Sigma Fp Manual

Sigma Kamera Fp

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C43 224B EN
E
ENGLISH
FW Ver.4.0
INSTRUCTION MANUAL
2
Thank you for purchasing the SIGMA fp.
Please read this manual carefully so that you will learn how to use the
product correctly. Be sure to read the SAFETY PRECAUTIONS on page
7 before using your camera.
Please keep this instruction booklet handy for future reference. Doing so
will allow you to understand and take advantage of the camera’s unique
features at any time.
The warranty of this product is one year from the date of purchase.
Warranty terms and warranty card are on a separate sheet, attached.
Please refer to these materials for details.
NOTES ON COPYRIGHT
This camera is intended only for personal use and should never be used in
a way that infringes upon or contravenes international or domestic copyright
laws and regulations. In addition, although it is intended purely for personal
use, some restrictions may be applied to the photographing of
demonstrations, performances, shows, exhibitions, or commercial
properties, etc. Copyright or other legal rights should not be contravened.
The SD SD- . , SDHC, and SDXC logos are trademarks of the 3C, LLC
DNG and CinemaDNG are either trademarks or registered trademarks of
Adobe Systems Incorporated in the United States and/or other countries.
HDMI, High-Definition Multimedia Interface, and HDMI Logo are
trademarks or registered trademarks of HDMI Licensing Administrator,
Inc. in the United States and other countries.
QR Code is a registered trademark of DENSO WAVE INCORPORATED.
All other company or product names used in documents are trademarks
or registered trademarks of their respective holders.
Element font designed by Ricoh CO., Ltd. is used for the display of the
menu window of this camera.
3
Disposal of Electric and Electronic Equipment in Private Households
Disposal of used Electrical & Electronic Equipment (Applicable in the European
Union and other European countries with separate collection systems)
This symbol indicates that this product shall not be treated as household waste.
Instead it shall be collected separately for the recycling of electrical and electronic
equipment. If the new products are purchased, this product might be handed over to
the distributor or the collection system of waste electrical and electronic equipment
eventually. By ensuring this product is disposed of correctly, you will help prevent
potential negative consequences for the environment and human health, which could
otherwise be caused by inappropriate waste handling of this product or components of
this product. If this product is disposed illegally, it might cause a possibility of penalties.
For more detailed information about recycling of this product, please contact your local
city office, your household waste disposal service or the shop where you have
purchased the product.
PACKAGE CONTENTS / ACCESSORIES
Please make sure that following standard accessories are included with
your camera. If any of them is missing, contact the retailer from which you
purchased your camera immediately.
1. Camera Body
2. Body Cap (on the camera)
3. - Hot Shoe Unit HU 11
4. Strap Holder (two)
5. Strap
6. Li - - ion Battery BP 51
7. AC Adapter UAC- 11
8. - - USB Cable (A C) SUC 11
9. Instruction Manual (this book)
10. Limited Warranty
11. Warranty Sticker
No memory card is included with this camera. Please purchase this
separately.
4
TABLE OF CONTENTS
PACKAGE CONTENTS / ACCESSORIES ............................................. 3
TABLE OF CONTENTS ......................................................................... 4
SAFETY PRECAUTIONS ...................................................................... 7
HANDLING PRECAUTIONS ............................................................... 10
SD MEMORY CARDS (OPTIONAL) .................................................11
ABOUT THE LENSES .....................................................................12
ELECTRONIC SHUTTER ................................................................ 13
DESCRIPTION OF THE PARTS .......................................................... 14
MONITOR DISPLAY DURING SHOOTING .........................................16
PREPARATION ..................................................................... 18
ATTACHING THE CARRY STRAP ................................................... 18
ABOUT HOT SHOE UNIT HU- 11 ..................................................... 19
TO CHARGE THE BATTERY ........................................................... 20
MOUNTING AND REMOVING THE LENS ....................................... 23
SETTING THE LANGUAGE ............................................................. 24
DATE, TIME AND AREA SETTING .................................................. 25
CHECKING THE BATTERY STATUS ............................................... 27
ABOUT TOUCH OPERATIONS ....................................................... 27
ABOUT CINE/STILL SWITCH .......................................................... 28
CAMERA SET- UP MENU ................................................................28
LIST OF MENU FUNCTIONS ..........................................................31
QUICK SET MENU ............................................................................. 36
CHANGING THE DISPLAY MODE...................................................... 39
TO INSERT THE CARD ................................................................... 41
FORMATTING THE CARD ..............................................................42
HOW TO PRESS THE SHUTTER BUTTON ....................................42
QUICK PREVIEW ............................................................................ 42
DOING THE SHOOTING ...................................................... 43
TAKING A PICTURE ........................................................................ 43
SHOOTING A MOVIE ...................................................................... 43
SELECTING THE EXPOSURE MODE ................................................ 45
FOCUSING ......................................................................................... 52
HOW TO USE AUTOFOCUS ........................................................... 52
5
FOCUS MODE SETTING................................................................ 52
FOCUS FRAME SETTING .............................................................. 54
FOCUSING USING MANUAL FOCUS ............................................ 56
OTHER FOCUS SETTINGS ........................................................... 56
DRIVE MODE..................................................................................... 64
STABILIZATION ................................................................................. 67
ISO SENSITIVITY SETTING .............................................................. 68
ISO SENSITIVITY EXPANSION ...................................................... 69
ISO AUTO SETTINGS .................................................................... 70
IMAGE FILE SETTING ....................................................................... 71
MOVIE RECORD SETTING ............................................................... 76
DC CROP (SUPER35) MODE ............................................................ 81
DIRECTOR'S VIEWFINDER ............................................................... 83
AUDIO RECORD SETTING................................................................ 86
EXPOSURE COMPENSATION .......................................................... 87
METERING MODE ............................................................................. 87
AEL BUTTON ..................................................................................... 88
WHITE BALANCE SETTING (WB) ..................................................... 89
COLOR MODE ................................................................................... 93
TONE CONTROL ............................................................................... 96
FILL LIGHT......................................................................................... 97
LENS OPTICS COMPENSATION ....................................................... 98
BRACKETING ...................................................................................100
HDR (HIGH DYNAMIC RANGE) ........................................................105
CUSTOM MODE ...............................................................................106
SAVE / LOAD SETTINGS
.........................................................108
LOCK FUNCTION ............................................................................. 111
USING THE EXTERNAL FLASH ....................................................... 111
FLASH MODE SETTING ............................................................... 112
FLASH EXPOSURE COMPENSATION .......................................... 113
CHANGING OTHER SETTINGS ....................................................... 114
COLOR SPACE ............................................................................. 114
LENS FUNCTION SETTINGS ........................................................ 114
FRAME GUIDE .............................................................................. 115
DIAL SETTINGS ............................................................................ 117
6
CUSTOM BUTTONS FUNCTIONS ................................................ 118
SHUTTER BUTTON SETTINGS .................................................... 119
REVIEWING AND DELETING IMAGES ............................. 120
VIEWING ONE IMAGE AT A TIME ................................................. 120
MAGNIFYING IMAGES (STILL IMAGES ONLY) ............................ 121
VIEWING NINE IMAGES AT A TIME (CONTACT SHEET VIEW) .... 122
VIEWING IMAGE INFORMATION.................................................. 122
DELETING FILES ............................................................................. 125
DELETING A FILE WITH DELETE BUTTON .................................. 125
DELETE FILES FROM THE DELETE MENU ................................. 126
PLAYING BACK A MOVIE ................................................................. 127
OTHER REVIEWING FEATURES ..................................................... 129
FILTERING OPTIONS FOR DISPLAY ............................................ 129
LOCK ............................................................................................ 129
MARKING IMAGES ....................................................................... 131
ROTATING IMAGES ...................................................................... 133
SLIDESHOW ................................................................................. 134
DNG DEVELOPMENT ................................................................... 135
CINEMAGRAPH ............................................................................ 136
EXPOSURE WARNING ................................................................. 140
IMAGE ROTATION ........................................................................ 141
AEL BUTTON SETTINGS .............................................................. 141
SETTING FROM THE [SYSTEM] MENU ........................................... 142
TRANSFERRING IMAGES TO A COMPUTER .................................. 159
USING THIS PRODUCT AS A WEB CAMERA .................................. 160
SCREENSHOT FEATURE ................................................................ 161
REFERENCE ...................................................................... 162
OPTIONAL ACCESSORIES .............................................................. 162
USING AC ADAPTER SAC-7P (OPTIONAL) .................................. 164
MAINTENANCE ................................................................................ 165
TROUBLESHOOTING ...................................................................... 166
SPECIFICATIONS............................................................................. 169
7
SAFETY PRECAUTIONS
To avoid causing damage or injury, please read this instruction manual
carefully, before using the camera.
Please take special note of the
following two cautionary symbols.
Warning !!
Using the product and disregarding this warning sign
may cause serious injury or other dangerous results.
Caution !!
Using the product disregarding this caution sign may
cause injury or damage.
This symbol denotes a warning or point, where caution is required.
This Symbol contains information regarding the actions that must be
avoided.
WARNING
(BATTERY)
8
WARNING (BATTERY CHARGER AND AC ADAPTER)
- 40°C temperature range only.
- 240V (12
WARNING (CAMERA)
9
CAUTION (BATTERY CHARGER AND AC ADAPTER)
CAUTION (CAMERA)
10
immediately.
immediately for 15 minutes, and seek medical assistance.
If the
HANDLING PRECAUTIONS
Please read this section before using the camera.
Study and familiarize yourself with the functions of your camera before
using it. No compensation or guarantee is provided for unsatisfactory
pictures or loss of profit, etc.
Carry spare batteries when you use the camera in a cold environment,
on a field trip, or when taking many pictures at one time.
ENVIRONMENT
Your camera is a precision instrument. Do not drop it or subject it to
physical shock.
This camera benefits from a dust and splash proof construction. Although
this construction enables the lens to be used under light rain, it is not the
same as being water proof. Please pay attention to prevent a large
amount of water from splashing on the camera, especially when using it
by a waterside. It is often impractical to repair the internal mechanism
and electric components if damaged by water.
Do not leave the camera in a dusty, hot, or highly humid environment for
a long period of time.
If the camera is moved from a cold place to a warm room, water droplets
may appear on the camera. Please keep the camera in a bag until it is
acclimatized to the ambient room temperature.
11
The camera will work within a temperature range between 0˚C/32˚F and
+40˚C/104˚F and humidity less than 85% (no condensation). However, in
cold temperatures below 0˚C, the power performance of the battery is
reduced. Please carry a spare battery in these circumstances, and keep
the batteries warm.
Static electricity or magnetic fields may affect the operation of the camera.
If such exposure occurs, please remove the battery from the camera and
re-insert it, to reset the camera’s microprocessors.
DURING PROLONGED USE
Although there are cases where the surface of camera gets hot, this is
not a malfunction.
If you use the camera for an extended period of time, the camera may get
hot and the warning mark ( ) will be displayed. If the camera gets too
heat, a warning message will be displayed and the camera will turn off
automatically.
If the camera turns off, please leave it switched off for more than ten
minutes to lower its temperature.
Image quality may lower when the camera gets hot. If the warning mark
( ) is displayed, we recommend turning off the camera and wait until
the temperature of the camera becomes lower.
When you use a USB storage device, such as an SSD card, to shoot a
movie, the USB storage may become hot and movie recording may stop.
SD MEMORY CARDS (OPTIONAL)
This product supports the following memory cards that comply with the SD
standards.
SD, SDHC, and SDXC memory cards
In this instruction manual, these memory cards are referred to as the
‘Card’ or ‘SD card’.
This product is compatible with SDHC and SDXC memory cards based
on the UHS I or- - UHS II standards.
12
For movie shooting, an SD card may not be available depending on the
bit rate. For details on compatible media, refer to "BIT RATE AND
COMPATIBLE MEDIA" (P.78 ).
SD cards have a write protection switch, which prevents the card from
being accidentally written to or formatted. Moving the switch to the
‘LOCK’ position prevents accidental erasure of files.
Do not leave the card in direct sunlight or near a heating device.
Avoid storing cards in environments of high temperature and humidity or
where static electricity or electromagnetic fields may be generated.
For proper usage of the card, please refer to their instruction manuals.
The “Delete” feature of the Camera and PC may not delete the data in the
memory card completely. Some data might still remain. If you wish to
remove all data from card securely, please use third party software.
ABOUT THE LENSES
This camera -uses the L Mount. Your camera can use interchangeable
lenses for L-Mount.
This camera has a 35mm full- frame image sensor. In order to take full
advantage of the capability of the image sensor, it is recommended that
L-Mount lenses are used for full size format. You can use lenses for
APS-C format in DC Crop mode, which limits the recording area of the
image sensor for APS-C size.
Sigma MC-21 Mount Converter (optional) allows you to use Sigma SA
mount interchangeable lenses or Sigma interchangeable lenses for
Canon EF mount.
Depending on the release date of the lens, updating the lens firmware
may be required. It may also be necessary to update the camera
firmware. Please check our website for the latest information about the
corresponding lens.
sigma-global.com/en/cameras/fp/
13
ELECTRONIC SHUTTER
This product is not equipped with a mechanical shutter mechanism. It
provides an electronic shutter that electronically controls the image sensor
to adjust the exposure time.
The electronic shutter enables the high-speed shutter speed and
high-speed continuous shooting with no noise or vibration. However, the
electronic shutter has disadvantages, so be sure to note the following
points.
Uneven exposure can easily occur under a flickering light source such as
a fluorescent light, so use the slower shutter speed.
The flash tuning speed is set to 1/30 sec. or less (1/15 sec. or less when
the image quality is set to DNG and DNG + JPEG and the memory bit
count is 14 bits). When shooting with the flash using manual exposure,
set the shutter speed to 1/30 sec. or less (1/15 sec. or less).
When shooting a fast- . moving subject, distortion may occur
14
DESCRIPTION OF THE PARTS
1
2
3
4
5
6
7
8
9
10
14
15
16
17
18
7
19
20
21
22
23
24
4
11
12
4
13
7
25
26
27
28
29
30
31
32
33
34
35
36
37
15
1
Lens Signal Contacts
20
LCD Monitor / Touch Panel
2
Microphone (Right)
21
Microphone / Cable Release
Terminal
3
Front Dial
22
(View) Button
4
Position Index for Tripod Socket
23
Busy Lamp
5
Lens Mount Index /
L ens Lock Pin
24
(Display) Button
6
Lens Lock Button
25
REC Button
7
Tripod / Strap Holder Sockets
26
REC Lamp
8
Battery / SD Card Cover
27
Shutter Button
9
DC Connector Cover
28
AEL Button
10
Battery / SD Card Cover Latch
29
(Quick Set) Button
11
Microphone (Left)
30
Tone Control Button
12
Lens Mount
31
Rear Dial
13
Image Sensor / Dust Protector
32
(OK) Button
14
Heatsink
33
Color Mode Button
15
Power Switch
34
(Menu) Button
16
CINE / STILL Switch
35
(Shooting Mode) /
(Delete) Button
17
USB Terminal (Type C USB 3.0)
/ Charge lamp
36
Strap Holders
18
Focal Plane Mark
37
Hot Shoe Unit HU- 11
19
HDMI Terminal (Type D (Version
1.4)) / - HU 11 Contacts
CAUTION
Be careful not to touch the dust protector (image sensor protective
glass)(13).
