Hammond SK 1 Manual
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Side 1/150

DRAWBARS SELECT
ORGAN TYPE
UPPER PEDAL LOWER
NUMBER NAME
PATCH ENTER
VALUE
MENU/
EXIT
PLAY
HA<O>
Model: /
Owner’s Manual
ank you, and congratulations on your choice of the Hammond Stage
Keyboard SK1/SK2.
e SK1 and SK2 are the first ever Stage Keyboards from Hammond to
feature both traditional Hammond Organ Voices and the basic keyboard
sounds every performer desires.
Please take the time to read this manual completely to take full advantage
of the many features of your SK1/SK2; and please retain it for future refer-
ence.
UPPER PEDAL LOWER
NUMBER NAME
PATCH ENTER
VALUE
MENU/
EXIT
PLAY
DRAWBARS SELECT
ORGAN TYPE
Bourdon
16'
OpenDiap
8'
Gedeckt
8'
VoixClst
II
Mixture
III
Octave
4'
Flute Dolce
4'
Hautbois
8'
Flute
2'
STAGE KEYBOARD

HA<O> Sk1 / Sk2 Owner’s Manual
2IMPORTANT SAFETY INSTRUCTIONS
u Before using this unit, please read the following Safety instructions, and adhere to them.
u Keep this manual close by for easy reference.
u In this manual, the degrees of danger are classied and explained as follows:
WARNING
CAUTION
WARNING
is sign shows there is a risk of death or severe injury if this unit is not properly used
as instructed.
is sign shows there is a risk of injury or material damage if this unit is not properly
used as instructed.
*Material damage here means a damage to the room, furniture or animals or pets.
u Do not open (or modify in any way) the unit or its AC
adaptor.
u Do not attempt to repair the unit, or replace parts in
it. Refer all servicing to your retailer, the nearest Ham-
mond Dealer, or an authorized Hammond distributor,
as listed on the “Service” page.
u Never use or store the unit in places that are:
w Subject to temperature extremes (e.g., direct sun-
light in an enclosed vehicle, near a heating duct,
on top of heat generating equipment)
w Damp (e.g., baths, washrooms, on wet oors)
w Humid
w Exposed to rain
w Dusty
w Subject to high levels of vibration.
u Be sure to use only the AC adaptor supplied with the
unit. And, make sure the line voltage at the installation
matches the input voltage specied on the AC adap-
tor’s case. Other AC adaptors may use a dierent po-
larity, or be designed for a dierent voltage, their use
could result in damage, malfunction, or electric shock.
u Do not excessively twist or bend the power cord, or
place heavy objects on it. Doing so can damage the
cord, producing severed elements and short circuits.
Damaged cords are re and shock hazards!
u is unit, either alone or in combination with an am-
plier and headphones or speakers, may be capable of
producing sound levels that could cause permanent
hearing loss. Do not operate for a extended periods of
time at a high volume level, or at a level that is uncom-
fortable. If you experience any hearing loss or ring-
ing in the ears, you should immediately stop using the
unit, and consult a physician.
u Do not allow any objects (e.g., ammable material,
coins, pins); or liquids of any kind (water, so drinks,
etc.) to penetrate the unit.
u Immediately turn the power o, remove the AC adap-
tor from the outlet, and request servicing by your re-
tailer, the nearest Hammond Dealer, or an authorized
Hammond distributor, as listed on the “Service” page
when:
w e AC adaptor, the power-supply cord, or the
plug has been damaged; or
w If smoke or unusual odor occurs
w Objects have fallen into, or liquid has been spilled
onto the unit; or
w e unit has been exposed to rain (or otherwise
has become wet); or
w e unit does not appear to operate normally or
exhibits a marked change in performance.
u In households with small children, an adult should
provide supervision until the child is capable of fol-
lowing all the rules essential for the safe operation of
the unit.
u Protect the unit from strong impact. (Do not drop it!)
u Do not force the unit’s power-supply cord to share an
outlet with an unreasonable number of other devices.
Be especially careful when using extension cords - the
total power used by all devices you have connected
to the extension cord’s outlet must never exceed the
power rating (watts/amperes) for the extension cord.
Excessive loads can cause the insulation on the cord to
heat up and eventually melt through.
u Before using the unit in a foreign country, consult
with your retailer, the nearest Hammond Dealer, or
an authorized Hammond distributor, as listed on the
“Service” page.
u Do not put anything that contains water (e.g., ower
vases) on this unit. Also, avoid the use of insecticides,
perfumes, alcohol, nail polish, spray cans, etc., near
the unit. Swily wipe away any liquid that spills on the
unit using a dry, so cloth.

3
Introduction
CAUTION
u e unit and the AC adaptor should be located so
their location or position does not interfere with their
proper ventilation.
u Always handle the AC adaptor by the plug when plug-
ging into, or unplugging from an outlet or this unit.
u At regular intervals, you should unplug the AC adap-
tor and clean it by using a dry cloth to wipe all dust
and other accumulations away from its prongs. Also,
disconnect the power plug from the power outlet
whenever the unit is to remain unused for an extended
period of time. Any accumulation of dust between the
power plug and the power outlet can result in poor
insulation and lead to re.
u Try to prevent cords and cables from becoming en-
tangled. Also, all cords and cables should be placed so
they are out of the reach of children.
u Never climb on top of, nor place heavy objects on the
unit
u Never handle the AC adaptor or its plugs with wet
hands when plugging into, or unplugging from, an
outlet of this unit.
u Before moving the unit, disconnect the AC adaptor
and all cords coming from external devices.
u Before cleaning the unit, turn o the power and un-
plug the AC adaptor from the outlet.
u Whenever you suspect the possibility of lightning in
your area, disconnect the AC adaptor from the outlet.
In the unlikely event that you need to dispose of this unit, be
sure to contact your dealer or your nearest town or municipal
office for its proper disposal.

HA<O> Sk1 / Sk2 Owner’s Manual
4IMPORTANT - PLEASE READ
uPower Supply
u Do not use this unit on the same power circuit with any
device that will generate line noise (such as an electric mo-
tor or variable lighting system).
u e AC adaptor will begin to generate heat after long hours
of consecutive use. is is normal, and is not a cause for
concern.
u Before connecting this unit to other devices, turn off the
power to all units. is will help prevent malfunctions and/
or damage to speakers or other devices.
uPlacement
u Using the unit near power amplifiers (or other equipment
containing large power transformers) may induce hum. To
alleviate the problem, change the orientation of this unit; or
move it farther away from the source of interference.
u is device may interfere with radio and television recep-
tion. Do not use this device in the vicinity of such receivers.
u Noise may be produced if wireless communications devices,
such as cell phones, are operated in the vicinity of this unit.
Such noise could occur when receiving or initiating a call,
or while conversing. Should you experience such problems,
you should relocate such wireless devices so they are at a
greater distance from this unit, or switch them off.
u Do not expose the unit to direct sunlight, place it near de-
vices that radiate heat, leave it inside an enclosed vehicle, or
otherwise subject it to temperature extremes. Also, do not
allow lighting devices that normally are used while their
light source is very close to the unit (such as a piano light),
or powerful spotlights to shine upon the same area of the
unit for extended periods of time. Excessive heat can de-
form or discolor the unit.
u When moved from one location to another where the tem-
perature and/or humidity is very different, water droplets
(condensation) may form inside the unit. Damage or mal-
function may result if you attempt to use the unit in this
condition. erefore, before using the unit, you must al-
low it to stand for several hours, until the condensation has
completely evaporated.
u Do not allow rubber, vinyl, or similar materials to remain
on the unit for long periods of time. Such objects can dis-
color or otherwise harmfully affect the finish.
u Do not paste stickers, decals, or the like to this instrument.
Peeling such matter off the instrument may damage the ex-
terior finish.
uMaintenance
u To clean the unit, use a dry, soft cloth; or one that is slightly
dampened.
u To remove stubborn dirt off plastic parts, use a cloth im-
pregnated with a mild, non-abrasive detergent. Afterwards,
be sure to wipe the unit thoroughly with a soft, dry cloth.
Try to wipe the entire surface using an equal amount of
strength, moving the cloth along with the grain of the
wood. Rubbing too hard in the same area can damage the
finish.
u Never use benzine, thinners, alcohol or solvents of any
kind, to avoid the possibility of discoloration and/or defor-
mation.
uAdditional Precautions
u Please be aware that the contents of memory can be irre-
trievably lost as a result of a malfunction, or the improper
operation of the unit. To protect yourself against the risk of
losing important data, we recommend that you periodically
save a backup copy of important data you have stored in the
unit’s memory in another MIDI device (e.g., a sequencer).
u Unfortunately, it may be impossible to restore the contents
of data that was stored in another MIDI device (e.g., a se-
quencer) once it has been lost. Hammond assumes no li-
ability concerning such loss of data.
u Use a reasonable amount of care when using the unit’s but-
tons, sliders, or other controls; and when using its jacks and
connectors. Rough handling can lead to malfunctions.
u When connecting / disconnecting all cables, grasp the
connector itself - never pull on the cable. is will avoid
causing short circuits, or damage to the cable’s internal ele-
ments.
u To avoid disturbing your neighbors, try to keep the unit's
volume at reasonable levels. You may prefer to use head-
phones, so you do not need to be concerned about those
around you (especially when it is late at night).
u When you need to transport the unit, package it in the box
(including padding) that it came in, if possible. Otherwise,
you will need to use equivalent packaging materials.

