along with 40 unique, strange and creative special effect impulses to completely

transform the sound and open up whole new worlds of musical possibility.

We played it with lots of different mallets, sticks, metal rods, ngers and palms, bows and even voices to

explore every nuance and hidden musical potential of this instrument. We recorded it both empty and full of

water. We even recorded it from the inside out using hydrophones (underwater microphones), while being

cooked over open ame and while lled with machine screws. And nally, we created a wide selection of

ambient soundscapes, pads, drones, ambiences and atmospheres using the recordings and all manner of

creative sound design techniques to take this library to the next level.

Produkt Specifikationer

Mærke:	Soundiron
Kategori:	Audio Software
Model:	Waterharp V3

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