16
ABOUT REAR DIAL (31)
The Rear Dial also serves as a direction button. In this instruction manual,
each position is shown as , , , or .
(Up button)
(FOCUS button)
(Left button)
(Right button)
button
(Down button)
(
button)
The up and down operations are indicated by , the left and right
operations by , and the up, down, left, and right operations by .
MONITOR DISPLAY URING SHOOTINGD
In STILL mode
In CINE mode (CINE style)
17
In CINE mode (STILL- like style)
1
Battery Level Indicator
27
Tone Control *
2
ISO Sensitivity
28
Color Mode / (Toning Effect)
3
DC Crop Mode *
29
Locked State Indicator *
4
Image Size
30
Interval timer * /
Focal Length *, Focus Distance *
5
Aspect Ratio
6
Image Quality
31
Focus Indicator
7
Number of shots remaining
32
Exposure Mode
8
Memory Media
33
Custom Mode *
9
White Balance
34
Shutter Speed
10
Camera Shake Warning
35
F Number / T Number
11
AE Lock / AF Lock *
36
Exposure Compensation Value /
Exposure Meter
12
D ate / Time *
37
Metering Mode
13
Drive Mode
38
Number of shots remaining before
memory buffer full
14
Face / Eye Detection AF *
39
Resolution
15
Focus Limiter *
40
Frame Rate
16
Focus Mode
41
Format, , Bit Depth
Compression
17
Exposure BKT * /
Ele HDRctronic Stabilization* / *
42
Max Record Time
18
Electronic Stabilization *
43
Audiometer
19
Auto Bracketing / HDR *
44
Time Code
20
Electronic Level *
45
Focus / REC Indicator
21
Histogram Waveform / *
46
Recording
22
Flash Mode *
47
Camera ID,
Reel Number Take Number-
23
Flash Exposure Compensation
value *
48
Focus Distance *
24
Focusing Frame
49
Focal Length *
25
Color Shading Correction *
50
Center Mark *
26
Fill Light *
51
Shutter Angle / Shutter Speed
* Displayed only during setting.
18
This icon is displayed while image processing is being performed in the
camera just after shooting. While this icon is displayed, it may not be
possible to operate the camera.
This icon indicates that the camera is still shooting with a slow shutter
speed.
PREPARATION
ATTACHING THE CARRY STRAP
Using a coin, attach the supplied strap
holders securely to the tripod/strap holder
sockets on both sides of the camera.
Undo both ends of the supplied strap
and attach it to the right and left strap
holders as shown.
WARNING
Before taking a picture, make sure
the strap holders are firmly
screwed into the sockets. If either
or both of the strap holders come
loose, the camera may fall during
use. If either of them do come
loose, firmly tighten it using a coin
or similar object.
19
ABOUT HOT SHOE UNIT HU- 11
When using the flash, attach the hot shoe
unit HU-11, which is supplied with this
product, to the camera.
1
If the strap holder is attached to the left
side of the camera, remove it using a coin
or similar object.
2
Remove the contact cover and place it in
the contact cover holder on HU- 11.
3
Remove the contact protection cap on
HU-11 and attach HU-11 securely to the
camera by turning the locking ring.
Use the EF-630 SIGMA Electronic Flash
(FOR SIGMA) ) - - (P.162 or EF 140S SA
STTL (P.163) with your camera.
The strap holders removed from the camera can be
attached to the strap holder sockets on HU- 11.
WARNING
Before taking a picture, make sure the strap holders are firmly screwed
into the sockets. If either or both of the strap holders come loose, the
camera may fall during use. If either of them do come loose, firmly tighten
it using a coin or similar object.
20
HDMI CABLE LOCK
HU-11 comes with an HDMI cable lock that
prevents the HDMI cable from being
disconnected when shooting images.
Connect the HDMI cable to the HDMI
terminal on your camera and secure the
cable using the cable locking screw.
TO CHARGE THE BATTERY
Insert the supplied lithium ion rechargeable batter- y, BP-51 battery pack,
(hereafter, battery) into the camera. Connect the supplied UAC-11 AC
adapter to charge the battery. Charge the battery before using the camera
for the first time.
1
Make sure that the power switch is set to
OFF. Rotate the battery/SD card cover
latch to open the cover.
2
Insert the battery until it locks into place.
3
Close the battery compartment cover and
lock the cover by turning the battery/SD
card cover latch.
21
4
Open the terminal cover and connect the
camera to the AC adapter using the USB
cable provided with the camera.
Make sure that the cable is connected in
the correct orientation.
5
Insert the AC adapter into the power outlet.
When charging is in progress, the charge lamp will
light up yellow-green.
It takes about 240 minutes to recharge the battery.
The time required to recharge the battery depends on
the ambient temperature and the status of the
recharge level.
6
When the charge lamp goes out, charging is completed.
If the charge lamp flashes
The battery temperature is too high or too low. We recommend charging
in a location where the ambient temperature is between 10°C and 30°C.
Wipe the battery contacts with a clean, dry cloth.
CAUTION
The battery cannot be charged when the camera is turned on. Be sure to
turn off your camera before charging.
If the number of images that can be taken on a single charge is
significantly reduced, the battery is reaching the end of its lifespan.
Replace it with a new one.
22
The battery can be charged with BC harger (optional). -71 battery c
(P.1 ) 63
The supplied AC adapter is provided for charging the battery. To operate
the camera on 100 VAC, please purchase the SAC-7P AC adapter set
(optional). (P. 631 )
CHARGING THE BATTERY THROUGH THE COMPUTER
Connect the camera to a computer using the supplied USB cable.
The battery cannot be charged when the camera is turned on. Be sure to
turn off your camera before charging.
Be sure to connect the USB cable to the USB socket on your computer.
Do not connect it to the USB socket of a monitor, keyboard, or USB hub.
If the computer enters Sleep mode during charging, charging may be
stopped.
The time required to charge varies depending on the performance of the
computer.
TO REMOVE THE BATTERY
Slide the battery compartment cover latch
and remove the battery.
WARNING
Do not remove the battery or memory card while the Busy Lamp is on or
flashing. Otherwise, the written data will be lost. This could also damage
the camera and/or memory card.
23
MOUNTING AND REMOVING THE LENS
1
Turn the power switch to OFF.
2
Remove the lens’s rear cap and the
camera’s body cap.
3
Align the lens mount index on the camera
with the index on the lens. Insert the lens
into the mount of the camera and rotate
the lens clockwise until it clicks into the
l ocked position.
CAUTION
To ensure the lens fits correctly, do not press the lens lock button while
attaching the lens. Make sure that the lens is locked in place.
To remove the lens, press the lens lock
button and turn the lens counter-clockwise
until it stops. Gently remove the lens from
the camera body.
CAUTION
On the mount surface of the lens, there are a number of electrical contacts.
Scratches or dirt may cause the camera to malfunction.
24
SETTING THE LANGUAGE
The default language displayed on the LCD monitor is English. The
language can be changed using [Language - / 言語] in the Set up menu.
For when the camera used for the first time
When the camera is switched on for the first time, select a language on the
display. Press buttons and confirm the language by pressing the
button.
After selecting a language, input the date and time on the display. For the
details of settings, refer to the instructions in “
DATE, TIME AND AREA
SETTING” on the page of the instruction manual, from the section number 25
3
onward.
1
Turn the camera on.
2
Press the
button on the back of
the camera to display the Camera Set-up
Menu. (See P.29)
3
Select [ SYSTEM
(5)] by rotating the
Front Dial.
4
Use the buttons to select [Language/
言語].
5
Press the button to open the or
language set-up page.
6
Use the buttons to select the desired
language.
7
Press the button to apply the setting or
the
button to return to the language
set-up page without making any changes.
25
Selectable languages
English
English (Default)
Русский
Russian
日本語
Japanese
Nederlands
Dutch
Deutsch
German
Polski
Polish
Franç ais
French
Português
Portuguese
Español
Spanish
Dansk
Danish
Italiano
Italian
Svenska
Swedish
简体中文
简体中文
简体中文
简体中文简体中文
Simplified Chinese
Norsk
Norwegian
繁體中文
繁體中文
繁體中文
繁體中文繁體中文
Traditional Chinese
Suomi
Finnish
한국어
한국어
한국어
한국어한국어
Korean
DATE, TIME AND AREA SETTING
When the camera is being used for the
first time or if it has not been used for a
long time, set the correct date, time, and
area.
1
Press the button on the back of the
camera to display the Camera Set-up
Menu. (See P.29)
2
Select
[ ]SYSTEM
→
[Date
/
Time
/
Area].
3
Press the button or button in
[Time Zone], use the button to select
your area, and press the button or
button to confirm.
If your area is not listed, check the time difference between your zone
and the UTC time zone, and select an area in the list with the same time
difference.
4
Set the daylight saving time (summer time) as needed. Select [Off] or [On
( )] from [Summer Time].
26
5
In the Date/Time area, press the button
or button to set the Date/Time.
6
Press the button to select an item and
change it by pressing the button.
7
Press the
button to apply the setting or
the button to return to the date/ time
set-up page without making any changes.
CAUTION
The camera’s internal clock is powered by a capacitor that receives its
charge from camera’s battery. If the camera is without battery for an
extended period of time, such as after prolonged storage, the internal
clock will need to be reset.
If you change [Summer Time] after you have set the time, the time you
set is shifted by one hour.
TO CHANGE THE ORDER OF THE DATE
The date can be displayed in one of three formats: M/D/Y (month/day/ year),
D/M/Y (day/month/year), or Y/M/D (year/month/day).
Select your desired display order in [Date Format].
TO SWITCH 24 HOUR AND 12 HOUR (AM/PM) DISPLAY
Select your desired time format in [Time Format].
27
CHECKING THE BATTERY STATUS
The battery icon, which shows the capacity of the battery, is shown on the
left corner on the color LCD panel. Please take notice of the battery status
before and when in use.
The power of the battery is insufficient, replace or recharge
the battery immediately.
(Red)
The power of the battery is empty; the camer
a will no longer
work. Replace or recharge the battery immediately.
Camera is operating on household power or an external
battery.
CAUTION
If you connect a USB storage such as SSD, the battery capacity display
will change because the battery consumption will increase.
ABOUT TOUCH OPERATIONS
You can operate some of the functions on the touch panel.
The touch operations are described below:
Tap
Touch lightly with your finger and then raise your finger.
Double tap
Tap twice in succession.
Drag
Touch and then move your finger while still touching.
Flick
Touch and move your finger rapidly while still touching.
Pinch Out
Touch with two fingers and then move fingers further apart.
Pinch In
Touch with two fingers and then move fingers closer
together.
For details on touch panel settings, refer to [TOUCH OPERATION]
(P. 151).
28
ABOUT CINE/STILL SWITCH
This camera can shoot still images and movies. Depending on the position
of the CINE/STILL switch, the camera can be used as a camera dedicated
for shooting both still images and movies.
To shoot still images, select STILL (STILL mode). To
shoot movies, select CINE (CINE mode).
CAMERA SET- UP MENU
This section describes the various settings in the Camera Set-up menu.
You can set detailed functions and basic camera settings from the Camera
Set-up menu screen.
Available menu items in the Set-up menu vary depending on the position
of the CINE/STILL switch.
The "STILL" icon is displayed for still-
image dedicated items, still-image dedicated
options, and items containing still-image
dedicated options.
The "CINE" icon is displayed for movie-
dedicated items, movie dedicated options, -
and items containing movie-dedicated
options.
In this manual, "( dedicated items or optiSTILL)" is provided for still- ons,
and "(CINE)" for the movie- dedicated items or options.
There are items that can be set separately for " " and "STILL CINE" even
though they are the same. (In this manual, items that are able to be
independently set are indicated by "(CINE/STILL)".) Select your desired
mode by using the CINE/STILL switch before setting detailed functions
and basic camera settings.
29
TO DISPLAY THE SET- UP MENU
Press the
button on the back of the camera.
Press the
button again to close the Set up menu.-
Move to another page
Each time the Front Dial is rotated, the
screen moves to the next tab.
(When the tab area is selected, it is
possible to change the setting menu by
pressing the
buttons as well.)
While in the Set-up Menu:
Use the buttons or the Rear Dial to
select the desired item.
Press the
or
button to open a
sub menu.-
Depending on the item, a menu screen, a
confirmation dialog or second-level items
may be displayed.
While in the sub- menus:
Use the buttons or the Rear Dial to
select the desired option.
Press the
or
button to apply the
setting.
(
Press
the
or
button
to
close
sub-
menus without changes being applied.)
The second level items may be further -
divided into pages. Use the buttons
or the Front Dial to move to other tabs. To
exit the tab, press the
button.
Tab area
30
THE CAMERA SET- UP MENU IS DIVIDED INTO THREE GROUPS.
/ SHOOT
(CAPTURE SETTINGS)
(Blue Tab)
Set the shooting function. If the
button is pressed during the shooting
mode, the [ SHOOT] menu opens
when the CINE/STILL switch is set to the
[STILL] position, and the [ SHOOT]
menu opens when the CINE/STILL switch
is set to the [CINE] position.
PLAY (PLAYBACK) (Red Tab)
Set the playback function. If the
button is pressed during playback mode,
the [ PLAY] menu opens.
SYSTEM (CAMERA SETTINGS)
(Yellow Tab)
Set the basic status of the camera. Press
the button to open the Camera
Set-up menu, and turn the Front Dial or the
Rear Dial to move to the [ SYSTEM]
menu.
TIP
Depending on the camera settings, some menu items and setting options
cannot be selected. They will be grayed out.
If you press the
or
button on the item or option that is grayed out in
[ / SHOOT], a list of causes that cannot be set will be displayed.
Review the camera settings by referring to the displayed contents.
31
LIST OF MENU FUNCTIONS
For more information about each menu item, refer to the appropriate pages.