7
Introduction
PLAY MODE ..............................................................................................65
HOW TO READ THE DISPLAY ....................................................................65
BUTTON OPERATION IN THIS MODE .....................................................65
MENU MODE ...........................................................................................66
HOW TO READ THE DISPLAY ....................................................................66
BUTTON OPERATION IN THIS MODE .....................................................66
MENU AND THE CONTENTS .....................................................................67
FUNCTION MODE ..................................................................................68
HOW TO READ THE DISPLAY ....................................................................68
BUTTON OPERATION IN THIS MODE .....................................................68
SHORT CUT TO FUNCTION MODE ...................................................69
EXAMPLE OF OPERATION:.........................................................................69
REGISTER THE PAGES YOU FREQUENTLY USE ..............................69
EXAMPLE OF OPERATION:.........................................................................69
PARAMETER OPERATION EXAMPLE: ......................................................70
SETTING THE PARAMETERS ...73
DRAWBAR .................................................................................................74
uSETTING FOR MANUAL (LOWER & UPPER) DRAWBARS ....................74
uSETTING THE PEDAL PART ...........................................................................75
PATCH .........................................................................................................76
uPATCH NAME ....................................................................................................76
uPATCH LOAD .....................................................................................................76
uFAVORITES .........................................................................................................76
EXVOICE (Extra Voices) ........................................................................77
CONTROL ..................................................................................................78
uFOOT SWITCH...................................................................................................78
uEXPRESSION ......................................................................................................79
uGLIDE...................................................................................................................79
uDAMPER .............................................................................................................80
uASSIGN................................................................................................................80
uDISPLAY ..............................................................................................................81
PERCUSS (Percussion) ..........................................................................82
VIB&CHO (Vibrato & Chorus) .............................................................83
LESLIE .........................................................................................................84
uCABINET NUMBER ..........................................................................................84
uLESLIE PARAMETERS ......................................................................................84
uEXTERNAL LESLIE SPEAKER .........................................................................86
RECORD THE CABINET ................................................................................86
CUST. TW (Custom Tone-Wheels) ....................................................87
OD / EFF (Overdrive / Effects) ............................................................88
uORGAN SECTION EFFECTS ...................................................................88
OVERDRIVE ............................................................................................................88
MULTI-EFFECTS ....................................................................................................88
uEFFECTS OF THE EXTRA VOICE SECTION ........................................95
OVERDRIVE ............................................................................................................95
MULTI-EFFECTS ....................................................................................................95
EQUALIZ (Equalizer) ..............................................................................96
uORGAN SECTION .............................................................................................96
uORGAN SECTION, EXTRA VOICE SECTION..............................................96
REVERB ......................................................................................................97
TUNE ..........................................................................................................98
uMASTER TUNE ..................................................................................................98
DEFAULT ....................................................................................................99
SYSTEM ................................................................................................... 100
MIDI .......................................101
ABOUT MIDI .......................................................................................... 102
WHAT IS “MIDI”? ........................................................................................102
MIDI JACKS ON THIS KEYBOARD ......................................................... 102
WHAT THE MIDI CAN DO ON YOUR KEYBOARD .............................102
MAIN MIDI MESSAGE ............................................................................... 103
CHANNEL MESSAGE ........................................................................................ 103
SYSTEM MESSAGE ............................................................................................ 103
MIDI STRUCTURE ................................................................................ 104
uKEYBOARD CHANNELS .............................................................................. 104
uEXTERNAL ZONE CHANNELS ................................................................... 104
uEXPANDED KEYBOARDS ............................................................................ 104
USING AN EXTERNAL SEQUENCER ............................................... 106
uRecording a performance to an external sequencer ...................... 106
uSequencer playback ................................................................................... 106
USING A MIDI SOUND MODULE .................................................... 107
ZONES ..................................................................................................... 108
uWHAT IS DISPLAYED ON THE UPPER LEFT? ......................................... 108
uINTERNAL ZONE ...........................................................................................108
uEXTERNAL ZONE .......................................................................................... 108
PANIC FUNCTION AND PARAMETER RE-LOAD ....................................... 109
MIDI ......................................................................................................... 110
uMIDI TEMPLATE ............................................................................................. 110
uMASTER ........................................................................................................... 110
uKEYBOARD CHANNELS .............................................................................. 111
SAVE THE SETUP ...................113
SAVE YOUR SETUP .............................................................................. 114
WHAT YOU CAN DO WITH THE USB FLASH DRIVE .........................114
ABOUT USB FLASH DRIVE ......................................................................114
USABLE USB FLASH DRIVE ............................................................................ 114
USB MEMORY CONNECTOR .......................................................................... 114
FOLDER STRUCTURE .......................................................................................114
INITIALIZE THE USB FLASH DRIVE ................................................. 115
SETUP PROCEDURES ......................................................................... 116
HOW TO READ THE DISPLAY ................................................................. 116
SAVE THE SETUP ........................................................................................116
CHANGE THE SETUP NAME ................................................................... 117
LOAD THE SETUP ....................................................................................... 118
DELETE THE SETUP ...................................................................................118
MUSIC PLAYER ......................119
BEFORE PLAYING BACK .................................................................... 120
FILE TYPE AND PLACING FOLDER .......................................................120
HOW TO READ THE DISPLAY ................................................................. 120
OPERATION OF THE MUSIC PLAYER ............................................. 121
MUSIC PLAYER MODES ...........................................................................122
CHANGE THE TIME DISPLAY ..................................................................122
VOICE LIBRARY .....................123
WHAT IS VOICE LIBRARY? ................................................................. 124
FILE TYPE AND THE PLACING FOLDER ...............................................124
VOICE LIBRARY AND SETUPS ................................................................124
OPERATE THE VOICE LIBRARY......................................................... 125
LOADING THE VOICE LIBRARY ..............................................................125
DELETE A LIBRARY ....................................................................................126

9
Introduction
MAIN FEATURES
uA LIBRARY OF ESSENTIAL KEYBOARD VOICES
e modern keyboard player requires a wide palette of voices, including organs, pianos
(acoustic and electric), wind and various keyboards.
uAUTHENTIC HAMMOND DRAWBAR ORGAN
e SK1/SK2 is first and foremost a genuine HAMMOND organ with Virtual Tone-
Wheels to provide its traditional sound. Also available are the tones of vintage “combo”
organs, and a variety of pipe organ ranks to provide church and classical organ voices.
uEXTRA VOICE SECTION
High Quality Acoustic and Electric Pianos are included, in multiple varieties of popular
voices. Wind voices are also included. New voices will be able to be downloaded via the
USB port.
e Organ and Extra Voice can be used together, and their outputs can be individually
accessed, using the 8-pin Leslie speaker jack for the organ voice.
uDIGITAL LESLIE/VIBRATO
A digital and programmable LESLIE is available for the Drawbar voices, as well as the
traditional “Chorus-Vibrato” as used on the legendary B-3. e Chorus-Vibrato may be
selected for the Upper and Lower manuals, independently.
uA WIDE VARIETY OF EFFECTS
Digital Multi-effects are available for the Organ and Extra Voice sections independently. A
Master Equalizer allows you to tailor the total tonal response of the keyboard.
uMP3 MUSIC PLAYER
is keyboard is equipped to play MP3 type audio files. is makes it very convenient for
accompanying solo performances or practicing.
uMIDI MASTER KEYBOARD
External Zones are available to enable the SK1/SK2 to be used as a master keyboard.
uPATCHS AND FAVORITES
In addition to the 100 available user-defined patches, 10 “Favorite” quick-call patches are
available for on-stage ease.
uBUILT-IN USB PORT
e versatile USB Flash Drive is adopted for easy access to a PC or for saving the audio
file set up of the music player also for storing the voice library.
uSMALL AND LIGHT WEIGHT
Both the SK1 and SK2 are small and light weight, making transport and setup easy.

