Buchla & TipTop Audio Model 264t Manual

Buchla & TipTop Audio Ikke kategoriseret Model 264t

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Side 1/4

QUAD SAMPLE-AND-HOLD/POLYPHONIC ADAPTOR MODEL 264t

Eurorack 200 series

TPUTSART OU

sample and hold (samples on rising edge of pulse)

track and hold (tracks while pulse is high)

OFFSET

MODUL IONA T

zero max

CO GENT LTAROL VO OUTPUTS

CO GENT LTAROL VO INPUTS

PUL UTSSE INP

PUL TPUTSSE OU

POLYPHONIC INPUTS

1 2 3 4

sep atear common NUMBER OF VOICES

QUAD SAMPLE AND HOLD MODEL 264

POLYPHONIC ADAPTOR

Four independent sample-and-hold circuits, plus a specialized logic circuit for expediently implementing polyphonic patches.

Sample-and-hold’s are essentially one-cell analog memories. They are useful for “remembering” the instantaneous value of a

control voltage (a detected envelope, for example), for generating equally spaced steps from a constant slope input (as from a 281t

envelope generator), and for converting any continuously changing voltage (a random voltage, for instance) into a series of discrete

values.

The 264’s sample-and-hold circuits have two operating modes: sample and track. In the sample mode, the value of the input is

sampled and applied to the output whenever a pulse is received. The output remains at this value until the next pulse arrives. The

track mode diers in that an input is applied to the output for the duration of the pulse. The output tracks the input until the end of

the pulse and remains at a constant value until the next pulse.

To use the 264t as four independent channels set the separate/common switch to separate. A single CV can be set to all four

channels by setting the operate/common to common and plug CV in the the back jack on the with right side.

The Model 264t includes a polyphonic adaptor, which performs the logic necessary to implement four-voice polyphony. Facilities

are incorporated for ﬁne tuning and f.m. modulating the oscillators; light emitters display the adaptor’s operation.

ART Quantizer

The four voltage control outputs are internally routed to a quad-channel quantizer with four ART outputs for use with ART-equipped

oscillators, such as the 259t Complex Oscillator. A 12-stage switch selects the key, while the knob above chooses the scale: Minor

(m), Chromatic (ch), or Major (M).

QUAD SAMPLE-AND-HOLD/POLYPHONIC ADAPTOR MODEL 264t

Eurorack 200 series

First step: Oscillator Calibration (Quick Start)

A push switch sends either Auto-Tune Initial Tuning or command via the ART outputs to the oscillators. Both functions are

explained in detail in the 259t user manual, which also provides additional ART-related information worth knowing.

To quickly set up the 259t:

1 Connect any ART output to the 259t oscillators and set them to .ART mode

2 Let the oscillators warm up for a minimum of .30–40 minutes

3 Hold down the —the 259t will begin 264t tuning switch Initial Tuning, calibrating each oscillator one at a time.

The LED will turn o, then start blinking as it tunes the ﬁrst oscillator.

4 Once tuning is complete, the oscillators can play notes via ART.

Auto-Tune can be sent periodically to correct tuning if it sounds like the oscillates are out of tune. (Beware that the ﬁne tune knobs

on the 259t needs to be set fully CCW for the note center pitch) To send an Auto-Tune command short press the tuning switch on

the 264t.

Playing Notes

The ART Quantizer is tied to the function. When a is sent to the , the control voltage is Sample and Hold gate pulse gate input

converted into a note value and sent via ART to the oscillator.

• The determines the note length at the oscillator.gate pulse length

• In Track and Hold mode, the 264t ART output follows changes in input voltage .as long as the gate is high

SEQUENTIAL VOLTAGE SOURCE MODEL 245

advance

OUT

pulseanalog

PULSER

OUT

ref pulse

PULSE LENGTH

of period

0 100

INTERNAL TIME

.002

.005 .5

259t

ART INPUT

Produkt Specifikationer

Mærke:	Buchla & TipTop Audio
Kategori:	Ikke kategoriseret
Model:	Model 264t

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