* C = CINE mode, S = STILL mode
/ SHOOT(1)
Menu Item
Second- level Menu Item
C
S
Page
Exposure Settings
Shooting Mode
○
45
Shutter Speed
○
47,48
Shutter Angle
○
-
47,48
Shutter Mode
○
-
45
Aperture
○
46,48
Exposure Compensation
○
87
ISO Sensitivity Settings
I SO Sensitivity
○
68
ISO Sensitivity Step
○
69
ISO Sensitivity Expansion
○
69
ISO Auto Settings
○
○
70
AE Metering Mode
-
○
87
Drive Mode
-
- ○
64
Bracketing
Exposure
- ○
100 101,
Focus
- ○
100 102,
White Balance
- ○
100,103
Color Mode
- ○
100,104
Fill Light
- ○
100,105
HDR
-
○
105
/ SHOOT(2)
Menu Item
Second- level Menu Item
C
S
Page
DC Crop Mode
-
○
81
Image Settings
Image Quality
- ○
71
DNG Quality
- ○
72
Image Size
- ○
72
Aspect Ratio
-
- ○
73
32
Menu Item
Second- level Menu Item
C
S
Page
Record Settings
Format
○
-
76
Bit Depth (CinemaDNG)
○
-
76
Compression (MOV)
○
-
77
Resolution
○
-
77
Frame Rate
○
-
77
Audio Record
-
○
-
86
/ SHOOT(3)
Menu Item
Second- level Menu Item
C
S
Page
White Balance
-
○
89
Color Settings
Color Mode
- ○
93
Color Space
- ○
114
Color Mode
-
○
-
93
Tone Control
-
○
96
Fill Light
-
- ○
97
Lens Optics Compensation
Distortion
○
98
Lateral
Chromatic
Aberration
○
98
Diffraction
○
98
Vignetting
○
98
Color Shading
○
98
/ SHOOT(4)
Menu Item
Second- level Menu Item
C
S
Page
Focus
Focus Mode
○
○
52
Focus Area
○
○
54
AF + MF
○
56
Pre-AF
- ○
57
Constant AF
○
-
57
Face / Eye Detection AF
○
57
Focus Limiter
○
58
AF during Image
Magnification
○ 59
AF Magnification
○
58
Prioritize Focus / Release
- ○
60
MF Magnification
○
60
MF Display
○
○
61
33
Menu Item
Second- level Menu Item
C
S
Page
Focus
Focus Peaking
○
62
Focus Ring Control
○
62
Quick Focus Frame Shift
○
63
Stabilization
Lens Optical Stabilization
○
67
Electronic Stabilization
○
○
68
Lens Function Settings
Focus Mode
○
○
52
Focus Limiter
○
58
Focus Ring Control
○
62
Optical Stabilization
○
67
AFL Button Settings
○
14
Flash
Flash Exposure
Compensation
-
○
113
Red eye-
-
○
112
Rear Curtain Sync.
-
○
112
Slow Sync.
-
○
112
AF Assist Light
-
○
113
/ SHOOT(5)
Menu Item
Second- level Menu Item
C
S
Page
Shutter lackoutB
-
- ○
115
Quick Preview
-
- ○
42
Live View Settings
Outer Frame
- ○
74
Preview Exposure in M
Mode
- ○
48
Frame Guide
-
○
-
115
Director's Viewfinder
-
○
-
83
Brightness Level Monitor
-
○
○
49
Zebra Pattern
-
○
49
False Color
-
○
50
/ SHOOT(6)
Menu Item
Second- level Menu Item
C
S
Page
Dial Settings
Dial Functions
○
117
Dial Rotation
○
118
Disable Dial Functions
○
-
118
34
Menu Item
Second- level Menu Item
C
S
Page
Custom Buttons Functions
-
○
118
Shutter Button Settings
Shutter Button Functions
○
-
119
Half- pressed AEL
- ○
119
Half- -ON pressed AF
○
119
REC Button Settings
-
- ○
119
PLAY(1)
Menu Item
Second- level Menu Item
C
S
Page
Filtering Options for
Display
- 9 ○12
Lock
-
○
129
Mark
-
○
1 31
Rotate
-
- ○
1 33
Delete
-
○
1 26
Sl ideshow
-
○
1 34
PLAY(2)
Menu Item
Second- level Menu Item
C
S
Page
DNG Development
-
○
1 35
Cinemagraph
-
○
1 36
Exposure Warning
-
○
1 40
Image Rotation
-
○
1 41
AEL Button Settings
-
○
1 41
SYSTEM(1)
Menu Item
Second- level Menu Item
C
S
Page
Memory Media Format
-
○
42, 421
Memory Media
-
○
1 42
File Name / Number
-
○
○
1 42
Copyright Information
-
○
1 44
Time Code
-
○
-
1 46
35
SYSTEM(2)
Menu Item
Second- level Menu Item
C
S
Page
STILL / CINE Link Settings
Exposure
○
147
Shooting Style
○
-
43, 148
Custom Mode Setting
-
○
106
Custom QS
-
○
○
37
Mode Settings
-
○
○
1 48
Operation in LOCK Mode
-
○
111
Touch Operation
-
○
27,151
SYSTEM(3)
Menu Item
Second- level Menu Item
C
S
Page
Electronic Sounds
-
○
1 53
Adjust Electronic Level
-
○
1 53
Pixel Refresh
-
○
1 53
LCD Settings
-
○
1 54
Power Save
LCD Off
○
154
Auto Power Off
○
1 54
ECO Mode
○
1 54
SYSTEM(4)
Menu Item
Second- level Menu Item
C
S
Page
HDMI Output
-
○
○
1 55
USB Mode
-
○
1 56
Cable Release Settings
-
○
○
1 57
EVF Settings
- ○
157
SYSTEM(5)
Menu Item
Second- level Menu Item
C
S
Page
Date / Time / Area
-
○
25
Language /
言語
-
○
24
Information
-
○
1 58
Firmware Update
-
○
1 58
Save / Load Settings
- ○
108
Reset Settings
-
○
1 59
36
QUICK SET MENU
The following most frequently used menu items can be easily set by
pressing the QS button.
In STILL mode
AE Metering Mode
(P.87)
Drive Mode
(P.64)
ISO Sensitivity
(P.68)
White Balance
(P.89)
Image Quality
(P.71)
Fill Light
(P.97)
Image Size
(P.72)
Aspect Ratio
(P.73)
Option list display of the selected items
In CINE mode (CINE style)
Frame Rate
(P.77)
Time Code
(P.1 ) 46
Format
(P.76)
Shutter Angle
(P.47) (P.48)
Aperture
(P.46) (P.48)
White Balance
(P.89)
ISO Sensitivity
(P.68)
Color Mode
(P.93)
In CINE mode (STILL-like style)
AE Metering Mode
(P.87)
Drive Mode
(P.64)
ISO Sensitivity
(P.68)
White Balance
(P.89)
Format
(P.76)
Fill Light
(P.97)
Resolution
(P.77)
Frame Rate
(P.77)
37
For example, to change the image quality to DNG
1
Press the QS button to display the Quick
Set Menu.
2
Press the
buttons to select the item
related to image quality ( ).
3
Rotate the Front Dial or the Rear Dial to display [DNG].
4
Press the
button or half-press the shutter button to return to the
shooting mode.
TIP
It may be possible to make more detailed settings depending on items or
options. In such a case, " Further Options" is displayed. Press the
AEL button to configure the desired settings as needed.
CAUTION
Items that you cannot set are grayed out, and the options cannot be
changed by rotating the dials.
You can change the items to be allocated to the QS menu.
(CINE/STILL)
[SYSTEM ] [ →Custom QS]
1
Press the
buttons on the [Custom
QS] screen to select the position you want
to reallocate, and press the
button to
apply the setting.
2
From the list at the bottom of the screen, select the items you want to
allocate by pressing the
buttons, and press the
button to confirm
your selection.
3
When you have finished setting the allocation, press the
button to
close the [Custom QS] screen.
38
The items that can be allocated to the QS menu are:
* C = CINE mode, S = STILL mode
Menu Item
C
S
Menu Item
C
S
Shooting Mode
○
○
Color Mode
○
○
Shutter Speed /
Shutter Angle 1 *
○ ○
Color Effect Amount ○ ○
Aperture
○
○
Tone Control
○
○
Exposure
Compensation
○ ○
Fill Light - ○
ISO Sensitivity ○ ○
Color Shading
Correction
○ ○
AE Metering Mode
○
○
Focus Mode
○
○
Drive Mode
○
*3
○
Focus Area
○
○
Exposure BKT
Amount
○
*3 ○
Pre-AF /
Constant AF 2 *
○ ○
Focus BKT Amount ○
*3 ○
Face
/
Eye
Detection
AF
○ ○
Focus Limiter
○
○
White Balance BKT
Amount
○
*3 ○
Focus Peaking ○ ○
Color Mode BKT
○
*3
○
Optical Stabilization
○
○
Fill Light BKT Amount
○
*3
○
Electronic Stabilization
○
○
HDR
○
○
Flash Exposure
Compensation
○
*3 ○
DC Crop Mode
○
○
Image Quality /
Format 2 *
○ ○
Red eye-
○
*3
○
Rear Curtain Sync.
○
*3
○
Image Size /
Resolution
*
2
○ ○
Slow Sync. ○
*3 ○
Aspect Ratio /
Frame Rate
*
2
○ ○
Director's
Viewfinder
○ -
Audio Record
○
-
Time Code
○
-
Audio Gain Adjustment
○
-
LOCK
○
○
White Balance
○
○
LCD Brightness
○
○
WB
Color
Temperature
○
○
Headphone Volume
○
-
*1
Changes depending on the setting of the shutter mode (see page 45).
*2
Changes depending on the setting of the CINE/STILL mode (see page
28).
*3
This is a function for still images. When the Shooting Style is set to
[STILL-like], it can only be allocated, even in CINE mode.
39
CHANGING THE DISPLAY MODE
LCD Monitor Display can be changed by pressing the button.
In STILL mode
→
→
Custom 1
Custom 2
Custom 3
In CINE mode (CINE style)
→
→
Custom 1
Custom 2
Custom 3
In CINE mode (STILL-like style)
→
→
Custom 1
Custom 2
Custom 3
Refer to MONITOR DISPLAY DURING SHOOTING on page 16 for the
meaning of each icon.
You can customize the information you want to view (refer to page 481 ).
The size of icons and text can be changed (refer to page 481 ).
40
(PLAYBACK MODE)
→
→
→
Display Icons
(Display date and
time)
(P.1 ) 20
Display Icons
(Display Image
Info
*1)
(P.1 ) 20
1/3 Display Image
Info Screen
(Display
Image
)Info*1
( 1P. 22
)
Hide Icons
2/3 Display Image
Info Screen
(Lens
Optics Compensation
)
(P.
1 ) 22
3/3 Display Image
Info Screen
(
Copyright Information
screen
) (P.1 ) 22
*1
When playing back cinemagraphs, the exposure compensation value
and playback speed during editing are displayed.
41
TO INSERT THE CARD
1
Make sure that the power switch is set to
OFF. Rotate the battery/SD card cover
latch to open the cover.
2
Insert the card as per the instructions.
Insert the card until it clicks.
3
Close the battery compartment cover and
lock the cover by turning the battery/SD
card cover latch.
TO REMOVE THE CARD
Push the card in until it clicks and then pull
it out straight.
WARNING!!
While the Busy Lamp is on or flashing, do not take out the battery or the
card. By doing so, it may result in data loss. This could also cause
damage to the camera and/or memory card.
TIP
If the camera is turned off while the Busy Lamp is on or flashing, the
camera will remain on until it has finished accessing the card.
42
FORMATTING THE CARD
Be sure to format the cards in the camera before use. If your camera is
unable to take pictures because of a card error, format the card.
[SYSTEM ] [ ] [ ] →Memory Media Format →SD Card
In [ ] screen, press theSD Card Format
buttons, select [Yes], and then
press the
button.
To cancel, select [No] and press the
button.
WARNING
Formatting erases all files, including locked files.
HOW TO PRESS THE SHUTTER BUTTON
When you lightly press the shutter button down until it stops, the camera is
placed in the shooting mode, and the focusing mechanism is activated
(half-press). When you press the shutter button further, the shutter is
released (hold- . down)
QUICK PREVIEW
You can change the duration of the Quick Preview images that are
displayed after they are captured.
[SHOOT] →[ ] Quick Preview
Off
No preview is displayed.
2 sec. (default)
5 sec.
10 sec.
CAUTION
It will not be possible to zoom in to the preview image, or change to
another image while the Quick Preview is up.
43
DOING THE SHOOTING
TAKING A PICTURE
The general procedure to follow to take a picture is as follows.
Set the CINE/STILL switch to [STILL].
Configure image settings such as the image quality and image size.
(P.71)
Set the ISO sensitivity. (P.68)
Determine the exposure. (P.45)
Focus the camera. 52) (P.
Hold-down the shutter button to take a picture.
For information about other settings, refer to the appropriate pages.
SHOOTING A MOVIE
The general procedure to shoot a movie is as follows.
Set the CINE/STILL switch to "CINE".
Determine the shooting style.
You can select the setting method and the monitor display for shooting to
suit the style of camera you are used to.
[SYSTEM ] [ ] [ ] →STILL / CINE Link Settings →Shooting Style
CINE
Provides the setting method and the monitor display
based on the cinema camera style.
STILL like-
Provides the setting method and the monitor display
based on the still camera style.
Configure movie record settings such as the record format, resolution,
and frame rate. (P.76)
44
Set the ISO sensitivity. (P.68)
Determine the exposure. ) (P.45
Focus the camera. 52) (P.
Press the shutter button or REC button to start shooting.
D uring movie shooting...
CINE
REC lamp: Lights, Recording indicator:
●
REC
STILL-like
REC lamp: Lights, Recording indicator:
●
(red)
Press the REC button again to stop shooting.
When movie shooting stops...
CINE
REC lamp: Turned off, Recording indicator:
●
STBY
STILL-like
REC lamp: Turned off, Recording indicator: Turned off
For information about other settings, refer to the appropriate pages.
CAUTION
The REC button does not activate AF mode. When Constant AF 57) (P. is
set to [Off], half-press the shutter button to activate AF mode.
The maximum length of time a movie can be recorded using a single
shooting operation is two hours even if there is sufficient free space on
the media for a longer period.
TIP
You can shoot a movie using the REC button even in STILL mode.
Set the REC Button Settings to [REC].
[SHOOT] → [REC Button Settings] → [REC]
A movie is recorded based on the setting described in [Record Settings]
(P.76) - of the Set up menu.
You can take a picture using the release button even when in CINE
mode.
Set the Shutter Button Settings to [Shutter].
[SHOOT] → [Shutter Button Settings] → [Shutter]
45
In terms of image quality, still images are recorded in the JPEG (FINE)
format.
The image sizes of still images vary depending on the resolution setting
in [Record Settings] (P.76 ).
Resolution
UHD
3840x2160
FHD
1920x1080
SELECTING THE EXPOSURE MODE
The features and the operation methods of the four different exposure
modes of the camera are explained below.
P
Program AE
S
Shutter Speed Priority AE*
A
Aperture Priority AE
M
Manual Exposure
*If [Shutter Mode] in [ SHOOT] is set to [Angle], [Shutter Angle
Priority AE] is displayed when the camera is in CINE style.
CAUTION
The explanations in this section are based on the assumption that [Dial
Settings] in [ / ] SHOOT menu is in its default setting. If the actual
operating procedure differs from the description in this section, refer to
[ 1 . DIAL SETTINGS] on page 17
SELECTING THE EXPOSURE MODE
1
Press the button.
2
Select the desired exposure mode by using the Front and Rear Dials, or by
pressing the
buttons.
3
Press the
button or half press the shutter button to apply the setting.-
The exposure mode can also be set by selecting [ / ] SHOOT →
[ ] [ Exposure Settings →Shooting Mode].