HA<O> Sk1 / Sk2 Owner’s Manual
10 NAMES AND FUNCTIONS
TOP PANEL
uUPPER LEFT
❶ MASTER VOLUME knob
Controls the total volume. (P. 22)
❷ CONTROL button
Brings the CONTROL window up in the display. (P. 78)
uMUSIC PLAYER
❸ VOLUME knob
Controls the volume of the music player. (P. 121)
❹ SONG button
Selects the audio file to play. (P. 121)
❺ 1/2 button
Selects PLAY and PAUSE modes of the music player. (P. 121)
uDRAWBAR SELECT
❻ UPPER, PEDAL, LOWER buttons
Used to select which division (Upper/Lower/Pedal) the Draw-
bar settings will affect while editing or playing live. e indica-
tor light shows which selector is “live”. (P. 49)
uVIBRATO & CHORUS
❼ V1/C1, V2/C2 buttons
Controls the depth of the classic “Vibrato & Chorus” effect. 1
is light, 2 is medium, and pressing both buttons selects 3 which
is maximum. (P. 51)
❽ CHORUS button
Toggles between Vibrato and Chorus effect. (P. 51)
❾ UPPER, LOWER buttons
Selects which division (or both) receives the Vibrato & Chorus
Effect. (P. 51)
uLESLIE
❿ BYPASS button
De-selects the Leslie effect and directs the output to the Main
outputs. When the indicator light is ON, the Bypass is en-
gaged. (P. 53)
⓫ STOP button
Sets the STOP or SLOW then the [FAST] button is off. When
the light is ON, the [FAST] button toggles STOP/FAST. And
when the light is OFF, it toggles SLOW/FAST(P. 53)
⓬ FAST button
Toggles the modes of the rotors FAST or not. When the light
is ON, it is FAST. (P. 53)
uDRAWBARS
⓭ DRAWBARS
ese are for adjusting the basic harmonics of the organ sec-
tion. e function of each drawbar is different depending on
the keyboard selected (Upper/Lower/Pedal) of type of Organ
(Transistor/Pipe). (P. 42)
uPERCUSSION
⓮ SECOND button
Adds 4´ percussion (decay) to the UPPER part. (P. 50)
⓯ THIRD button
Adds 2 ⅔´ percussion (decay) to the UPPER part. (P. 50)
⓰ FAST button
Switches the decay time of the percussion. (P. 50)
⓱ SOFT button
Switches the percussion volume. (P. 50)
UPPER
PEDAL LOWER
NUMBER
NAME
PATCH ENTER
VALUE
MENU/
EXIT
PLAY
DRAWBARS SELECT
ORGAN TYPE
Bourdon
16'
OpenDiap
8'
Gedeckt
8'
VoixClst
II
Mixture
III
Octave
4'
Flute Dolce
4'
Hautbois
8'
Flute
2'
❶
❷
❸
❹ ❺
❻
❼
❽
❾
❿
⓫ ⓬
⓭
⓲
⓳
㉔
㉕

11
Introduction
uCONTROL PANEL
⓲ MENU/EXIT button
Recalls the Menu mode in the display. Also used for returning
to the Menu mode from other function modes. (P. 66)
⓳ PLAY button
Returns to the Play, or basic mode. (P. 65)
⓴ DISPLAY
㉑ VALUE knob
Increases/Decreases Patch numbers while performing or adjusts
values during editing.
㉒ DIRECTION buttons
Moves the cursor or pages.
㉓ ENTER button
Confirms the current entry or procedure.
uFAVORITES
㉔ RECORD button
Enables recording of user-definable items. (P. 35)
㉕ MANUAL button
Dismisses any current Patch or Favorite in favor of the current
settings of the control panel. (P. 28)
㉖ NUMBER buttons
Recalls the corresponding Favorites. (P. 24)
uKEYBOARD CONTROL
㉗ P. SUS (Pedal SUStain) button
Switches the Pedal Sustain on. (P. 34)
㉘ M. BASS (Manual BASS) button
Switches the Manual Bass on. (P. 33)
㉙ SPLIT button (only on the SK1)
Divides the SK1 keyboard into UPPER and LOWER. (P. 33)
㉚ LOWER to PEDAL button (only on the SK2)
Couples the LOWER part to the pedalboard. (P. 34)
㉛ TRANSPOSE button
Shifts the entire instrument’s key signature Up or Down. (P. 57)
㉜ OCTAVE DOWN button
Lowers the UPPER part by one octave. (P. 56)
㉝ OCTAVE UP button
Raises the UPPER part by one octave. (P. 56)
㉞ OCTAVE LOWER button
Raises and lowers the octave of the LOWER part, together
with the OCTAVE DOWN/UP buttons. (P. 56)
UPPER PEDAL LOWER
NUMBER NAME
PATCH ENTER
VALUE
MENU/
EXIT
PLAY
DRAWBARS SELECT
ORGAN TYPE
Bourdon
16'
OpenDiap
8'
Gedeckt
8'
VoixClst
II
Mixture
III
Octave
4'
Flute Dolce
4'
Hautbois
8'
Flute
2'
⓴
㉑
㉓
㉒
㉖
㉗㉘
㉚
㉙
㉚
㉜
㉝㉞⓮ ⓯ ⓰ ⓱

HA<O> Sk1 / Sk2 Owner’s Manual
12
uEXTRA VOICES
㉟ ALLOCATE UPPER, LOWER button
Toggles the Extra Voices to the UPPER, and LOWER parts.
e light illuminates when button is pressed (on). (P. 58)
㊱ SOLO button
Mutes the organ section and only the Extra Voices sound. (P. 58)
㊲ VOLUME knob
Adjusts the volume of the Extra Voices. (P. 31)
㊳ VOICE GROUP buttons
Selects the voice group of the Extra Voices. (P. 31)
uORGAN SECTION EFFECTS
㊴ DRAWBARS OVERDRIVE AMOUNT knob
Adjusts the amount of the Overdrive effect. (P. 52)
㊵ DRAWBARS OVERDRIVE ON button
Switches the overdrive effect ON/OFF. (P. 52)
㊶ DRAWBARS EFFECT AMOUNT knob
Adjusts the amount of the Multi-Effects. (P. 54)
㊷ DRAWBARS EFFECT ON button
Switches the Multi-Effects ON/OFF. (P. 54)
uEFFECTS OF THE EXTRA VOICE SECTION
㊸ EXTRA VOICE EFFECT AMOUNT knob
Adjusts the depth of the Multi-Effects. (P. 59)
㊹ EXTRA VOICE EFFECT ON button
Switches the Multi-Effects ON/OFF. (P. 59)
uEFFECTS FOR ALL PARTS
㊺ REVERB DEPTH knob
Adjusts the depth of the Reverb. (P. 54)
㊻ REVERB ON button
Switches the Reverb ON/OFF. (P. 54)
uMASTER EQUALIZER
㊼ BASS knob
Adjusts the boost/cut the of bass frequencies. (P. 27)
㊽ MID FREQUENCY knob
Sets the frequency the MID GAIN knob will adjust. (P. 27)
㊾ MID GAIN knob
Adjusts the boost/cut of the mid range frequency as set by the
MID Frequency knob. (P. 27)
㊿ TREBLE knob
Adjusts the boost/cut of the treble frequencies. (P. 27)
UPPER PEDAL LOWER
NUMBER NAME
PATCH ENTER
VALUE
MENU/
EXIT
PLAY
DRAWBARS SELECT
ORGAN TYPE
Bourdon
16'
OpenDiap
8'
Gedeckt
8'
VoixClst
II
Mixture
III
Octave
4'
Flute Dolce
4'
Hautbois
8'
Flute
2'
NAMES AND FUNCTIONS - continued
㉟㊱㊲
㊳
㊴
㊵
㊶
㊷
㊸
㊹
㊺
㊻
㊼ ㊽ ㊾ ㊿

13
Introduction
REAR PANEL
uPOWER
DC IN jack
Connect the AC adaptor AD3-1250 to this jack.
POWER switch
uSOUND OUTPUT TERMINALS
PHONES jack
Connect stereo headphones here.
Connecting Headphones does NOT mute the Line or Leslie
Outputs.
LINE OUT L/MONO jack
LINE OUT R jack
ese are the sound output jacks.
If the connected mixer or monitor speaker is stereophonic,
connect both L and R. If monaural, connect only to the L/
MONO terminal. (P. 16)
LESLIE 8 PIN jack
Connect a Leslie Speaker equipped with an eight-pin jack here.
When the connection of a physical Leslie Speaker is detected,
the on-board digital Leslie Simulator to the PHONES jack
(53) and the LINE OUT jacks (54, 55) are disabled. (P. 17)
uCONTROLLER TERMINALS
DAMPER PEDAL jack
Connect an optional Damper Pedal (optional FS-9H etc.) here.
If you press the damper pedal, holding down the keyboard, the
sound is sustained even after you release your finger from the
key. (P. 78)
FOOT SWITCH jack
Connect the Foot Switch (optional FS-9H etc.) here.
Consult (P. 78) to learn the different functions available for the
foot switch.
EXP. PEDAL jack
Connect the Expression Pedal (optional EXP-50 etc.) here.
Controls volume while you are playing. (P. 78)
uMIDI TERMINALS
MIDI OUT jack
MIDI information is output from this jack. (P. 102)
MIDI IN jack
MIDI received here. From the factory, this terminal is set to
receive channels in accordance with using a lower manual and
pedalboard. (P. 102)
uUSB TERMINAL
USB FLASH DRIVE jack
is jack is for connecting a USB Flash drive. (P. 114)
PHONES
USB
FLASH DRIVE

HA<O> Sk1 / Sk2 Owner’s Manual
14
KEYBOARD
ACCESSORIES
Keyboard (SK1)
61 waterfall keys, velocity sensitive.
UPPER keyboard (SK2)
is is for playing the UPPER part.
LOWER keyboard (SK2)
is is for playing the LOWER part.
AC adaptor
Supplies power to the instrument - USE ONLY AD3-1250,
DO NOT SUBSTITUTE!
AC cord set
Attaches AC adapter to Wall outlet.
NAMES AND FUNCTIONS - continued
DRAWBARS SELECT
ORGAN TYPE
UPPER PEDAL LOWER
NUMBER NAME
PATCH ENTER
VALUE
MENU/
EXIT
PLAY

15
HOOK-UP

HA<O> Sk1 / Sk2 Owner’s Manual
16 BASIC HOOK-UP
Attach cables and accessories as illustrated.
ere is no on-board amplification or speaker system. An external amp/speaker is
required. When the stereo headphones are connected to the PHONES jack, you can
enjoy playing it or practising by yourself.
Switch this unit, and any external equipment OFF before connecting amps or head-
phones.
CAUTION
Do not place this unit in direct sun
light, near heat sources, or in a hot
location.
PHONES
USB MEMORY
e Expression Pedal and Foot Switch parameters must be set
properly. For details see [CONTROL] (P. 78)
to AC outlet
Expression Pedal
EXP-50 (optional)
Foot Switch
FS-9H (optional)
AC adaptor
AD3-1250 (included)
Powered Speakers
(optional)

17
Hook-Up
CONNECTING THE LESLIE SPEAKER
An 8-pin type Leslie speaker can be directly connected to this keyboard.
v Switch keyboard OFF before connecting the Leslie speaker.
BASIC CONNECTION OF THE LESLIE SPEAKER
Connect the Leslie Speaker #2101, or #2101mk2 and the Leslie 8-PIN jack on this key-
board with the exclusive 8-pin Leslie cable (optional LC-8-7M, not included).
NOTE: The Leslie terminal on this unit is of 8-pin specications. It is impossible to directly con-
nect a 11-pin spec. Leslie speaker.
1. Make the setting of Tone-Wheel organ.
2. Switch “ON” the [BYPASS] button, set the [STATIONARY VOLUME] of the
#2101/mk2 at desired volume.
3. Repeat “ON/OFF” the [BYPASS] button with playing the keyboard, set the [RO-
TARY VOLUME] of the #2101/mk2 at same volume which you can hear.
MIDI CONTROL OF THE LESLIE SPEAKER
To control the parameters of the Leslie Speaker #2101, #2101mk2 (fine adjustment of
the rotor speed or the rise time, etc.):
1. Connect the MIDI OUT of this unit with the MIDI IN of the Leslie speaker with a
MIDI cable.
2. Set the keyboard channel - UPPER and the Leslie MIDI channel to the same chan-
nel. (P. 111)
When this unit detects that the Leslie speaker is connected, the Leslie parameters sent
through MIDI from this unit are switched from the SK original to those for the Leslie
speaker.
PHONES
USB MEMORY
LESLIE SPEAKERS TO BE CONNECTED
This keyboard is designed to connect with 3
channel Leslie speakers such as #2101. How-
ever, it is also possible to connect 1 channel
type Leslie speakers such as #3300 sending
the stationary channels to the LINE OUT jacks
independently. (P. 86)
LESLIE CHANNEL
3 channel type Leslie speakers are equipped
with a stereo speaker system, independent of
the rotor, to provide stereo sound for the Extra
Voices and direct organ sounds.
A traditional 1-channel Leslie, such as a #122
or #147 has no stationary speaker system, thus
requiring a separate amplier/speaker for the
Extra Voices or direct organ sounds.
8-pin Leslie Cable
MIDI Cable (Optional)

HA<O> Sk1 / Sk2 Owner’s Manual
18 EXPAND THE KEYBOARD
is instrument can be upgraded to dual keyboards by connecting an external MIDI
keyboard and pedalboard.
SK1: DUAL KEYBOARD + PEDALBOARD
1. Connect as illustrated above. ere is only one MIDI IN jack onboard this in-
strument, so a MIDI keyboard with a merge function or a MIDI Merge-box is
necessary for realizing a dual keyboard configuration.
NOTE: This illustration shows only the keyboard expansion See P. 16 for the basic hook up of
the power source, audio, etc.
2. Turn the SK1 power ON. en recall the MIDI template “3KBD”. (P. 110)
3. Set the Send channel of the added MIDI keyboard at “2” and that of the MIDI
pedalboard at “3”.
Refer to the operation manual of the added MIDI keyboard and pedalboard, as re-
quired.
uRECOMMENDABLE MIDI KEYBOARD
e following HAMMOND MIDI pedal keyboards (compliant with the SK1) are
available from our sales dealers:
w MIDI pedalboard XPK-100 (13 keys)
w MIDI pedalboard XPK-200 (20 keys)
Both models have a MIDI merge function.
PHONES
USB MEMORY
MIDI Keyboard
MIDI Pedalboard
MIDI OUT
INOUT
(MERGE)

19
Hook-Up
1. Connect as illustrated.
NOTE: This illustration shows only the keyboard expansion. See P. 16 for the basic hook up of the
power source, audio, etc.
2. Switch ON the power of this unit. en recall the MIDI template “Extra Voice”. (P.
110)
Refer to the operation manual of the added MIDI keyboard as required.
PHONES
USB MEMORY
Weighted
MIDI Keyboard
MIDI OUT
SK1: ORGAN + PIANO
You can create a comprehensive basic keyboard rig by utilizing a separate keyboard con-
troller for the Extra Voices (Piano, Etc) and using the SK-1 keyboard for Organ.

HA<O> Sk1 / Sk2 Owner’s Manual
20
SK2: PEDALBOARD
MIDI Pedalboard
INOUT
1. Connect the MIDI OUT of the MIDI pedalboard to the MIDI IN of this unit with a
MIDI cable.
2. When using a Leslie Switch CU-1, connect the CU-1 to the FOOT SWITCH jack.
NOTE: This illustration shows only the keyboard expansion. See P.16 for the basic hook up of the power
source, audio, etc.
3. Switch ON the power of this unit and call the MIDI template “Pedal KBD”. (P. 110)
4. When using the CU-1, set the CONTROL - FOOT DEVICE” at “CU-1”. (P. 78)
uRECOMMENDABLE MIDI KEYBOARD
e following MIDI pedal keyboards (compliant with the SK2) are available from our sales
dealers:
w MIDI pedal-board XPK-100 (13 keys)
w MIDI pedal-board XPK-200 (20 keys)
Both models have a MIDI merge function.
EXPAND THE KEYBOARD - continued
MOUNTING THE CU-1 (optional)

21
GETTING READY
TO PLAY

HA<O> Sk1 / Sk2 Owner’s Manual
22
HOW TO POWER ON After making the necessary connections, follow the procedures below for powering on
your SK1/SK2. Please be sure to adhere to the procedure, to prevent malfunction or
damage.
u PROCEDURES
1. Before switching the power ON, confirm the [MASTER VOLUME] knob is set to
minimum.
2. Switch ON the [POWER] (on the rear of this keyboard). e Title mode and then
the Play mode are displayed (as illustrated).
v For protecting the circuits, the keyboard is designed not to play immediately at
the power on (about 6 seconds).
3. Switch ON the connected amplifier etc.
4. Play a bit, raising the [MASTER VOLUME] knob to adjust the volume to your
needs.
v The [MANUAL] button does not sound in the default settings. Pull out the
Drawbars or select any of the FAVORITE [1] to [10] buttons to get sound.
5. Adjust the volume of amplifier etc.
v To turn OFF the power, do the above steps in reverse. (Switch OFF the amplier
etc. rst.)
BACK UP is keyboard “remembers” the unit’s status immediately before the power is turned off,
returning the unit to that status upon the next power-on.
e status of the default settings are the same as when the [MANUAL] button is depressed.
RESET TO THE FACTORY SETTINGS
To reset all parameters of this keyboard to its default settings, perform the following steps:
uOPERATION PROCEDURES
1. Switch the [POWER] of this keyboard off.
2. Holding down the preset [RECORD] button, switch the [POWER] ON.
3. Keep holding down the button until “Loading Default...” is displayed.
4. When the Play mode is displayed, this operation is completed.
SWITCH ON
PHONES
USB
FLASH DRIVE
UPPER PEDAL LOWER
NUMBER NAME
PATCH
ENTER
VALUE
MENU/
EXIT
PLAY