46
P PROGRAM AE
Use this mode for casual shooting. In the Program AE mode, the camera
automatically selects an appropriate combination of shutter speed and
aperture values based on the brightness of the subject.
CAUTION
If the mark is shown, it may cause the camera to shake because
the shutter speed reduces. Increase the ISO sensitivity (see page 68) or
use a tripod.
If the subject is too bright or dark, both shutter speed and aperture value
indicators flash. Decrease the ISO sensitivity (see 68 page ).
PROGRAM SHIFT
*P
(STILL)
You can change the combination of shutter speed and aperture value
selected by the camera while retaining the same exposure level. Adjust the
shutter speed and aperture value using the Front Dial.
A APERTURE PRIORITY AE
Set the desired aperture. In Aperture Priority AE mode, the camera
determines the appropriate shutter speed based on the brightness of the
subject.
Rotate the Front dial to set the desired aperture.
CAUTION
If the mark is shown, it may cause the camera to shake because
the shutter speed reduces. Increase the ISO sensitivity (see page 68) or
use a tripod.
If the subject is too bright or dark, the shutter speed indicator flashes.
Adjust the aperture until it stops flashing.
In CINE mode (CINE style)
To set the aperture, open the Quick Set menu or select [ ] SHOOT →
[ Exposure Settings].
To switch to P Mode, in the Quick Set menu, press the button while
selecting the aperture, and in the [ SHOOT] menu, set the aperture value
to [Auto].
47
S SHUTTER SPEED (SHUTTER ANGLE) PRIORITY AE
Set the desired shutter speed shutter angle ( ). The camera automatically
determines the aperture value based on the brightness of the subject.
Set the desired shutter speed by rotating the Front Dial.
CAUTION
If the subject is too bright or dark, the aperture value indicator flashes.
Adjust the shutter speed until it stops flashing.
In CINE mode (CINE style)
To set the shutter angle (speed), open the Quick Set menu or select
[SHOOT] →[ Exposure Settings].
To switch to P Mode, in the Quick Set menu, press the button while
selecting the shutter angle, and in the [ SHOOT] menu, set the shutter
angle (speed) to [Auto].
M MANUAL EXPOSURE
Set both the shutter speed (angle) and aperture value.
Set the aperture value using the Front Dial. Then, set the shutter angle
(speed) using the Rear Dial so that the numeric value of the exposure
meter is set to "0.0".
The exposure meter can display an exposure error of up to ± 5 stops from
the correct exposure in 1/ 3 steps. If the exposure error is more than
three stops, the exposure meter will flash.
When the ISO Sensitivity (P.68) is set to [ISO Auto]:
Images are taken using Auto Exposure in which the camera automatically
sets the ISO sensitivity according to the brightness of the subject.
CAUTION
If the subject is too bright or too dark, the ISO indicator flashes. Adjust the
shutter speed (angle) or aperture until the indicator stops flashing.
In CINE mode (CINE style)
To set the shutter angle (speed) and aperture, open the Quick Set menu
or select [ SHOOT] →[ Exposure Settings].
48
In the Quick Set menu, to switch to S Mode, press the button while
selecting the aperture. To switch to A mode, press the button while
selecting the shutter angle.
In the [ ] SHOOT menu, to switch to Smode, set the aperture value to
[Auto]. To switch to A mode, set the shutter angle (speed) to [Auto].
TIP
WHEN YOU ARE USING AN L-MOUNT LENS WITH AN APERTURE
RING:
In Aperture Priority AE or Manual Exposure mode, you can set the aperture
value using the aperture ring of the lens. If you want to select an aperture
value using the camera menu or dial, set the aperture ring to position A.
ABOUT THE SHUTTER ANGLE (CINE/CINE STYLE)
For the cinema camera, the shutter angle (angle) is generally used as the
unit of exposure time in the shutter. For example, "360°" means that an
exposure time of 100% is applied for each frame, and "180°" means that an
exposure time of 50% is applied for each frame.
DIAL OPERATION IN CINE MODE (CINE STYLE)
In general use, an exposure operation carried out by dialing is prohibited in
CINE mode (CINE style), however, it can be permitted as needed.
[SHOOT] →[ ] [ ] [ ] Dial Settings →Disable Dial Functions →Off
LCD DISPLAY MONITOR IN M MODE
(STILL) When the exposure mode is set to M, the actual exposure is
applied to the screen. If it is difficult to confirm the focus or composition, you
can switch the screen brightness to the desired mode.
[SHOOT] →[ ]Live View Settings
→ [ ] Preview Exposure in M Mode
Off
Brightness of the LCD Display is automatically adjusted for
better visibility.
On
(Default)
The selected exposure value is reflected in the LCD Display.
When ELECTRONIC FLASH EF-630 (FOR SIGMA) is used with the
camera, the brightness of the LCD Display is automatically adjusted for
better visibility even when the function is [On].
49
BRIGHTNESS LEVEL MONITOR
(CINE/STILL)
The brightness level can be selected from two types of brightness level
views as a means to judge the exposure when shooting.
[/ ]SHOOT →[ ] Brightness Level Monitor
Histogram
For details on the histogram, refer to page 125.
Waveform
The horizontal axis indicates the horizontal position
of the screen, and the vertical axis indicates the
brightness level (bottom: 0, top: 255). Unlike the
histogram, you can easily grasp the status of the
brightness value at a given location.
Whether to display the brightness level monitor can be selected from
[ 1 ). Brightness Level Monitor] in Display Mode Settings (P. 48 You can
also assign this function ). to a custom button (P.118
In CINE mode (CINE style), both the histogram and waveform can be
selected from two sizes (Standard and Wide).
ZEBRA PATTERN
Parts that may be overexposed are shown
in zebra patterns.
[/ ]SHOOT →[ ]Zebra Pattern →
[ ] Zebra Display
Highlight
Displays the higher brightness value range in zebra
patterns using the arbitrary brightness value as a standard.
Exposure
Level
Displays the arbitrary percentage range in zebra patterns
using the arbitrary brightness value as a standard.
50
HIGHLIGHT DISPLAY SETTING OPTIONS:
Highlight Level
70 100% to (Brightness value: Approx.178 to 255)
Color
White Red Yellow Blue, Black, , , , Green
EXPOSURE LEVEL DISPLAY SETTING OPTIONS:
Exposure Level
0 (Brightto 100% ness value: Approx.0 to 255)
Range
±5 30%to
Color
White Red Yellow Blue, Black, , , , Green
Whether to display the Zebra Pattern can be selected from [Zebra
Pattern] in Display Mode Settings (P. 481 ). You can also assign this
function to a custom button (P.118).
FALSE COLOR
The exposure status on the screen is displayed in different colors, and you
can grasp the exposure status of any part.
To use the false color function, you need to assign the function to the
custom button. From [CUSTOM BUTTONS FUNCTIONS] , (P.118)
assign [False Color] to any custom button.
False color is displayed only while the button is pressed.
The meanings of the display colors are as follows. The purple side indicates
underexposure, and the red side indicates overexposure.
Purple
0 ~ 2.5%
Almost black clipping
Blue
2.5% ~
Just before black clipping
Green
1 8% GRAY
Almost
standard
exposure
(18%
medium
gray)
Pink
18%
GRAY+1STOP
+1EV for almost standard exposure
Yellow
~ 99%
Just before white clipping
Red
99 ~100%
Almost white clipping
You can check the meaning of each display color from the menu below.
[/ ]SHOOT →[ ] False Color
51
CAUTION
Changing settings such as [Image], [Movie], and [ISO Sensitivity] will
change the colors displayed under the same exposure conditions.
It cannot be used while shooting a movie.
The following functions or settings cannot be used in combination.
HDR, Fill Light Fill Light BKT, , Bulb photography,
Director's Viewfinder, HDMI Output : Recorded Image Output
BULB SETTING
(STILL)
The shutter remains open when the shutter button is pressed all the way
down.
1
Set the Exposure Mode to the M position.
2
Rotate the Rear dial until BULB is displayed.
3
Rotate the dial to select the desired aperture value.Front
4
Depress the shutter button fully to take the picture.
CAUTION
It is not possible to use Bulb photography for more than 300 seconds.
The shutter will automatically close about 300 seconds after the shutter
button was pressed.
A long exposure may increase noise.
It cannot be set to BULB during ISO Auto.
52
FOCUSING
HOW TO USE AUTOFOCUS
1
Set the focus mode selector switch (if
present on the lens) to AF mode.
2
Set the camera’s focus mode to
(P.52). (Set to ) in CINE mode.
3
Place the photograph subject in the
multi-point distance measurement area
frame, and half-press the shutter button.
The focus frame at the focused position
is displayed in green, the focus indicator
lights up, and the focus sound beeps.
(No focus sound beeps in CINE mode.)
If the subject is out of focus, the multi-point distance measurement area
frame flash.
CAUTION
In CINE mode (CINE style), the multi-point distance measurement area
frame and focus frame are displayed only when the shutter button is
being half- pressed.
FOCUS MODE SETTING
The focus mode can be selected depending on the subject.
Press the FOCUS button, and select the desired focus mode using the
Front/Rear dial or the
buttons.
53
You can also select [ / ] [ ] [SHOOT →Focus →Focus Mode] to set
Focus mode.
You can also select [ / ] [ ] SHOOT → Lens Function Settings →
[Focus Mode] to set Focus mode.
After the setting is completed, press the
button or half-press the shutter
button to apply the setting.
Single AF
(Default)
( ) STILL
Available for a still subject.
When the subject comes into focus, the focus point is
fixed while the shutter button is being half-
pressed. You
can change the composition of the shoot while the focus
point remains fixed (Focus Lock shooting*).
The exposure is locked at the value when the shutter
button is half- pressed.
When Continuous Drive Mode is selected, continuous
shooting is conducted at the focus posit
ion of the first
frame.
Continuous
AF
( ) STILL
Available for a moving subject.
While the shutter button is half-
pressed, the autofocus
continues to function. When it comes into focus, the
Focus Indicator opens, but the focus is not locked.
The exposure i
s set when the shutter button is
released.
When Continuous Drive Mode is selected, auto focus
drive and shooting are continued repeatedly.
The focusing accuracy may reduce depending on the
conditions of the subject.
The electronic beeping sound does not sound.
The Image Magnification function is not available.
Manual
Focus
Manually focus the camera.
Turn the focusing ring on the lens until you get a clear
sharp image.
* You can also perform Focus Lock shooting using the AEL button that is
assigned to the focus lock function (page 88 ).
54
FOCUS FRAME SETTING
You can change the focus frame size or position as well as the operation
method.
Press the
button, and select the desired option using the Front/Rear dial
or the
buttons.
You can also select [ / ]SHOOT → [ ]Focus → [Focus Area] to set the
target.
After the setting is completed, press the
button or half-press the shutter
button to apply the setting.
Multi Auto Focus Points (Default)
Single (1-point selection)
Tracking
MULTI AUTO FOCUS POINTS
Uses up to 49 focus frames for focusing. This function is available when the
subject is in the center.
The range of the distance measurement
area can be changed by pressing the AEL
button and turning the Front/Rear dial (the
size of the multi-point distance measurement
area frame is changed).
When the range of the distance measurement
area is narrowed, you can use the
buttons to move the position of the multi-
point distance measurement area frame.
You can also perform a touch operation (tap or drag) to move the position
of the multi-point distance measurement area frame.
Press the -button to return the position of the multi point
measurement area frame to the center.
55
SINGLE (1- ) POINT SELECTION
Focus with the focus frame at the desired position. This function is available
when the subject position is determined.
49 points select mode Free move mode
Focusing point moving area
Each time the AEL button is pressed, the mode switches between [49
points select mode] and [Free move mode].
When [49 points select mode] is selected, choose the desired focus
frame by pressing the
buttons.
When [Free move mode] is selected, move the focusing point as you like
by pressing the
buttons (focusing points can be moved inside the
focusing point moving area).
To change the size of the Focus Frame , rotate the Front or the (L, M, S)
Rear Dial.
You can move the focus frame by tapping or dragging it.
You can use the button to move the focus frame during image
magnification.
Press the button to return the focus frame to the center.
TRACKING
(STILL)
The camera automatically tracks focus-
locked subject.
Tracking can be set in AF-C mode only.
1
Adjust the subject to the focus frame, and
half-press the shutter button.
56
2
When the camera has focused on the subject, the frame color changes to
green. If the subject has moved, the focusing point to which it has moved
appears.
If tracking is interrupted, the focus frame returns to the initial position.
CAUTION
Tracking may not operate properly under certain conditions such as
when:
・
the movement of the subject is too rapid
・
the subject is too small or too large
・the brightness of the scene changes ・the scene is dark.
FOCUSING USING MANUAL FOCUS
1
Set the focus mode selector switch (if one is on the lens) to MF.
Set the camera’s Focus mode to MF (Manual Focus) if the lens does not
have a Focus mode selector switch (see P.52).
2
Turn the focusing ring on the lens to obtain a clear, sharp image.
OTHER FOCUS SETTINGS
AF+MF
You can manually make fine focus adjustments after focusing with the auto
focus function.
[/ ]SHOOT →[ ] [ ] [ ] Focus →AF+MF →On
Half-press the shutter button. After it focuses, turn the focus ring to adjust
the focus while half-pressing the shutter button.
CAUTION
If a lens with manual fine-adjustment enabled is attached via the mount
converter MC-21, it is always possible to make fine adjustments even if the
camera is set to [Off].
57
PRE- AF
(STILL)
AF mode is activated before the shutter button is half-pressed.
[SHOOT] [ ] [ ] [ ] →Focus →Pre-AF →On
CONSTANT AF
(CINE)
AF mode is activated before movie recording, and it continues to operate
even when a movie is being recorded.
[SHOOT] →[ ] [ ] [Focus →Constant AF →On]
FACE / EYE DETECTION AF
Preferentially focuses the face or eye of a person.
Press the button and then press the AEL button. Each time you press
the button, you can switch between Face Only and Face/Eye Detection
AF.
Otherwise, to set this mode, select [ / ]SHOOT → [Focus] → [Face /
Eye Detection AF] .
Off (Default) Sets to the normal AF mode.
Face Only
When a face is detected, it is focused on
preferentially.
Face / Eye Auto
When a face is detected, it is focused on
preferentially, and when an eye is detected,
it is focused on.
When a face and an eye are detected, the
orange detection frame is displayed.
When the detected face and eye are
focused after the shutter button is
half-pressed, the detection frame changes
to green.
58
The mode is changed to "Evaluative" that focuses on the detected face.
If multiple people's faces are detected, the detection frame is displayed
for the face that appears to be the nearest.
CAUTION
[Face / Eye Detection AF] is not available in MF mode.
The face/eye detection may fail in the following cases:
・A part of the face is covered by sunglasses, a hat, bangs, etc.
・The scene is dark or backlit. ・The subject is out of focus.
・The subject is moving quickly.
If face detection fails, the face is focused on using the selected focus
frame.