23
Getting Ready To Play
UPPER PEDAL LOWER
NUMBER NAME
PATCH ENTER
VALUE
MENU/
EXIT
PLAY
DRAWBARS SELECT
ORGAN TYPE
Bourdon
16'
OpenDiap
8'
Gedeckt
8'
VoixClst
II
Mixture
III
Octave
4'
Flute Dolce
4'
Hautbois
8'
Flute
2'
PLAY WITH THE PATCHES
ere are 100 patches loaded in memory from the factory, allowing you to immediately
start playing. You can also create 100 patches of your own.
HOW TO CALL A PATCH
Example: Select U041.
1. GO TO THE PLAY MODE
Select the PLAY button, to enter PLAY mode.
2. SELECT THE PATCH NUMBER
Select the patch number U041 with the [VALUE] knob. Read
the [PRESET PATCH LIST] (P. 147) in the Appendix for the
preset patch details.
Call various patches to play. When you call patches, not only
the Drawbar registrations but the effects such as Leslie, reverb ,
and Extra Voices also change.
NOTE: You can set the types of parameters to call (P. 76 #2 to 10).
NOTE: You can set the FAVORITE buttons to select a Patch with direct
key-in (P. 76 #11)
USER and PRESET
ere are two domains: “USER” and “PRESET” in this key-
board’s Patch memory. You can freely overwrite in the “USER”
domain, but you can not do so in the “PRESET” domain as it
contains the factory settings.
“USER” and “PRESET” are indicated by “U” and “P” respec-
tively.
Patches
“FAVORITE”
buttons
1
MANUAL
2 3
“VALUE”
knob
in PLAY mode
U001 First
Manual
U002 Second
U003 ird
U004 Fourth
U005 Fih
P098 Mezzo Forte
P099 Forte
P100 Fotissimo
refer
refer
refer
exclusive
sequential
select
“P” are not rewritable
12
(2) - optional

HA<O> Sk1 / Sk2 Owner’s Manual
24 REGISTER FAVORITE PATCHES (FAVORITES)
Patches are selected with the [VALUE] knob. On stage, it is convenient to have your favorite patches avail-
able immediately. Here’s how:
REGISTER PATCHES TO FAVORITES
1. SELECT THE PATCH
Select the patch you want to register to a favorite button as
shown on the previous page
2. SELECT THE BUTTON TO REGISTER
Press the desired Favorite button, holding down the [RE-
CORD] button. “Recording Favorite..” is displayed
for a moment and the selected Favorite button blinks momen-
tarily. Your favorite is stored. Repeat as desired.
HOW TO CALL FAVORITES
SELECT THE DESIRED BUTTON
Press the Favorite button you wish to recall. e Favorite but-
ton lights and the corresponding patch is called.
UPPER PEDAL LOWER
NUMBER NAME
PATCH ENTER
VALUE
MENU/
EXIT
PLAY
DRAWBARS SELECT
ORGAN TYPE
Bourdon
16'
OpenDiap
8'
Gedeckt
8'
VoixClst
II
Mixture
III
Octave
4'
Flute Dolce
4'
Hautbois
8'
Flute
2'
UPPER PEDAL LOWER
NUMBER NAME
PATCH
ENTER
VALUE
MENU/
EXIT
PLAY
DRAWBARS SELECT
ORGAN TYPE
Bourdon
16'
OpenDiap
8'
Gedeckt
8'
VoixClst
II
Mixture
III
Octave
4'
Flute Dolce
4'
Hautbois
8'
Flute
2'
1
2
Press and hold
Press

25
Getting Ready To Play
You can record a Favorite Patch with a procedure similar to the Hammond XB/XK
series organs, by holding the [RECORD] button, and pressing the selected favorite
button - after doing the following procedure.
UPPER PEDAL LOWER
NUMBER NAME
PATCH ENTER
VALUE
MENU/
EXIT
PLAY
UPPER PEDAL LOWER
NUMBER NAME
PATCH
ENTER
VALUE
MENU/
EXIT
PLAY
1LOCATE THE MENU MODE
2SELECT THE PATCH
3ENTER
4GO TO THE FAVORITE PAGE
5SET THE RECORD AT OVERWRITE
6RETURN TO THE PLAY MODE
Press the [MENU/EXIT] button. e MENU mode appears.
Repeat-press the menu button until the “A” menu appears (if
necessary)
Press the [] buttons to select the
PATCH option (it will blink).
Press the [ENTER] button to select the
patch function mode.
Press the [] button twice. e Favorite page appears.
Turn the [VALUE] knob and set the value of the item RE-
CORD to “OVERWRITE”.
Press the [PLAY] button. Returning to the
PLAY mode.
UPPER PEDAL LOWER
NUMBER NAME
PATCH
ENTER
VALUE
MENU/
EXIT
PLAY
UPPER PEDAL LOWER
NUMBER NAME
PATCH ENTER
VALUE
MENU/
EXIT
PLAY
UPPER PEDAL LOWER
NUMBER NAME
PATCH ENTER
VALUE
MENU/
EXIT
PLAY
UPPER PEDAL LOWER
NUMBER NAME
PATCH ENTER
VALUE
MENU/
EXIT
PLAY
Column: RECORD FAVORITES LIKE PRESET BUTTONS

HA<O> Sk1 / Sk2 Owner’s Manual
26
EXPRESSION PEDAL
FOOT SWITCH
e Expression Pedal controls the overall volume or loudness of
the SK1/SK2. e further you depress the pedal, the louder the
sound becomes; the more you pull back on the pedal, the softer it.
NOTE: The Volume pedal has specic parameters to adjust. (P. 79)
NOTE: You can switch enable or disable of which control the Extra Voice
section. (P.77)
e foot switch can be programmed to various functions. e de-
fault setting is [LESLIE S/F ALTERNATE]. Every press toggles,
the speed of the Leslie effect to fast or not.
NOTE: You can change the foot switch assignment. (P. 78)
USE THE FOOT CONTROLLERS
Expression and sustain are important elements in any performance. Here you’ll learn how
to connect these controllers.
EXP-50 (optional)
FS-9H (optional)

27
Getting Ready To Play
MASTER EQUALIZER
Every room has a different acoustic profile, and it is often necessary to compensate for this.
e SK’s MASTER EQUALIZER allows you to tailor the overall tonal profile of your instru-
ment without changing the contents of the Patches.
BASS
Controls the Bass frequencies. It is adjustable below 100Hz by ±9dB. e response
is flat in the middle.
MID FREQUENCY
Controls which Mid-range frequency will be adjusted by the MID GAIN knob. e
range is between 250Hz and 3.1kHz.
MID GAIN
Controls the gain of the frequency set by the MID FREQUENCY knob. e re-
sponse is flat at the center.
TREBLE
Controls the treble frequencies. Adjustable above 8kHz by ±9dB. e response is flat
in the middle.
v The sound may distort if gains are raised too high. Adjust accordingly.
NOTE: These are live performance controls, and they are not record to Patch memory.

HA<O> Sk1 / Sk2 Owner’s Manual
28 TRY CREATING YOUR OWN SOUND
In this section you’ll learn how to create your own sound. In this example, the Organ and
Extra Voices are combined (Jazz Organ and Electric Piano).
SELECT [MANUAL]
First, select the [MANUAL] button (LED lit).
e [MANUAL] button makes all the current control panel
settings active, allowing for real-time registration, and the cre-
ation of new patches.
NOTE: To return to the Patch, press the [MANUAL] button again (LED
o).
Column: INITIALIZE THE INTERNAL SETTINGS [MANUAL]
When the MANUAL button is pressed, not only the current
panel settings become active, but the internal settings do as
well. is is the procedure to return them to the DEFAULT
Status.
GO TO THE MENU MODE
Select the [MENU/EXIT] button. e Menu mode appears.
If the display is different from the above illustration, select the
[MENU/EXIT] button again.
LOCATE PAGE E
Press the [] button 4 times reaching Page E. e DEFAULT
entry is blinking.
ENTER
Press the [ENTER] button. is brings up the
MANUAL page of the DEFAULT function mode.
ENTER AGAIN
Press the [ENTER] button. e contents of
MANUAL are initialized.
RETURN TO THE PLAY MODE
Press the [PLAY] button. is returns the SK1/SK2
to the Play mode.
UPPER PEDAL LOWER
NUMBER NAME
PATCH
ENTER
VALUE
MENU/
EXIT
PLAY
UPPER PEDAL LOWER
NUMBER NAME
PATCH ENTER
VALUE
MENU/
EXIT
PLAY
UPPER PEDAL LOWER
NUMBER NAME
PATCH ENTER
VALUE
MENU/
EXIT
PLAY
UPPER PEDAL LOWER
NUMBER NAME
PATCH ENTER
VALUE
MENU/
EXIT
PLAY
UPPER PEDAL LOWER
NUMBER NAME
PATCH
ENTER
VALUE
MENU/
EXIT
PLAY
1
2
3
4
5

29
Getting Ready To Play
PULL OUT DRAWBARS
Pull out Drawbars to your taste. You can monitor your selec-
tions easily while playing the keyboard (the UPPER keyboard
if on SK2).
e Drawbars make the fundamental organ sound of this unit.
e tone changes depending on how far the Drawbars are
pulled out.
e volume of each sound becomes maximum when the Draw-
bar is fully pulled out, and null when fully pushed back. e
drawbars are arranged so that the pitch grows higher from left
to right.
Now, as an example, fully pull out the 3 left side bars; 16´, 5
⅓´ and 8´.
NOTE: You can change the sound character of the Drawbars. (P. 74)
NOTE: The present registration is displayed in the Play mode. (P. 65)
ADD THE TOUCH-RESPONSE PERCUSSION
[PERCUSSION] here does not mean percussion instruments
like drums or marimbas, but the classic crisp attack unique to
the Hammond Organ. Use it to mix with Drawbar sounds
whenever necessary. [PERCUSSION] is available only on the
UPPER part.
If you switch on the [SECOND] and the [THIRD], percus-
sion sounds of one octave higher “C” and “G” are added to the
note on each keyboard, respectively.
If you switch on the [FAST] button the decay is quicker, and
if the [SOFT] button is selected, the volume of the Percussion
is diminished.
Here, select the following 3 Percussion buttons [THIRD],
[FAST], [SOFT].
NOTE: You can ne-tune the percussion parameters to your taste. (P.
82)
SELECT THE UPPER DRAWBARS
In this example, make sounds to begin with the Organ Section.
e DRAWBARS SELECT buttons are for selecting which
part the Drawbars will control written below.
NOTE: What is a “PART”? (p. 33)
Select [UPPER]. is is the basic Organ Part, the one used
most frequently.
UPPER PEDAL
LOWER
NUMBER NAME
PATCH
ENTER
VALUE
MENU/
EXIT
PLAY
DRAWBARS SELECT
ORGAN TYPE
DRAWBARS SELECT
ORGAN TYPE

HA<O> Sk1 / Sk2 Owner’s Manual
30
ADD EFFECTS TO THE ORGAN SECTION
VIBRATO & CHORUS
Adding the Classic Hammond Vibrato & Chorus to the sound.
[UPPER], [LOWER] buttons
Switches the Vibrato & Chorus effect ON/OFF. When ON the light illuminates.
[V1/C2], [V2/C2] buttons
ese set the depth of the Vibrato effect. If both buttons are selected, the depth be-
comes maximum as V3/C3.
[CHORUS] button
is button changes the Vibrato to the distinctive and Classic Hammond Chorus
effect-Changing the V1/V2/V3 to C1/C2/C3. When the Chorus effect is engaged
the button light illuminates.
NOTE: You can ne-tune the speed of Vibrato/Chorus. (P. 83)
For this example, set ALL of the Vibrato & Chorus buttons to “on” (except [LOW-
ER]).
LESLIE
e LESLIE effect is the famous “Moving and Swirling” sound provided by rotating
horns and speakers, but executed here in the Digital realm.
[FAST] button
is button toggles the mode of the rotor to fast or not. When the light is ON, it is
FAST, and when OFF, not.
[STOP] button
is button sets the mode when the [FAST] button is off. When the light is ON, it is
STOP, and when OFF, it is SLOW.
[BYPASS] button
To Engage the Leslie effect, press the [BYPASS] button turning the light OFF.
NOTE: These controls perform the same functions when a Physical Leslie is connected via the
8 pin plug.
NOTE: You can ne-tune the parameters of the Digital Leslie eect etc. (P. 84)
For this example, let’s set the status of all lights OFF.
OVERDRIVE
e overdrive section adds warmth at low settings, and “grit” or distortion at higher.
[ON] button
Toggles the Overdrive OFF and ON (when on the light is illuminated).
[AMOUNT] knob
Adjusts the amount of Overdrive. e amount increases as you rotate the knob clock-
wise.
In this example, the Overdrive is not used. e Button light should be OFF.
MULTI-EFFECTS
Adjusts the amount of the Chosen Multi-effect to be applied to the Drawbar sounds.
e default settings: at “Tremolo”.
[ON] button
Toggles the Multi-Effects send ON and OFF (e light illuminates when ON).
[AMOUNT] knob
Adjusts the amount of Multi-Effect to be applied. e amount increases as you rotate
the knob clockwise.
In this example, the Multi-Effects are not used. e Button light should be OFF.
TRY CREATING YOUR OWN SOUND - continued
DRAWBARS SELECT
ORGAN TYPE
DRAWBARS SELECT
ORGAN TYPE

31
Getting Ready To Play
ALLOCATING THE EXTRA VOICES
Choose which parts will play the Extra Voices.
[UPPER] button
e Extra Voices play in the UPPER part.
[LOWER] button
e Extra Voices play in the LOWER part.
[SOLO] BUTTON
Turns the Organ section OFF and only the Extra Voices sound.
In this example, a blend of Organ and Piano voices are desired.
Press the [UPPER] button ON, and insure the [LOWER] and
[SOLO] buttons are not lit.
SELECT AN INSTRUMENT
To choose the Extra Voice instruments, press the desired Voice
Group button on the top panel, then select your specific instru-
ment in the display.
Select the “EPiano Rd2” as follows.
1. SELECT A VOICE GROUP
Press the [E.PIANO] button.
e instrument automatically selects voice used previously in
this voice group.
e voice will appear in the display.
2. SELECT AN INSTRUMENT
Select “EPiano Rd2” with the [VALUE] knob.
Now the “EPiano Rd2” is ready to play.
ADJUST THE VOLUME BALANCE
To achieve your desired blend of Organ and Extra Voice (In
this example the E. Piano), adjust the Extra Voice volume knob
accordingly.
UPPER PEDAL LOWER
NUMBER NAME
PATCH ENTER
VALUE
MENU/
EXIT
PLAY
DRAWBARS SELECT
ORGAN TYPE
Bourdon
16'
OpenDiap
8'
Gedeckt
8'
VoixClst
II
Mixture
III
Octave
4'
Flute Dolce
4'
Hautbois
8'
Flute
2'
1
2

HA<O> Sk1 / Sk2 Owner’s Manual
32
ADD EFFECTS TO THE EXTRA VOICE SECTION
MULTI-EFFECTS
e most suitable effects for each Extra Voice are automatically called when selecting
that voice.
[ON] button
Adds effects to the Extra Voices. When “ON” the light is illuminated.
[AMOUNT] knob
Adjusts the amount of effect added. Turning the knob clockwise increases the amount.
ADD REVERB TO BOTH SECTIONS
REVERB
e SK1/SK2’s Digital Reverberation is common to both Organ and Extra Voice
sections.
[ON] button
Turns the Reverb effect ON.
[DEPTH] knob
Adjusts the amount of Reverb added. Turning the knob clockwise increases the
amount.
TRY CREATING YOUR OWN SOUND - continued

33
Getting Ready To Play
WHAT IS A “PART”?
Each “PART” is equivalent to a player in a band or an orchestra. e 3 Parts here are
expressed in Organ terms: UPPER. LOWER, and PEDAL. ese parts can be indi-
vidually played with different sounds.
e SK1 has a single keyboard, the SK2 has 2 keyboards. Plural parts are available si-
multaneously, by splitting the keyboards or expanding them using a MIDI keyboard.
KEYBOARD SPLIT
e SK1 has only 1 manual, but it can be split and treated as if it
were a 2 manual instrument.
[SPLIT] button
To use the Split function, press the [SPLIT] button and the light
will go ON. e default setting split is at the middle B/C.
NOTE: You can change the split point (dividing note) and octave. (P. 108)
NOTE: The Split function is disabled when a second MIDI Keyboard is
added. (P. 110)
Right of the split point is referred to as: UPPER and the left side
LOWER. Percussion does not function on the LOWER part.
ere is no SPLIT function available on the SK2.
MANUAL BASS
You can play the Pedal voices using the lowest notes of the key-
board (the LOWER keyboard if on the SK2).
[M. BASS] button
To use the Manual Bass function, press the [M. BASS] button and
the light will go ON. e Pedal/Bass sound is heard in conjunc-
tion with the lowest note being played, on the manual keyboard
till that time.
In order to interface with the melody performance, the default
Manual Bass upper limit point is set to sound up to, and including
middle “B”.
NOTE: The Manual Bass can be set to play in Lowest, Polyphonic, and
Chord (P. 108 #1). You can change the playing range of the Manual
Bass (the upper limit) (P. 108 #2).
NOTE: When the SK1 is expanded to 2 manual, the Manual Bass function
works on the LOWER keyboard. (P. 110)
e part obtained when the Manual Bass is selected is called PED-
AL part and its sound is controlled by the Drawbars ([PEDAL]
when selected in Drawbar Select). is is originated from the style
of playing bass on the pedal keyboard of a 3 keyboard type organ.
You can use both the manual bass and the split at the same time.
is makes it possible to play the bass + chord + melody only by
yourself.
NOTE: You can triggering the Manual Bass by foot switch (P. 78).
Upper
Lower Split Point
Manual Bass