FOCUS LIMITER
Limits the focus operating range to accelerate the AF speed.
[/ ]SHOOT →[ ] [ ] Focus →Focus Limiter
or [ / ]SHOOT →[ ] [ ] Lens Function Settings →Focus Limiter
Off (Default)
Does not limit the operating range.
On
Near Side
The focus operates only on the near side from
almost at the center.
Far Side
The focus operates only on the far side from
almost at the center.
If [Near Side] is selected, the icon is displayed. If [Far
Side] is selected, the icon is displayed.
CAUTION
This setting is only available for compatible lenses. For
details, please refer to the lens manual.
AF MAGNIFICATION
Specify the magnification method in AF mode.
[/ ]SHOOT →[ ] [ ] Focus →AF Magnification
59
Image
Magnification
Select the image magnification range.
Auto Magnification
Sets whether or not to automatically magnify an
image when focusing.
Duration of Auto
Magnification
Specify the magnification period.
Image Magnification
Full Screen
Magnifies an image on the full screen.
PIP
Magnifies an image in the range of 25% in the
center of the screen.
Auto Magnification
Off
Does not perform auto magnification.
On
Performs auto magnification.
Duration of Auto Magnification
1 sec.
2 sec.
5 sec.
In AF mode, an image is magnified, centering around the focus frame
that was focused.
During image magnification, the magnification (4x/8x) can be changed
using the Front/Rear dial.
AF DURING IMAGE MAGNIFICATION
AF shooting is possible during image
magnification. You can focus on a fine part.
[ / ]SHOOT
→
[ ]Focus
→
[AF
during
Image Magnification] [ ] →On
Setting it to [On] displays the "+" mark in
the center of the magnified image.
Press the
button to magnify the image, adjust the subject to the "+"
mark, and half press the shutter button. When the subject is focused, the -
"+" mark changes to green. Then, release the shutter.
60
TIP
The shutter is released with the image magnified, so determine the
composition and focus frame position before shooting.
You can use the button to move the focus frame during image
magnification.
Press the button to return the focus frame to the center.
PRIORITIZE FOCUS / RELEASE
(STILL)
You can change the operation that starts when the shutter button is held
down in each AF mode.
To set this option, select [ SHOOT] →[ ] [ Focus →Prioritize Focus /
Release] →[ Priority] or [ Priority].
Release
Releases the shutter even if the subject is out of focus.
Focus
(Default)
Does not release the shutter until the subject is
focused.
In, when Drive mode is set to [Continuous], continuous shooting
is carried out at the first frame's focus position even if either setting is
selected.
MF MAGNIFICATION
Specify the magnification method in MF mode.
[ / ]SHOOT
→
[ ] [ ] Focus →MF Magnification
Image Magnification
Select the image magnification range.
Auto Magnification
Sets whether or not to automatically magnify
an image when the focus ring is turned.
Duration of Auto
Magnification
Specify the magnification period.
Image Magnification
Full Screen
Magnifies an image on the full screen.
PIP
Magnifies an image in the range of 25% in the
center of the screen.
61
Auto Magnification
Off
Does not perform auto magnification.
On
Performs auto magnification.
Duration of Auto Magnification
1 sec.
2 sec.
5 sec.
An image is magnified, centering around the displayed focus frame.
During image magnification, the magnification (4x/8x) can be changed
using the Front/Rear dial.
IMAGE MAGNIFICATION USING THE OK BUTTON
Pressing the
button enables image magnification. The Image
Magnification function is available when you want to pre-check the focus
point, when [Auto Magnification] is set to [Off], or when the lens does not
support Auto Magnification.
To return to the normal display, press the
button again.
In MF mode, if you half-press the shutter button; Image Magnification is
released temporarily.
The Image Magnification function can be assigned to the AEL button.
Also, you can double-tap the touch panel to enable Image Magnification
in the same way as when using the
button.
MF DISPLAY
(CINE/STILL)
This function displays the scale bar that is useful for focusing in MF mode.
[/ SHOOT] → → [ ] Focus [MF Display]
Off
Does not display the scale bar.
Scale Bar -
Displays the scale bar on which the far side is on
the left and the near side is on the right.
Scale Bar -
Displays the scale bar on which the near side is
on the left and the far side is on the right.
Shooting Distance
Select the unit of shooting distance.
M (meter), FEET (feet)
62
CAUTION
This setting is only available for compatible lenses.
FOCUS PEAKING
Emphasizes the outline of the focused part on the subject in the display.
This function is useful for focusing. For peaking, you can select easy- -to see
colors depending on the subject.
[ / ]SHOOT
→
[ ] [ ] Focus →Focus Peaking
Off (Default)
O FF
White
WH
Black
BK
Red
R
Yellow
YE
CAUTION
[Focus Peaking] cannot be used with [Zebra Pattern] (P.49). If both are
set to [On], [Zebra Pattern] is given priority.
FOCUS RING CONTROL
You can change the amount of focus movement with respect to the rotation
angle of the focus ring during manual focus.
[/ SHOOT] → → [Focus] [ ] Focus Ring Control
or [ / ]SHOOT → [ ]Lens Function Settings → [ ] Focus Ring Control
Non-linear
(Default)
The amount of focus movement changes according to
the rotation speed of the focus ring.
Linear
The focus moves by a fixed amount according to the
rotation angle of the focus ring. The rotation angle is
set from [ ] Linear
→
[ ]. Rotation A engl
Rotation Angle
It can be set from 90 degrees to 720 degrees (30 degree pitch) and
[Maximum].
On the rotation angle setting screen, the "actual operating angle", "lens
name", and "settable angle range (minimum angle / maximum angle)" of
the attached lens are displayed.
63
CAUTION
This setting is only available for compatible lenses.
The actual operating angle is limited to the minimum / maximum angle
range of the lens, regardless of the angle you set.
QUICK FOCUS FRAME SHIFT
You can use the button to directly move the focus frame (the
multi-point measurement area frame when the camera is in Multi Auto
Focus Points mode).
This function must be assigned to the button. Refer to [CUSTOM
BUTTONS FUNCTIONS] (P. ).118
DEPTH OF FIELD PREVIEW
(STILL)
You can check the depth of field (the area in an image that appears
acceptably sharp) by narrowing down to the actual f-number before
shooting.
This function must be assigned to a custom button. Assign [Depth of
Field Preview] to your desired custom button (P.118).
The Depth of Field Preview is activated while the button is pressed and
held down.
The button to which the Depth of Field Preview is assigned will not
function in CINE mode.
TOUCH AF / TOUCH SHUTTER
You can activate AF mode or take pictures by tapping the touch panel.
To set Touch AF/Touch Shutter, select [ SYSTEM] → [Touch Operation]
→ → [On] [ Tap].
Both [Touch AF] and [Touch Shutter] are activated within the moving
range of the focus frame.
64
Touch AF
Autofocus is activated at the point you tap.
When the focus frame is set to [Single], the focus frame is maintained at
the point you tap.
When the focus frame is set to [Multi Auto Focus Points] and
[Tracking], the focus frame returns to the previous state after focusing.
When [ ] is selected, face / eye detection is Face / Eye Detection AF
restarted after focusing.
When Manual Focus is selected, the focus frame moves to the point you
tap. However, Autofocus is not activated.
Touch Shutter
(STILL)
Autofocus is activated to take a picture at the point you tap.
Touch Shutter is not available in CINE mode.
The movement of the focus frame after a picture is taken is almost the
same as when you use [Touch AF].
When Manual Focus is selected, pictures are taken without auto focusing.
After pictures are taken, the focus frame moves to the point you tap.
DRIVE MODE
(STILL)
Select the operation at the time the shutter is released, for
example, self-timer or continuous shooting.
To set the operation, open the Quick Set menu or select
[SHOOT] [ ] →Drive Mode .
Single Capture (Default)
Continuous (High Speed, 10 shots/sec.)
Continuous (Medium Speed, 5 shots/sec.)
Continuous (Low Speed, 3 shots/sec.)
Self Timer 2 sec.
Self Timer 10 sec.
Interval Timer
65
SINGLE CAPTURE
When you press the shutter button, only one image is captured.
CONTINUOUS
When you keep the shutter button fully depressed, the camera continuously
captures images.
The number in the bottom right of the LCD monitor
indicates how much buffer is left. It is the maximum number
of frames for continuous shooting. (If the maximum number
of frames for continuous shooting exceeds nine frames,
the display will not change from 9) When the number
becomes "0", the shutter cannot be released.
CAUTION
The following functions or settings cannot be used in combination.
HDR, Focus BKT, Fill Light BKT, Electronic Stabilization Fill Light, ,
ISO sensitivity settings added with the [Composite Low ISO Expansion],
Flash photography
The maximum number of frames and speed of continuous shooting are
as follows: (The upper rows show the maximum number of frames, the
lower rows show the maximum shooting speed in continuous mode
(frames per second)).
Image Size
Continuous
(High Speed)
12
12
24
18
Continuous
(Medium Speed)
12
12
24
5
Continuous
(Low Speed)
12
12
24
3
SELF TIMER
Self Timer 2 sec
The
shutter
will
be
released
2
seconds
after
the
shutter
button
is
fully
depressed.
66
Self Timer 10 sec
The
shutter
will
be
released
10
seconds
after
the
shutter
button
is
fully
depressed.
After composing the picture, press the shutter button “half-way” and adjust
the focusing. Then, press the shutter button the rest of the way and the
self-timer will activate. During the self-timer operation you will hear an
electronic beeping sound. The beeping sound will be much faster during the
last two seconds, before the shutter is released.
When
[ ]SYSTEM
→
[Electronic
Sounds]
→
[Timer
Volume]
menu
is
set to [
0
], the electronic sound will not beep even if the self-timer is operated.
If you want to cancel the self- timer operation, please turn off the camera.
INTERVAL TIMER
It is possible to take pictures automatically at selected intervals.
1
Select [Interval timer] and press the
button to display the Interval Timer
setting screen. (When the
button is pressed after selecting [Interval
timer], the picture is taken with previously used settings.)
To set from the Quick Set Menu, select [ ], and press the AEL button to
display the Interval Timer setting screen. (When the
button is pressed or
the shutter button is pressed halfway after selecting [ ], the picture is
taken with previously used settings.)
2
Set the desired interval and number of
exposures by using the
buttons.
(Interval can be set from 1 seconds to 60
minutes. The number of exposures can be
set between 2~99 times, or unlimited (∞).)
3
Press the
button to apply the setting, and press the
button to go
back to shooting mode.
4
Press the shutter button to start the interval timer shooting.
During the interval timer shooting, the next exposure interval begins and
the numbers of remaining exposures will be displayed.
67
When the focus mode is set to AF, the AF will be locked at the first frame.
From the second frame, pictures will be taken with the same focus
position as the first frame.
If the selected interval is short, the camera may start to take the next
image before the display returns to the shooting mode.
Exposure value is measured at each interval shooting. If you wish to take
pictures with the same exposure value, set the Exposure Mode to Manual
Exposure or fix the exposure value by pressing the
AEL
Button before shooting.
To terminate the interval timer shooting, press the Shutter button.
WARNING
The following functions or settings cannot be used in combination.
Bracketing, HDR, Electronic Stabilization, Fill Light, Flash photography,
ISO sensitivity settings added with the [Composite Low ISO Expansion]
The interval timer shooting will be terminated automatically if the battery is empty.
We recommend using the AC adapter “SAC-7P ) ). ” (sold separately (P.163
Once you set the Interval Timer, the camera will continuously hold that
Interval Timer. To dismiss the Interval Timer, switch to another modes in
[ Drive Mode].
Depending on the settings, it takes time process the image. It may make
the actual interval time longer than the selected time.
STABILIZATION
Configure settings for the Stabilization function.
Select [ / ]SHOOT
→
[ ]Stabilization
→
[Lens Optical Stabilization]
or [Electronic Stabilization], and specify [On] or [Off].
LENS OPTICAL STABILIZATION
This function allows you to turn the lens with the stabilization function
installed on or off. When the Stabilization switch (OS switch, etc.) is
provided on the lens side, operate the switch on the lens side.
You can also select [ / ]SHOOT
→
[ ]Lens Function Settings →
[Optical Stabilization] to set this function.
68
ELECTRONIC STABILIZATION
(CINE/STILL) For still image shooting, this function combines multiple
images and generates an image with reduced camera shake.
For movie shooting, this function generates a video with reduced camera
shake while combining multiple frames before and after the target.
CAUTION
[Electronic Stabilization] cannot be simultaneously used with [Lens
Optical Stabilization].
When shooting with the camera fixed on a tripod, etc., set the Electronic
Stabilization to [OFF].
In STILL mode, an image is recorded at a narrow angle of view of
approximately 2.5%.
The range of shutter speeds able to be selected (shutter’s working range)
is limited from 1/4000 sec to 1/4 sec.
The range of ISO sensitivity able to be selected is limited from ISO 100 to 6400.
The following functions or settings cannot be used in combination.
Drive Mode Interval Timer: , Continuous , Bracketing, HDR, Fill Light,
ISO sensitivity settings added with the [Composite Low ISO Expansion],
Flash photography, Image Quality: DNG, DNG+JPEG,
Format: CinemaDNG
Electronic Stabilization is not available in the following frame rates.
119.88 fps
、
100 fps
ISO SENSITIVITY SETTING
You can set the ISO sensitivity for shooting.
To set the ISO sensitivity, open the Quick Set menu or
select [ / ] SHOOT
→
[ISO Sensitivity Settings]
→
[ISO Sensitivity].
ISO Auto ISO Auto ( )
(Default)
The sensitivity is automatically set depending on
the brightness. ( 100 to 6400)
ISO 100 to 25600
The sensitivity is fixed to each value.
69
You can change the ISO sensitivity setting step.
[ / ]SHOOT
→
[ISO Sensitivity Settings]
→
[ ] ISO Sensitivity Step
1 EV
1/3 EV (Default)
ISO SENSITIVITY EXPANSION
This function allows you to expand the ISO sensitivity setting range.
[ / ]SHOOT
→
[ISO Sensitivity Settings]
→
[ISO Sensitivity
Expansion]
Composite Low ISO Expansion
High ISO Expansion
When each of them is set to [On], expanded sensitivity is added. (Added
sensitivity settings are underlined.)
COMPOSITE LOW ISO EXPANSION
(STILL)
This function allows you to take multiple images at one time, produce the
same status as the automatic synthesis or low sensitivity shooting, and
shoot photographs with rich gradation and noises reduced.
ISO 6 - 80
An image equivalent to each level of sensitivity
is obtained.
ISO 6, 12, 25, 50
(for 1 EV step)
CAUTION
Image misalignment may occur when the subject is moving rapidly or
when the shutter speed is slow.
This function cannot be set to the lower limit of [ISO Auto].
Between ISO 6 and ISO 80, the selectable range of shutter speeds and
the operating range change depending on the ISO sensitivity setting.
Image misalignment may occur when the subject is moving rapidly or
when the shutter speed is slow.