HA<O> Sk1 / Sk2 Owner’s Manual
34
LOWER TO PEDAL
When a pedal keyboard is connected to the SK2, you can play the
LOWER part sound (or “registration”) with the pedalboard using
the “LOWER TO PEDAL”.
[LOWER to PEDAL] BUTTON
To use the ‘Lower to Pedal’ coupler, press the [LOWER to PED-
AL] button and the light will go ON.
e default upper limit for Lower to Pedal is below Middle “B”.
NOTE: You can change the playing range (the upper limit) of the ‘Lower
to Pedal’. (P. 108 #2)
PEDAL SUSTAIN
A popular effect for organ bass is “PEDAL SUSTAIN”, which adds
a smooth decay reminiscent of a string bass.
[PEDAL SUSTAIN]
To engage the pedal sustain, press the [P. SUS] button and the light
will go ON. When you release your foot from the pedalboard (or
release the key on the Lower keyboard - when using manual bass),
the PEDAL part decays smoothly.
NOTE: You can adjust the sustain time of the Pedal Sustain. (P. 75 #16)
TRY CREATING YOUR OWN SOUND - continued
Lower to Pedal

35
Getting Ready To Play
Press the [RECORD] button.
A question “Which patch do you want to record?” appears in
the display.
Press the [ENTER] button.
e Patch Number is decided and “Recording Patch” is
displayed. When the recording process completes, the display
returns to the previous mode.
e recorded patch is automatically selected.
NOTE: The user created patch data is not lost when the power is
turned o and/or disconnected.
RECORD THE PATCH TO MEMORY
All the previous settings can be recorded to any Patch within the range of U001 to U100.
Example: RECORD TO U032
Select the patch number, this time U032, to record, using the
[VALUE] knob.
UPPER PEDAL LOWER
NUMBER NAME
PATCH
ENTER
VALUE
MENU/
EXIT
PLAY
DRAWBARS SELECT
ORGAN TYPE
Bourdon
16'
OpenDiap
8'
Gedeckt
8'
VoixClst
II
Mixture
III
Octave
4'
Flute Dolce
4'
Hautbois
8'
Flute
2'
UPPER PEDAL LOWER
NUMBER NAME
PATCH ENTER
VALUE
MENU/
EXIT
PLAY
UPPER PEDAL LOWER
NUMBER NAME
PATCH ENTER
VALUE
MENU/
EXIT
PLAY
1
2
3

37
SETTING UP

41
Setting Up
Column: SELECTING THE ORGAN TYPES
Use the control panel for switching the organ types.
Example: Switching the manual part to “Pipe”
Press the [UPPER] and [LOWER] buttons together. e
DRAWBAR function mode is displayed and the organ type
(“BType1” etc.) of the manual keyboard presently selected
blinks.
Select “Pipe” with the [VALUE] knob. e pipe organ sounds
when you play the keyboard.
To return to the PLAY mode, press the [PLAY] button.
UPPER PEDAL LOWER
NUMBER NAME
PATCH
ENTER
VALUE
MENU/
EXIT
PLAY
UPPER PEDAL LOWER
NUMBER NAME
PATCH ENTER
VALUE
MENU/
EXIT
PLAY
UPPER PEDAL LOWER
NUMBER NAME
PATCH
ENTER
VALUE
MENU/
EXIT
PLAY
DRAWBARS SELECT
ORGAN TYPE
1
2
3

51/3'
16' 8' 4' 22/3'2' 13/5' 11/3'1'
51/3'
16' 8' 4' 22/3'2' 13/5' 11/3'1'
51/3'
16' 8' 4' 22/3'2' 13/5' 11/3'1'
51/3'
16' 8' 4' 22/3'2' 13/5' 1 1/3'1'
43
Setting Up
DRAWBARS FOR THE UPPER AND LOWER PARTS
WHITE DRAWBARS
In each Drawbar set, the white Drawbar (8´) on the left side
makes the fundamental sound. e other white Drawbars get
higher by the octave to the right.
BLACK DRAWBARS
BROWN DRAWBARS
DRAWBARS TO USE ON THE PEDAL
e sounds of the black Drawbars, too, play an important role
in building rich tones. eir pitches are fifth and third to the
fundamental. ese harmonics add a complexity to the tone,
even allowing characteristics of acoustic instruments.
e two brown Drawbars on the far left give depth and richness
to the sound. e left 16´ is one octave lower than the 8´, and
5⅓´ is the third harmonic of the 16´ fundamental. Normally,
the tones are built on the 8’ fundamental, but, if you want to
add depth to the tone or to expand the playing range by one
octave lower, build your tones on the 16´ fundamental.
e Pedalboard plays the bass line and uses the two Drawbars
-16´ and 8´. e first Pedal Drawbar produces a tone at 16´
pitch for a deep foundation bass, while the second Pedal Draw-
bar produces a tone at 8´ pitch, or one octave higher.
e registration of the Pedal part appears in the center of the
display. 16´ on the left and 8´ on the right.

HA<O> Sk1 / Sk2 Owner’s Manual
44
DRAWBAR REGISTRATION PATTERNS
e Drawbar Registration is matched by digits. It is easy to remember the typical
combinations of the 9 Drawbars by their forms.
e Drawbar Registrations are grouped into the following 4 patterns:
Flute family (2 step pattern) Diapason family (check mark pattern)
Reed family (triangle pattern) String family (bow pattern)
51/3'
16' 8' 4' 22/3'2' 13/5' 11/3'1'
51/3'
16' 8' 4' 22/3'2' 13/5' 11/3'1'
Accompaniment Flute 8´ I .............. 00 8460 000
Accompaniment Flute 8´ II ............. 00 3220 000
Accompaniment Flute 8´ III ........... 00 8600 000
Chorus of Flutes 16´ ....................... 80 8605 002
Orchestral Flute 8´ .......................... 00 3831 000
Piccolo 2´ ........................................ 00 0006 003
Stopped Flute 8´ ............................. 00 5020 000
Tibia 8´ ........................................... 00 7030 000
Tibia 4´ ........................................... 00 0700 030
Tibia (eater) 16´ .......................... 80 8605 004
Wooden Open Flute 8´ ................... 00 8840 000
Accomp. Diapason 8´ ...................... 00 8874 210
Chorus Diapason 8´ ........................ 00 8686 310
Diapason 8´ .................................... 00 7785 321
Echo Diapason 8´ ........................... 00 4434 210
Harmonic Diapason 16´ ................. 85 8524 100
Harmonic Diapason 8´ ................... 00 8877 760
Harmonic Diapason 4´ ................... 00 0606 045
Horn Diapason 8´ ........................... 00 8887 480
Open Diapason 8´ .......................... 01 8866 430
Solo Diapason ................................. 01 8855 331
Wood Diapason 8´ .......................... 00 7754 321
Bassoon 16´ .................................... 44 7000 000
Clarinet 8´ ...................................... 00 6070 540
English Horn 8´ .............................. 00 3682 210
Flugel Horn 8´ ................................ 00 5777 530
French Horn ................................... 00 7654 321
Kinura 8´ ........................................ 00 0172 786
Oboe 8´ .......................................... 00 4764 210
Trombone 8´ ................................... 01 8777 530
Trumpet 8´...................................... 00 6788 650
Tuba Sonora 8´ ............................... 02 7788 640
Vox Humana 8´ .............................. 00 4720 123
Cello 8´ ........................................... 00 3564 534
Dulciana 8´ ..................................... 00 7770 000
Gamba 8´ I ..................................... 00 3484 443
Gemshorn 8´ ................................... 00 4741 321
Orchestral String 8´......................... 00 1464 321
Salicional 8´ .................................... 00 2453 321
Solo Viola 8´ ................................... 00 2474 341
Solo Violin 8´.................................. 00 3654 324
Viola da Gamba 8´ .......................... 00 2465 432
Violina 4´ ........................................ 00 0103 064
Violone 16´ ..................................... 26 3431 000
51/3'
16' 8' 4' 22/3'2' 13/5' 11/3'1'
51/3'
16' 8' 4' 22/3'2' 13/5' 11/3'1'
HARMONIC DRAWBARS™ - continued

HA<O> Sk1 / Sk2 Owner’s Manual
46
DRAWBARS (Vx)
e original British Vx type organ was
equipped with Drawbars, but the function
was different from that of the Hammond
Organ. e vintage arrangement has been
re-created here.
Each of the 4 bars on the left functions sim-
ilarly to the Hammond Organ. II, III and
IV on the right are “Mixture” drawbars that
sound plural pitches.
e 2 right-most bars are a mini mixer con-
trolling the mellow voice or bright voice as
in the vintage combo organ.
Each or both of the two right-most draw-
bars must be pulled in some combination
to achieve sound in the Vx type.
If the organ type is set to Vx, refer to the
“Vx” row on the other side of the Drawbars
for the correspondence between each bar
and the footage.
8´
16´ 4´ 2´ II III IV
at Middle “C”
Oscillators
16´
8´
4´
2´
II
III
IV
Filter
to output
FOOTAGE
The markings, “8’, 4’” etc., indicate the lengths of
pipes corresponding to their pitch. The common
term for these numbers are “footages”.
For example, 8’ means that a pipe of 8’ in length
sounds, the lowest C on a standard 5 octave organ
keyboard.
HARMONIC DRAWBARS™ - continued
Bourdon
16'
OpenDiap
8'
Gedeckt
8'
VoixClst
II
Mixture
III
Octave
4'
Flute Dolce
4'
Hautbois
8'
Flute
2'