Drive Mode Interval Timer: , Continuous , Bracketing, HDR, Fill Light,
Electronic Stabilization, Flash photography
70
HIGH ISO EXPANSION
This function allows you to expand the ISO sensitivity in the high sensitivity side.
The following sensitivities are added.
ISO 32000 - 102400
ISO 51200, 102400 (for 1 EV step)
CAUTION
This function enables shooting in dark environments, however, noises
are likely to occur, which may reduce the resolution.
ISO AUTO SETTINGS
(CINE/STILL)
Specify the lowest or highest limit of the ISO sensitivity in the ISO Auto
mode as well as the lowest limit of the shutter speed (maximum shutter
angle and mode.) in P A
[ / ]SHOOT
→
[ISO Sensitivity Settings]
→
[ ] Auto Settings
ISO Lowest Limit
100 20000 80000 to (High ISO Expansion: Max. )
ISO Highest Limit
125 25600 102400 to (High ISO Expansion: Max. )
Shutter Speed Slowest Limit
Auto (Faster)
Set to a faster shutter speed than the
standard by two levels.
Auto (Fast)
Set to a faster shutter speed than the
standard by one level.
Auto
(Standard) (Default)
Set to approximately one second of the
focal length of the lens.
Auto (Slow)
Set to a slower shutter speed than the
standard by one level.
Auto (Slower)
Set to a slower shutter speed than the
standard by two levels.
1/ 000 8 sec. to one sec.
Set to each shutter speed.
The items and options above are changed to the following options when
CINE mode (CINE style/angle) is selected.
71
Maximum Shutter Angle
Auto (Narrower)
Set to a narrower shutter angle than the
standard by two levels.
Auto (Narrow)
Set to a narrower shutter angle than the
standard by one level.
Auto
(Standard) (Default)
Basically, set the shutter angle to 180°.
Auto (Wide)
Set to a wider shutter angle than the
standard by one level.
Auto (Wider)
Set to a wider shutter angle than the
standard by two levels.
1.1° ° * to 360
Set to each shutter angle.
*
In
CINE
mode,
the
available
shutter
speed
(shutter
angle)
varies
depending
on the frame rate setting.
IMAGE FILE SETTING
(STILL)
Set the image quality, image size, and aspect ratio of still images.
IMAGE QUALITY SETTING
Set the format of record images or the image quality of
JPE G images.
Quick Set menu, or [ SHOOT] → [ ] [ Image Settings → Image Quality].
DNG+JPEG
DNG ( + RAW) FINE(JPEG) simultaneous
DNG
DNG ( ) RAW
FINE (Default)
JPEG
・
High quality image
NORMAL
JPEG
・
Standard quality image
BASIC
JPEG
・
File size priority
72
CAUTION
DNG + JPEG and DNG cannot be used in combination with the following
function.
HDR,
Electronic Stabilization
You can specify the memory bit count of DNG images.
Quick Set menu, or [ SHOOT] → [ ] [ Image Settings → DNG Quality].
12 bit
14 bit (default)
Setting to [14
bit] provides a rich gradation.
TIP
DNG (RAW format) is a record format based on the material properties.
Development process by SIGMA Photo Pro, etc. is required. SIGMA
Photo Pro can be downloaded free of charge from our website. Sigma
recommends that you always update SIGMA Photo Pro.
sigma-global.com/en/software/
If necessary, you can create JPEG images from DNG images with the
camera. Refer to "DNG Development" (P.135).
DNG is the RAW image data that is developed by Adobe Systems
Incorporated.
IMAGE SIZE SETTING
Set the number of record pixels (image size) of an image.
Quick Set menu, or [ SHOOT] [→ Image Settings] →
[ ] Image Size
HIGH (Default)
24M 6,000 x 4,000 (When it is set as 3:2)
MED
12M
4,240 x 2,832 (When it is set as 3:2)
LOW
6M
3,008 x 2,000 (When it is set as 3:2)
When the image quality is set to DNG+JPEG, both the DNG and JPEG
files are recorded with the specified image size.
73
CAUTION
The selectable image sizes are limited depending on the image quality
setting.
Image Quality
14 bit
12 bit
14 bit
12 bit
Image Size
〇
〇
〇
〇
〇
〇
〇
×
×
×
×
〇
〇
〇
△
〇
△
〇
〇
〇
〇
〇: Available Unavailable : × △: Available, however, the bit depth is
changed to 12 bits.
ASPECT RATIO SETTING
Set the aspect ratio of an image.
Quick Set menu, or [ SHOOT] [→ Image Settings] →
[ ] Aspect Ratio
21:9
Aspect Ratio similar to those of wide screens used in cinema.
16:9
Aspect Ratio the same as those of high vision TVs.
3:2
Aspect Ratio the same as those of 35mm film cameras.
A Series
(
√
2:1)
The aspect ratio is the same as the general A series paper
size.
4:3
Aspect Ratio the same as those of traditional TVs and PC
screens.
7:6
Aspect Ratio is the same as those of 6x7 film cameras.
1:1
Aspect Ratio is the same as those of 6x6 film cameras.
The image of each aspect ratio is cut and created from an image of the
basic aspect ratio, "3:2", of this product.
TIP
A DNG image can be changed to another aspect ratio using SIGMA
Photo Pro or the DNG Development function of the camera.
74
When shooting with aspect ratio other than 3:2, the frame is normally
displayed in black. By making it semi-transparent, it is possible to use it as a
sports finder which allows users to check the surrounding areas of the
image.
[SHOOT] → [ ] [ ] Live View Settings → Outer Frame
Black (Default)
Semi-transparent
I MAGE FILE SIZE
Combination of Image Quality Image Size・ ・ Aspect Ratio results in
approximate file size (MB) per image as follows.
The file sizes change depending on subjects.
DC Crop Mode ( ) [Off] P.81
Image Size [ ]
Aspect
Ratio
Image Size
Image Quality
(14bit)
(12bit)
21:9
15M (6000×2576)
52.1
46.3
11.1
6
4.5
16:9
20M (6000×3376)
55.6
49.7
14.6
7.8
5.9
3:2
24M (6000×4000)
58.3
52.4
17.2
9.2
6.9
A
Size
(
√
2:1)
23M (5664×4000)
57.3
51.4
16.3
8.7
6.6
4:3
21M (5344×4000)
56.4
50.5
15.4
8.2
6.2
7:6
20 4960×4000M ( )
54.5
48.6
13.4
7.2
5.4
1:1
16M (4000×4000)
52.5
46.7
11.5
6.2
4.7
Image Size [ ]
Aspect
Ratio
Image Size
Image Quality
(14bit)
(12bit)
21:9
7.7M (4240×1824)
-
-
5.6
3
2.3
16:9
10M (4240×2392)
-
-
7.3
3.9
3
3:2
12M (4240×2832)
-
-
8.7
4.7
3.5
A
Size
(
√
2:1)
11M (4000×2832)
-
-
8.2
4.4
3.3
4:3
11M (3776×2832)
-
-
7.7
4.2
3.1
7:6
10 3520×2832M ( )
-
-
6.8
3.7
2.8
1:1
8M (2832×2832)
-
-
5.8
3.1
2.4
75
Image Size [ ]
Aspect
Ratio
Image Size
Image Quality
(14bit)
(12bit)
21:9
3.9M (3008×1288)
-
11.7
2.8
1.6
1.2
16:9
5.1M (3008×1688)
-
12.6
3.7
2
1.5
3:2
6M (3008×2000)
-
13.2
4.4
2.4
1.8
A
Size
(
√
2:1)
5.7M (2832×2000)
-
13
4.1
2.2
1.7
4:3
5.3M (2672×2000)
-
12.7
3.9
2.1
1.6
7:6
5M ( ) 2480×2000
-
12.3
3.4
1.9
1.4
1:1
4M (2000×2000)
-
11.8
2.9
1.6
1.2
DC Crop Mode ) (P.81 [On]
Image Size [ ]
Aspect
Ratio
Image Size
Image Quality
(14bit)
(12bit)
21:9
6.3M (3840×1648)
22.2
19.7
4.6
2.5
1.9
16:9
8.3M (3840×2160)
23.6
21.1
6
3.2
2.5
3:2
9.8M (3840×2560)
24.7
22.2
7.1
3.8
2.9
A
Size
(
√
2:1)
9.3M (3616×2560)
24.3
21.8
6.7
3.6
2.7
4:3
8.7M (3408×2560)
23.9
21.4
6.3
3.4
2.6
7:6
8.2 3184×2560M ( )
23.1
20.6
5.6
3
2.3
1:1
6.6M (2560×2560)
22.3
19.9
4.8
2.6
2
Image Size [ ]
Aspect
Ratio
Image Size
Image Quality
(14bit)
(12bit)
21:9
3.2M (2736×1168)
-
-
2.4
1.3
1
16:9
4.2M (2736×1536)
-
-
3.1
1.7
1.3
3:2
5M (2736×1824)
-
-
3.6
2
1.5
A
Size
(
√
2:1)
4.7M (256 ×1824)0
-
-
3.4
1.9
1.4
4:3
4.4M (2416×1824)
-
-
3.2
1.8
1.3
7:6
4.1 2272×1824)M (
-
-
2.8
1.5
1.2
1:1
3.3M (1824×1824)
-
-
2.5
1.3
1
76
Image Size [ ]
Aspect
Ratio
Image Size
Image Quality
(14bit)
(12bit)
21:9
1.6M (1920×824)
-
5.1
1.2
0.7
0.5
16:9
2.1M (1920×1080)
-
5.4
1.6
0.9
0.7
3:2
2.5M (1920×1280)
-
5.7
1.8
1
0.8
A
Size
(
√
2:1)
2.3M (1808×1280)
-
5.6
1.7
1
0.7
4:3
2.2M (1712×1280)
-
5.5
1.6
0.9
0.7
7:6
2M ( ) 1584×1280
-
5.3
1.4
0.8
0.6
1:1
1.6M (1280×1280)
-
5.1
1.2
0.7
0.5
MOVIE RECORD SETTING
(CINE)
Set the record format, resolution, or frame rate of a movie.
RECORD FORMAT
Set the record format and quality of a movie.
Quick Set menu, or [ SHOOT] [ ] [ ]. →Record Settings → Format
CinemaDNG
RAW-format file in movie Development process is
required.
MOV (Default)
File format available for editing images.
If CinemaDNG is selected, [Bit Depth] is displayed in [Record Settings].
Select the desired memory bit count.
8 bit
10 bit
12 bit
77
CAUTION
Data recorded with CinemaDNG consists of multi-still DNG data
(extension: .DNG) and a single audio file (extension: .WAV). For details,
refer
to
"SETTING
FROM
THE
[SYSTEM]
MENU"
-
"File
Name
/
Number"
(P.1 42).
CinemaDNG cannot be used in combination with the following function.
HDR, Electronic Stabilization, Director's Viewfinder
If MOV is selected, [Compression] is displayed in [Record Settings].
Select the desired compression format.
ALL-I
(All- Intra)
Data is compressed in frame units. The file size is
enlarged, however, image degradation does not occur
during editing.
GOP
(Default)
Compression format with the file size prioritized.
Available for longer periods of shooting.
RESOLUTION
Set the resolution (size) of a movie.
Quick Set menu, or [ SHOOT] [ ] [ ] →Record Settings →Resolution
UHD (Default)
3840 x 2160
FHD
1920 x 1080
FRAME RATE
Set the frame rate (the number of frames per second).
Quick Set menu, or [ SHOOT] [ ] [ ] →Record Settings →Frame Rate
78
23.98 fps
(Default)
24 fps
29.97 fps
50 fps
100 fps
25 fps
48 fps
59.94 fps
119.88 fps
CAUTION
The selectable frame rates are limited depending on the resolution
setting.
BIT RATE AND COMPATIBLE MEDIA
The below table shows the correspondence between the movie bit rate and
compatible media depending on a combination of video record settings.
〇: Available Unavailable : ×
CAUTION
Operation is not guaranteed for all media.
CinemaDNG
Resolution epth Bit d
Frame rate
(fps)
Bit rate
( )Mbps
Compatible media
SSD
SD UHS-II
UHD
12bit
29.97
3020
〇
×
25
2520
〇
×
24
2420
〇 ×
23.98
2400
〇
×
10bit
29.97
2500
〇
×
25
2090
〇 ×
24
2010
〇 ×
23.98
2000
〇
×
8bit
29.97
2000
〇
×
25
1670
〇
〇
24
1610
〇 〇
23.98
1600
〇
〇
FHD 12bit
100
2540
〇
×
59.94
1530
〇
〇
50
1270
〇 〇
48
1220
〇
〇
29.97
760
〇
〇
25
640
〇 〇
24
610
〇 〇
23.98
610
〇
〇
79
CinemaDNG
Resolution epth Bit d
Frame rate
(fps)
Bit rate
( )Mbps
Compatible media
SSD
SD UHS-II
FHD
10bit
119.88
2540
〇
×
100
2120
〇 ×
59.94
1280
〇 〇
50
1060
〇
〇
48
1020
〇
〇
29.97
640
〇
〇
25
530
〇
〇
24
510
〇
〇
23.98
510
〇 〇
8bit
119.88
2050
〇 ×
100
1710
〇
×
59.94
1020
〇
〇
50
850
〇
〇
48
820
〇
〇
29.97
510
〇 〇
25
430
〇 〇
24
410
〇 〇
23.98
410
〇
〇
Please check our website for the latest information about compatible
media.
sigma-global.com/en/special/fp/acc_recommend/
MOV
Compression
Resolution
Frame rate
(fps)
Bit rate
( )Mbps
Compatible media
SSD
SD
ALL-I
UHD
29.97
440
〇
〇
25
440
〇 〇
24
440
〇 〇
23.98
440
〇
〇
FHD
119.88
440
〇
〇
100
440
〇
〇
59.94
240
〇
〇
50
240
〇 〇
48
240
〇 〇
29.97
1 40
〇 〇
25
140
〇
〇
24
140
〇
〇
23.98
140
〇
〇
80
MOV
Compression
Resolution
Frame rate
(fps)
Bit rate
( )Mbps
Compatible media
SSD
SD
GOP
UHD
29.97
120
〇
〇
25
120
〇
〇
24
120
〇 〇
23.98
120
〇
〇
FHD
119.88
100
〇
〇
100
100
〇
〇
59.94
70
〇 〇
50
70
〇
〇
48
70
〇
〇
29.97
60
〇
〇
25
60
〇 〇
24
60
〇 〇
23.98
60
〇
〇
For ALL-I recording, SSDs and SD cards with a writing speed of 60 MB/s
or more are recommended.
81
DC CROP (SUPER35) MODE
With the APS-C format lens attached, this product provides DC Crop mode
to automatically switch the record range of the image sensor. You can also
manually select On/Off of DC Crop mode.
CAUTION
You cannot select On/Off of DC Crop mode depending on the lens.
Image circle of full size
lens
Image circle of APS-C
size lens
Full size image range
APS
-C size image range
To set the value, select [ / ]SHOOT
→
[ DC Crop Mode*].
* "DC Crop (Super 35) Mode" is displayed in CINE mode.