47
Setting Up
DRAWBARDS (Farf)
e original Italian Farf type organ was
tablet-equipped with different sounds at
various footages. On this keyboard the op-
eration is made with Drawbars instead of
tablets.
At the same footage, the tablets gives grow
brighter in sound as you progress to the
right. e names “Flute”, “Strings”, etc. are
general descriptions and do not reflect the
tonalities or characteristics of the real in-
struments.
When using the Farf type organ, refer to the
“Farf ” row on the other side of the Draw-
bars for the correspondence between each
bar and the footage.
Bass 16´
Strings 16´
Flute 8´
Oboe 8´
Trumpet 8´
Strings 8´
Flute 4´
Piccolo 4´
Strings 4´
at Middle “C”
Oscillators
Bass 16´
Strings 16´
Flute 8´
Oboe 8´
Trumpet 8´
Strings 8´
Flute 4´
Piccolo 4´
Strings 4´
to output
16´
8´
4´
Filters
Bourdon
16'
OpenDiap
8'
Gedeckt
8'
VoixClst
II
Mixture
III
Octave
4'
Flute Dolce
4'
Hautbois
8'
Flute
2'

HA<O> Sk1 / Sk2 Owner’s Manual
48
DRAWBARS (PIPE)
Principal
16´
Principal
8´
Melodia
8´
Rohr
Flute
8´
Prestant
4´
Flute
4´
Super
Octave
2´
Mixture
IV
Trom-
pette
8´
Bourdon
16´
Open
Diapason
8´
Gedeckt
8´
Sub Bass 16´
+
Gedeckt 8´
Principal Chorus
+
Mixture IV
Viole
Celeste
II
Octave
4´
Flauto
Dolce
4´
Flute
2´
Mixture
III
Hautbois
8´
UPPER:
LOWER:
PEDAL:
When using the PIPE organ type, the stops are registered through the Drawbars, and
follow the classic organ layout left to right as follows: Flue,Mixture and Reed.
On the UPPER and LOWER parts, each Drawbar corresponds with a stop of the
pipe organ.
On the PEDAL part, two stops sound with one Drawbar.
NOTE: The eects - Vibrato & Chorus, Leslie, Overdrive - are not available on the Pipe type
voices.
If the organ type is Pipe, refer to the “Pipe”
row on the other side of the Drawbars for
the correspondence between each bar and
the footage.
HARMONIC DRAWBARS™ - continued
Bourdon
16'
OpenDiap
8'
Gedeckt
8'
VoixClst
II
Mixture
III
Octave
4'
Flute Dolce
4'
Hautbois
8'
Flute
2'

HA<O> Sk1 / Sk2 Owner’s Manual
52 DRAWBAR OVERDRIVE
Overdrive simulates the effect of pushing an amplifier beyond its normal limits to
achieve a more aggressive sound.
By changing the drive amount, various sounds are obtained from an unclipped
warmth to a hard distortion.
[OVERDRIVE ON] button
To engage the Overdrive effect, press this button and the light will go ON.
[OVERDRIVE AMOUNT] knob
Adjusts the amount of the Overdrive effect.
Rotating the knob clockwise increases the depth of the effect.
NOTE: Drawbar Overdrive is available on 5 Organ types; BType1, BType2, Mellow, Vx and
Farf.
NOTE: You can ne-tune the overdrive sound. (P. 88)
NOTE: The button and knob are for the Organ section. The Overdrive eect for the Extra
Voice section is operated by the parameter in the control panel. (P. 95)

57
Setting Up
TRANSPOSE
e transpose function allows you to match the same key of other instru-
ments or vocalists without changing the key that you are playing in.
For example, if you set Transpose at [+5], the note “F” sounds when you
play the “C” key. (By playing in the key of C the SK1 sounds in the key
of F.)
[TRANSPOSE] button
w To raise the pitch by semi-tone, press the [UP] button, while holding down the
[TRANSPOSE] button.
w To lower the pitch by semi-tone, press the [DOWN] button, while holding down the
[TRANSPOSE] button.
You can set Transpose in the range from -6 to +6 semi-tone.
Transpose is at “+5”.
When performing this operation, the status of the transposition is shown in the display.
Transpose is mapped to the following points:
i) Between the internal keyboard and the built-in sound engines.
ii) Between the MIDI IN and the built-in sound engines.
iii) To the external zone.
iv) When the MIDI pedalboard XPK-100 is connected, transpose value will synchronize
with it.
NOTE: Transpose is a temporary parameter, and is not recorded to any patch. When the power is
switched OFF, it returns to 0.

59
Setting Up
MULTI-EFFECTS, REVERB
is keyboard is equipped with Multi-Effects capable of adding various effects to the
Extra Voices, and Reverb capable of adding the effects of playing in a concert hall.
uMULTI-EFFECTS
[EFFECT ON] button
To engage the Multi-Effects, press this button and the light
will go ON.
[EFFECT AMOUNT] knob
Adjusts the amount of the Multi-Effects.
NOTE: There are numerous parameters in the Multi-Eects. Detailed
settings are made with the parameters in the control panel.
(P. 95)
uREVERB
Reverb is common for both the organ and the Extra Voice sec-
tions.
[REVERB ON] button
To engage the Reverb, press this button and the light will go
ON.
[REVERB DEPTH] knob
Adjusts the depth of the Reverb.
NOTE: You can ne-tune the time etc. of the Reverb eect. (P. 97)

HA<O> Sk1 / Sk2 Owner’s Manual
60 PATCH
USER AND PRESET
ere are 100 USER and 100 PRESET
Patches as illustrated. e “User” Patch are
over-write capable. e “Preset” Patches are
not.
To call the Patch, select the Patch Number
with the [VALUE] knob in the Play mode
(P. 23).
To record the present setting to the patch,
first give a name to it and designate the
patch number before recording the patch
(next page).
e [MANUAL] button on the left side of the top panel shifts the focus to all the
current settings of the top panel, and the current internal settings. It is used as a start-
ing point for writing your own patches, or for the musician who prefers to register
“by hand” instead of using patches.
PATCH LOAD
Only the Drawbar registrations of each keyboard
were recorded to the preset of the B-3/C-3. But
many more parameters than the Drawbar registra-
tions are recorded to the patches on this keyboard.
If you wish to keep the “traditional” style of regis-
tration (Drawbars only), Select the proper param-
eters in “Patch Load”. (P. 76)
e settings you have prepared can be recorded to User Patches.
Patches
“FAVORITE”
buttons
1
MANUAL
2 3
“VALUE”
knob
in PLAY mode
U001 First
Manual
U002 Second
U003 ird
U004 Fourth
U005 Fih
U098 November
U099 December
U100 “User” ends
P098 Mezzo Forte
P099 Forte
P100 Fotissimo
P001 Preset begins
P002 Monday
P003 Tuesday
refer
refer
refer
exclusive
sequential
select
“P” are not rewritable

63
USING THE
CONTROL PANEL

65
Using the Control Panel
PLAY MODE
e Play mode is basic for all operations. All information necessary for ordinary performance
is displayed here.
To locate this mode
1. “Playmode”isthedefaultmodeatpower-up.
2. IfthePlaymodeisnotdisplayed,touchthe[PLAY]button.
HOW TO READ THE DISPLAY
Display of Registration
(Bars)
Display of Extra Voice
e three PLAY modes, two for display-
ing the Registration and the other for
displaying the Extra Voices, are toggled
every time the [PLAY] button pressed.
BUTTON OPERATION IN THIS MODE
UPPER PEDAL LOWER
NUMBER NAME
PATCH ENTER
VALUE
MENU/
EXIT
PLAY
Display of Registration
(Digits)
UPPER PEDAL LOWER
NUMBER NAME
PATCH ENTER
VALUE
MENU/
EXIT
PLAY
DRAWBARS SELECT
ORGAN TYPE
Bourdon
16'
OpenDiap
8'
Gedeckt
8'
VoixClst
II
Mixture
III
Octave
4'
Flute Dolce
4'
Hautbois
8'
Flute
2'
Select the Patch
Display the Menu mode.
Switch the three Play mode types.
Drawbar Registration
UPPER / PEDAL / LOWER
Patch
Produkt Specifikationer
Mærke: | Hammond |
Kategori: | organ |
Model: | SK 1 |
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