Off
Records the full size image range.
On
Records the APS-C size image range.
Auto
(Default)
The image range is switched depending on the attached
lens.
The DC Crop mode icon is displayed in DC Crop mode.
When a full size lens is mounted and DC Crop mode [On] is selected, the
peripheral areas in the image will be cut off and the angle of view shifts
1.5 times to the telephoto end, when it is compared to the mode [Off].
82
In STILL mode, the image size in DC Crop mode is set as shown below.
HIGH (Default)
9.8M 3,840 x 2,560 (When it is set as 3:2)
MED
5M
2,736 x 1,824 (When it is set as 3:2)
LOW
2.5M 1,920 x 1,280 (When it is set as 3:2)
In CINE mode, the resolution (UHD/FHD) remains unchanged even when
DC Crop mode is selected.
CAUTION
When an APS-C size lens is mounted and DC Crop mode [Off] is
selected, there will be vignetting in the image and the resolution might not
be sufficient due to the larger sensor size.
83
DIRECTOR'S VIEWFINDER
(CINE)
This function simulates how an angle of
view is changed depending on the setting
information of the registered cinema camera
and the focal length of the attached lens.
The settings for three patterns can be
saved and recalled.
CAUTION
The following functions or settings cannot be used in combination.
Frame Rate: 119.88 fps / 100 fps, Format: CinemaDNG,
Electronic Stabilization
It may not be possible to use it together with HDR shooting at certain
settings.
It cannot be used with lenses that cannot change the [DC Crop Mode]
setting.
This setting is not available in STILL-like style.
The focus frame is fixed to the center of [Single] and the M size.
The time code and grid line are not displayed.
The Image Magnification function is not available.
Select [ SHOOT] → [Director's Viewfinder] and select a number you
want to set (#1 ). to #3
1
Specify [Brand], [Model], and [Settings] as simulation conditions.
2
Set [Surround View].
Off
Movies wider than 16:9 are fitted crosswise, and
movies taller than 16:9 are fitted lengthwise.
Black
The area outside the frame range is masked in
black without fitting to the screen.
Semi-transparent
The area outside the frame range becomes semi-
transparent without fitting to the screen, so you can
check the area outside the frame range.
84
The below table shows the correspondence between the registered
cameras and setting information.
Brand
Model
Settings
Brand
Model
Settings
ARRI
ARRICAM /
ARRIFLEX
ANSI S35 4-Perf.
ANSI S35 3-Perf.
ARRI ALEXA XT
16:9 DNxHD
16:9 ProRes HD
16:9 ProRes 2K
16:9 ProRes 3.2K
4:3 ProRes 2K (x2)
4:3 ARRIRAW
Cropped(x2)
4:3 ARRIRAW Full (x2)
Open Gate ARRIRAW
ALEXA LF
/
ALEXA
Mini LF
LF 16:9
LF 16:9 (x1.25)
LF 16:9 (x1.3)
LF 16:9 (x1.5)
LF 16:9 (x1.65)
LF 16:9 (x1.8)
LF 16:9 (x2)
LF 2.39:1
Open Gate
SONY
VENICE
3.8K 16:9
4K 2.39:1
4K 17:9
4K 4:3 (x1.25)
4K 4:3 (x1.3)
4K 4:3 (x1.5)
4K 4:3 (x1.65)
4K 4:3 (x1.8)
4K 4:3 (x2)
4K 6:5 (x1.25)
4K 6:5 (x1.3)
4K 6:5 (x1.5)
4K 6:5 (x1.65)
4K 6:5 (x1.8)
4K 6:5 (x2)
5 .7K 16:9
6K 2.39:1
6K 17:9
6K 17:9 (x1.25)
6K 17:9 (x1.3)
6K 17:9 (x2)
6K 1.85:1
ALEXA SXT
16:9 ProRes HD/2K
16:9
ProRes
3.2K/4K
UHD
16:9 ARRIRAW 2.8K
16:9 ARRIRAW 3.2K
4:3 2.8K (x2)
6:5 ProRes (x2)
6:5 ARRIRAW (x2)
Open Gate 3.4K
Open Gate 4K Cine
ALEXA Mini
ProRes S16 HD
ProRes HD
ProRes HD Ana.(x2)
ProRes 2K
ProRes
2.39:1
2K
Ana.(x2)
ProRes 4:3 2.8K
ProRes 3.2K
ProRes 4K UHD
ARRIRAW
16:9
HD
Ana.(x2)
ARRIRAW
2.39:1
2K
Ana.
ARRIRAW 2.8K
ARRIRAW 4:3 2.8K(x2)
ARRIRAW
Open
Gate
3.4K
RED
MONSTRO
8K
7K FF
6K FF
4K FF
HELIUM 8K
8K FF
8K 6:5 (x2.0)
AMIRA
MPEG- 2 HD
ProRes S16 HD
ProRes HD
ProRes 2K
ProRes 3.2K
ProRes 4K UHD
ARRIRAW 2.8K
DRAGON 6K
6K FF
EPIC MX 5K
5K FF
GEMINI 5K
5K Full Height 1.7:1
5K Full Height 6:5
5K FF
ALEXA 65 4K UHD 6K FF Komodo
85
The pre-setting for using an anamorphic lens is also registered in this
viewfinder. You can desqueeze a video squeezed with an anamorphic
lens to display it.
A movie is recorded based on the setting described in [Record Settings]
(P.76) - of the Set up menu.
After using this function, select [Director's Viewfinder] → [ Off].
CAUTION
Only when playback is done on this product, the simulation conditions
specified at the time of shooting and the surround view information are
applied, enabling you to check the effect.
DC Crop mode is released; therefore, the part around the screen may
become dark or lead to a resolution failure.
You can take a picture using the release button even when in Director's
Viewfinder mode. (The setting of the recorded still image is the same as
that of the still image recorded in CINE mode Still images are (P. ).)44
recorded with various effects of the Director's Viewfinder.
PLAYBACK
The playback method is the same as that of a regular movie or still image.
For details on how to play a video, refer to "PLAYING BACK A MOVIE"
(P.1 ). 27
The image recorded in Director's Viewfinder mode is
marked by the setting icon.
The time code, number of pixels, and aspect ratio are not displayed.
[ Save As JPEG] is only available to cut out a photo from a video.
No changes can be made to the simulation conditions for recording and
the surround view setting.
86
AUDIO RECORD SETTING
(CINE)
Configure settings for sounds that are recorded simultaneously in a movie.
To set this option, select [ SHOOT] → [ ] Audio Record .
Off
No sounds are recorded for movie shooting.
On (Default)
Sounds are also recorded for movie shooting.
Gain Adjustment
This function allows you to make a level adjustment while checking the
currently input sound using the audiometer.
[SHOOT] [→ Audio Record] [ → On] [→ Gain Adjustment]
Auto
(Default) The camera adjusts the optimal level.
Manual
Ch.1 / 2 Sync.
Off Allows you to adjust Ch.1 and
Ch.2 independently.
On Applies the Ch.1 setting to Ch.2.
Ch.1
Adjustment Amount
Adjusts Ch.1.
Ch.2
Adjustment Amount
Adjusts Ch.2.
Ch.1 Ch.2: Microphone (L), : Right microphone (R)
Select the desired option, and use the
button to adjust the level.
The level can be adjusted between +6dB and -36dB in 3dB-pitch
increments.
You can adjust the baseline level of Auto. Select [Auto] → [Adjustment
Amount], and adjust the baseline level while checking on the level meter.
Gain Adjustment (Auto Gain Adjustment) can be assigned to the Quick
Set menu (P.36) or a custom button (P. 118).
Wind Noise Canceller
Reduces wind noises.
[SHOOT] [→ Audio Record] [ → On] [ → Wind Noise Canceller]
Off (Default)
Turns the noise reduction function off.
On
Turns the noise reduction function on.
87
EXPOSURE COMPENSATION
If you want to intentionally overexpose or underexpose the picture, use this
function.
Select [ / ]SHOOT
→
[Exposure Compensation] or use the Rear dial
to set the compensation value.
Exposure compensation can be set in 1/3 stop increments from +5.0 to
-5 .0 stops (When shooting a movie, ±3 EV is applied.).
CAUTION
The exposure compensation will not disable automatically. After taking the
picture, set the compensation value to ±
0.0
by rotating the Rear Dial.
The exposure compensation function cannot be used with Manual
Operation mode except when [ISO Auto] is selected.
METERING MODE
The camera has three advanced metering modes.
To set the mode, open the Quick Set menu (except when
the camera is in CINE mode (CINE style)) or select
[/ ]SHOOT → [ ] AE Metering Mode .
Evaluative
Metering
(Default)
The camera divides its screen into 256 and measures
the brightness of the scene by independently
measuring each segment of the focusing screen
and analyzing the correct exposure for the main
subject in any lighting situation.
Center Weighted
Average Metering
The camera will measure the average brightness of
the entire scene with additional emphasis on the
center area. It will determine the most suitable
exposure with respect to lighting conditions.
Spot Metering
The camera will measure the brightness only inside
of the selected focusing point on the color LCD
monitor. This mode is suitable when you wish to set
exposure for a portion of the scene.
88
AEL BUTTON
The AEL button is available to do the shooting with the
specified exposure in Auto mode.
The AEL button can be assigned to the following functions
in addition to the normal AE lock function.
To set this option, select [ / ]SHOOT → [ ]Custom Buttons Functions
→ [ ]. AEL
AEL
(Default)
The camera will fix and memorize the exposure value whilst
the AEL button is depressed. Until the AEL button is pressed
again, images are taken with the same exposure.
AEL
(Pressed)
The exposure is fixed only while the button is being AEL
pressed.
AFL
Press the button to lock the focus. Images will be taken AEL
with the same focusing point until the button is pressed
again.
AFL
(Pressed)
The focus is locked only while the button is being AEL
pressed.
AF-ON
The Autofocus activates when the AEL button is being
pressed.
AEL+AFL
Press the button to lock both AE and Focus AEL
simultaneously. Until the AEL
button is pressed again,
images are taken with the same exposure and focusing point.
AEL+AFL
(Pressed)
Both AE and Focus are locked simultaneously only while the
AEL button is being pressed.
LV
Magnification
The operation becomes the same as when the
button is
pressed during shooting. For more information, refer to
[
IMAGE MAGNIFICATION USING THE OK BUTTON
] (P.61).
Depth of Field
Preview
For more information, refer to [DEPTH OF FIELD PREVIEW]
(P.63).
False Color
For more information, refer to [FALSE COLOR] (P.50).
Screenshot
For more information, refer to [SCREENSHOT FEATURE]
(P.161).
89
WHITE BALANCE SETTING (WB)
In general use, the white balance is adjusted automatically;
however, if the desired colors are not obtained, you can
configure a setting from the preset white balance.
To set this option, open the Quick Set menu or select [ / ]SHOOT →
[White Balance].
Mode
COLOR TEMP.
DESCRIPTION
Auto
(Default)
-
Adjusted automatically. Use your camera
in this mode for regular photography
Auto
(Lighting
Source
Priority)
-
Select this setting to allow the camera to
automatically determine the appropriate
white balance while valuing the color and
atmosphere of the light source.
Daylight
Approx.5400 K
Sunny outdoor location
Shade
Approx.8000K
Shaded area in sunny outdoor location
Overcast
Approx.6500K
Cloudy outdoor location
Incandescent
Approx.3000K
Under lighting of incandescent light bulb
Fluorescent
Approx.4100K
Under white fluorescent lamp
Flash
Approx.7000K
When compatible flash is used
Color
Temperature
-
Select this setting to adjust the white
balance by setting the col
or temperature
to a numerical value.
1 3～
Custom
1 3 to -
Select this setting to determine the white
balance based on the image taken.
(Page 91)
ADJUSTING WHITE BALANCE
Each White Balance can be adjusted.
1
After choosing White Balance, press the
button to display the White
Balance Adjustment screen.
90
To set White Balance from Quick Set Menu, select preferred White Balance,
and press the button to display the White Balance Adjustment screen.AEL
2
Press the
buttons to adjust.
B stands for Blue, A for Amber, M for
Magenta, and G for Green. The image
will be adjusted with colors in the
movement direction.
In each direction, adjustments can be
made for up to eight steps.
3
Press the
button to apply the setting. To go back without changing the
setting, press the button.
To reset, press the MODE button.
The adjustment value is displayed to the right of the White
Balance Icon.
SETTING THE VALUE OF COLOR TEMPERATURE
White
Balance
can
be
adjusted
by
setting
the
color
temperature
in
numerical
value.
1
Select [Color Temperature ] and
press
the
button
to
display
the
Color
Temperature
(After setting screen.
selecting [Color Temperature ] and
pressing the
button, images can be
taken at the value set previously.)
To set from the Quick Set Menu, select [ ], and press the AEL button to
display the Color Temperature setting screen. (After selecting [ ] and
pressing the
button or the shutter button “half-way”, images can be
taken at the value set previously.)
91
2
Use the button or the to set the value.Front/Rear dial
(Press the MODE button to set it to 5000K.)
White Balance can also be adjusted when setting the color
temperature.
Press the AEL button to display the White Balance Adjustment screen on
the Color Temperature Setting screen.
Follow the instruction
2
and onwards in [ADJUSTING WHITE BALANCE]
in the previous page.
TIP
Light source can be reddish or bluish, the color of light described as
absolute temperature (K: Kelvin) is called “Color Temperature”. The lower
the color temperature is, the more reddish the color of light turns out, and
the higher, the more blueish. Please refer P.89 for the approximate color
temperature of the light source.
SETTING A CUSTOM WHITE BALANCE
Select this setting to determine the white balance based on the image
taken.
Up to three Custom White Balances can be registered (Custom 1 to 3).
1
Select [Custom 1 Custom 3], [Custom 2], or [ ] and press the
button to
display the Custom White Balance Setting screen. (When the
button is
pressed after selecting [Custom], the previous white balance setting will be
set.)
When a custom white balance is set in the Quick Set menu, select one of
[ 1 to 3] and press the AEL button to display the Custom White Balance
Setting screen. (By pressing the
button or half-pressing the shutter
button after selecting [ 1 to 3], the previous setting will be applied.)
2
Under the lighting conditions that will be used for the final photograph,
frame a white colored object, such as a sheet of white paper or a white wall,
so that it fills the frame in the center of the color LCD monitor. Then use the
Manual focus function to adjust the focus point (the focus point does not
have to be perfectly in position).
92
3
Press the AEL button and import the custom white balance image.
If a valid white balance settings was captured, the message "White
balance image captured successfully" will appear on the color LCD
monitor to indicate that the white balance image was captured successfully.
If the capture was not successful, "Failed. Please retry the custom WB
capture." will be displayed on the color LCD monitor. Press the AEL button
to capture a white balance image once again.
To dismiss the capture, press the button.
ADDING A NOTE TO CUSTOM WHITE BALANCE
A note can be added to a C Wustom hite
Balance. The note is reflected in the
“White Balance” sub menu a nd is useful
when needing to use previously registered
custom white balance.
It is possible to enter up to 48 single byte characters and symbols.-
1
On the Custom White Balance Capture screen, pressing the button
displays the Note Input screen.
2
Input the texts. For the procedure to input texts, please refer to [ENTERING
INFORMATION] of [COPYRIGHT INFORMATION] (P.1 ). 45
When deleting a note attached to a Custom W Bhite alance, delete all the
text from the Note input screen.
CAUTION
The note C W Battached to the ustom hite alance is not recorded in the
image information data.
93
COLOR MODE
It is possible to select the desired Color mode depending on the shooting
conditions. In addition to the above settings, Monochrome photography or
movie can be selected.
To set the mode, press the [COLOR] button, or select [ SHOOT] →
[ ] [ [Color Settings → Color Mode] (in CINE mode, select SHOOT] →
[ ]). Color Mode
STD.
Standard (Default)
Standard color mode for various situations.
VIVID
Vivid
Saturation and contrast are enhanced for making
pictures appear vivid.
NTR.
Neutral
Subdued saturation and contrast makes images
natural.
PORT.
Portrait
This color mode makes skin tone soft. It is ideal for
portraits.
LAND
Landscape
This mode makes blue and green more vivid and
emphasizes pictures.
CINE
Cinema
This mode reduces saturation and emphasizes
shadows to recreate an image like in a cinema.
T&O
Teal and Orange
Highlights orange colors such as a flesh color and
turquoise of a complementary color to emphasize
images.
Sun R.
Sunset Red
This mode emphasizes red color rendering, and
exp
resses the scenes, such as sunsets, more
impressively.
For G.
Forest Green
This mode emphasizes green color rendering, and
expresses greens, such as plants, more
impressively.
Pow B.
Powder Blue
This mode is characterized by a refreshing blue
color with a bright and transparent look.
Fov B.
FOV Classic Blue
This mode recreates impressive blue sky, with the
expression of rich blue tone.
Fov Y.
FOV Classic Yellow
This mode recreates an impressive and rich color
tone with the emphasis on yellow-like color.
DUO.
Duotone
This mode creates images that have impressive
gradation between shadows and highlights.
MONO.
Monochrome
It is possible to take Monochrome pictures.
95
In DUO. (Duotone) mode, use the buttons to select a preset that
matches the image.
Tonal changes for each preset are roughly as follows.
Shadow colors
Intermediate colors
Highlight colors
R1
Navy blue
Red
Orange
OR1
Dark green
-
Orange
YE1
Bluish purple
-
Yellow
YG1
Turquoise blue
-
Yellow green
G1
Turquoise blue
-
Light green
G2
Reddish brown
-
Light green
B1
Light reddish brown
-
Light green
B2
Black
-
Aqua
P1
Navy blue
Light purple
Pink
M1
Magenta
-
Ivory
COLOR MODE DETAILED SETTING
With each color mode, image parameters (Contrast, Sharpness, and
Saturation) can be adjusted to create preferred images.
Contrast
Contrast can be increased by moving the cursor to + side, or decreased,
preserving image detail, by moving the cursor to - side.
Sharpness
It is possible to make the pictures appear sharper, by moving the cursor to +
side, or softer by moving the cursor to – side.
Saturation (Excluding Monochrome and Duotone)
It is possible to increase saturation thus making pictures appear vivid, if the
cursor is moved to + side. Moving the cursor to – side, decreases saturation
and makes images less vivid.
Toning Effect (Only with Monochrome)
Monochrome images can be finished with preferred color tones.
B/W
B&W (Default)
R
Red
WARM
Warm Tone
SEPIA
Sepia
G
Green
BG
Blue Green
B
Blue
COLD
Cold Tone
BP
Blue Purple
P
Purple
96
1
Press the AEL button while the Color Mode Setting screen is being
displayed, and open the Color Mode Detailed Setting screen.
Pressing the button temporarily stops the currently displayed
screen, enabling you to make adjustments while checking a still image.
To restart, press the button again.
2
Use the buttons to select the target
parameter, and using the or button
to apply the setting.
3
Use the
button to set the adjustment
value (up to ±1.0 in 0.2-step increments),
and use the
button to apply the setting.
The icon of the currently adjusted parameter is displayed
next to the color mode icon.
TIP
For DNG data, you can change the color mode or adjust a parameter
using SIGMA Photo Pro.
For CinemaDNG data, the color mode is applied only when images are
viewed on the camera.
TONE CONTROL
This function allows you to optimize a tone curve even in a scene with a
high contrast, providing an image in natural tone.
Tone Control: Off
Tone Control: Strong
97
To set the Tone Control, press the TONE [button or select / ]SHOOT
→ [Tone Control].
Off
Off
Disables the effect.
Auto (Mild)
(Default)
Mild effect can be achieved.
Auto (Strong)
Strong effect can be achieved.
MANUAL
Manual
Individually adjusts highlight or shadow.
(Up to ±5 in 1-step increments)
Pressing the AEL button temporarily stops the currently displayed screen,
enabling you to make adjustments while checking a still image. To restart,
press the AEL button again.
MANUAL ADJUSTMENT
After selecting [Manual], use the
buttons to select highlight or shadow, and
use the buttons to adjust the intensity.
CAUTION
The following functions or settings cannot be used in combination.
Color Mode: [Off], [Duotone],
Fill Light
(STILL)
This function allows you to adjust the brightness so that dark parts become
lighter, without changing the exposure of light parts in an image.
To set this option, open the Quick Set menu or select [ SHOOT] [→ Fill
Light]. - (Up to ±5 in 0.2 step increments)
TO CONFIRM THE EFFECT...
Press the AEL button while the Fill Light Setting screen is being displayed,
and open the preview screen (still screen). To release the preview screen,
press the AEL button again.
98
CAUTION
The following functions or settings cannot be used in combination.
Drive Mode: Continuous, Interval Timer, HDR, Electronic Stabilization
Bracketing (Except Fill Light BKT.), Color Mode: [Off], [Duotone],
ISO sensitivity settings added with the [Composite Low ISO Expansion]
LENS OPTICS COMPENSATION
Specify whether or not to compensate for the following lens aberration.
Distortion (Off/Auto)
Diffraction (Off/Auto)
Lateral Chromatic Aberration
(Off/Auto)
Vignetting (Off/Auto)
Color Shading
To set this option, select [ / ]SHOOT
→
[ Lens Optics Compensation].
CAUTION
In general use, set to "Auto" (default).
Compensation cannot be set to [Off] depending on the lens.
COLOR SHADING CORRECTION
This function allows you to compensate for color shading (phenomenon in
which parts around the screen are colored).
When you are using an mount lens:L-
Color shading is compensated for automatically. If necessary, you can
make fine adjustments manually.
1
Select
[ / ]SHOOT
→
[Lens
Optics
Compensation]
→
[Color
Shading]
→ [Auto], and press the
button.
2
Press the AEL button to open the preview screen (still screen).
99
3
Use the
buttons to select [Red] or [Blue], and use the
or
button to
apply the setting.
4
Use the
button to set the adjustment value (up to ±1.0 in 0.2-step
increments), and use the
button to apply the setting.
CAUTION
The adjusted value is reset when the lens is changed.
When you are using a lens other than the mount lens:L-
You can compensate for the color shading of the lens that is attached by
using a mount adapter manufactured by another company.
1
Select
[ / ]SHOOT
→
[Lens
Optics
Compensation]
→
[Color
Shading],
select the desired column from [#1 to #10], and press the
button.
2
On the Compensation Capture screen, fill a monotonous screen without a
color tone such as white or gray on the entire screen, and press the AEL
button.
3
When compensation succeeds, the Compensation screen is displayed. If
fine adjustment is required, press the
button, and make fine adjustment
following step 3 and subsequent steps in the previous item.
ENTERING LENS INFORMATION
4
When compensation is completed, press the
button to move to the lens
information entry screen.
5
Enter information on the [Focal Length / Aperture Input] screen. When
entering other information, open the [Note] screen. For details about how to
enter a memo, refer to "ENTERING INFORMATION" of [COPYRIGHT
INFORMATION] (P.1 45).
To erase a memo, delete all characters on the Enter Memo screen.
100
TO RESET COMPENSATION...
1
Select
[ / ]SHOOT
→
[Lens
Optics
Compensation]
→
[Color
Shading],
select
the
column
to
reset,
and
press
the
MODE
button
on
the
Compensation
Capture screen.
2
Select [Yes], and press the
button to apply the setting. (This erases the
compensation value and lens information.)
CAUTION
When [CinemaDNG] is selected as the format of CINE mode, Color
Shading Correction is not available.
BRACKETING
(STILL)
This function allows you to perform shooting while automatically bracketing
the setting value in the following five items.
Exposure
White Balance
Fill Light
Focus
Color Mode
CAUTION
For white balance BKT, Fill Light BKT, and color mode BKT, image
processing is performed for the specified number of pages based on the
one-time shooting data, so the writing time becomes longer than it is for
regular shooting.
Bracketing is not automatically canceled. When shooting is completed,
select [Off] from each bracketing item.
The following functions or settings cannot be used in combination.
Drive Mode: Interval Timer, Fill Light (Excluding Fill Light BKT), HDR
ISO sensitivity settings added with the [Composite Low ISO Expansion],
Electronic Stabilization
Exposure BKT and focus BKT cannot be used with the flash shooting.
1
Select [ SHOOT] [→ Bracketing], and select the target item.
101
2
Press the
button to select [On], and press the
button to open the
Further Options screen. (If you press the
button while [On] is selected,
shooting is performed with the previous setting value.)
3
Select the option you want to change on the Further Options screen. Then,
press the
button or the
button to open the sub menu.
EXPOSURE BKT
By setting the exposure judged as appropriate by the camera, it is possible
to continuously take pictures with the exposure bracketed.
Bracketing
Number
Number of shots (three or five)
Bracketing
Amount
Up to ±3 steps in 1/3 step incr- ements
Bracketing
Order
0
→
→
→
→→
-
→
→
→
→→
+
(Default)
appropriate exposure
→
under exposure
→
over exposure
-
→
→
→
→→
0
→
→
→
→→
+
under exposure
→
appropriate exposure
→
over exposure
+
→
→
→
→→
0
→
→
→
→→
-
over exposure
→
appropriate exposure
→
under exposure
4
Use the
buttons to select a desired value, and press the
button or the
button to apply the setting.
5
When the setting is completed, the setting icon and
compensation value are displayed.
The operations in each Drive Mode are shown below.
Single Capture
An image is taken one frame at a time.
Continuous
Frames will be taken continuously by pressing and
holding the shutter button.
Self Timer
Continuous shooting begins after the specified timer
period expires.
When the exposure mode is set to M, only the shutter speed will be
changed. (When [ISO Auto] is selected, ISO varies.
102
Exposure BKT can be combined with exposure compensation.
Bracketing is performed based on the compensation value specified in
Exposure Compensation.
You can check the shooting frame using the bar indicator of the icon.
Example: When five frames are taken
First frame
Second frame
Third frame
Fourth frame
Fifth frame
FOCUS BKT
This function allows you to continuously take photographs with the focus
position bracketed based on the focus position.
Bracketing
Number
The
number
of
pictures
to
be
taken (3,
5,
7,
9,
11,
13,
or
15)
Bracketing
Amount
Up to ±10 levels in one step increments-
Bracketing
Order
0
→
→
→
→→
-
→
→
→
→→
+ (Default)
Focal point
→
Front focus
→
Rear focus
0
→
→
→
→→
+ Focal point
→
Rear focus
0
→
→
→
→→
-
Focal point
→
Front focus
The focus shift per step varies depending on the lens.
4
Use the
buttons to select a desired value, and press the
button or the
button to apply the setting.
5
Half-press the shutter button to return to the shooting mode.
(The setting icon and bracketing amount are displayed.)
The operations in each Drive Mode are shown below.
Single Capture
After focusing, hold down the shutter button;
continuous shooting starts.
Self Timer
After focusing, hold down the shutter button; the timer
is activated. When the specified timer period expires,
continuous shooting starts.
Continuous shooting cannot be simultaneously used with other functions.
103
WHITE BALANCE BKT
In a single shooting, several images with
different white balances can be recorded.
Bracketing Axis
(Blue ↔ Amber)
(Magenta ↔ Green)
Bracketing Number
The number of shots to be recorded (three or five)
Bracketing Amount
In 2-step increments up to ±16 EV
4
Use the
buttons to select a desired value, and press the
button or the
button to apply the setting.
5
Half-press the shutter button to return to the shooting mode.
(The white balance icon, bias direction, and bracketing
amount appear.)
ADJUSTING WHITE BALANCE
The standard value of the white balance can be finely adjusted.
1
On the White Balance Bracket Setting screen, press the AEL
button to
display the White Balance Adjustment screen.
2
Press the
buttons to adjust. If the current setting is used without
changing the value, press the
button. The adjustment is canceled
and the screen returns to the previous screen.
3
To confirm, press the
button. After finalizing, pressing the
button
again returns the screen to White Balance BKTthe Setting screen.
104
COLOR MODE BKT
In a single shooting, several images with
different color modes can be recorded.
Currently-set Color Mode. (This setting can be
changed using the same procedure.)
BKT1 to BKT5
Up to five Color Modes to be saved in a bracket can
be selected.
4
Select from BKT1 to BKT5 by using the
buttons and press the
button.
5
From the list at the bottom of the screen, select the Color Mode to be
allocated by using the
buttons and press the
button to confirm your
selection.
To cancel the color mode you allocated, select [ - ] (no
allocation) from the list.
6
Half- press the shutter button to return to the shooting mode.
(The setting icon and the number of recorded images are
displayed.)
COLOR MODE DETAILED SETTING
You can set detailed settings for each color mode.
1
When the target color mode is selected from the list at the bottom of the
screen, press the button to move to the Color menu screen.AEL
2
Set the intensity of effect or detailed information following the item in [Color
Mode] (P.93).
3
To return to the color mode BKT screen, press the
button once or
twice.
105
Fill Light BKT
This function allows you to continuously take photographs with the Fill Light
effect increased or reduced based on an image with no Fill Light effect
applied.
Bracketing Number
Number of shots (three or five)
Bracketing Amount
In 0.2-step increments up to ±5 EV
4
Use the
buttons to select a desired value, and press the
button or the
button to apply the setting.
5
Half-press the shutter button to return to the shooting mode.
(The setting icon and bracketing amount are displayed.)
CAUTION
The following functions or settings cannot be used in combination.
Color Mode: [Off], [Duotone],
HDR (High Dynamic Range)
With HDR, you can shoot pictures or movies rich in gradation with reduced
overexposed areas and blocked up shadows.
For still image shooting, three images of standard, underexposure, and
overexposure are continuously shot at one time, and they are combined
automatically.
For movie shooting, this system shoots images of different exposure
values at double the speed of the specified frame rate, and creates a
video while repeating a combination of two images.
In the [ / ] SHOOT menu, select your desired range of exposures from
[ HDR].
Off
Auto
±1.0
±2.0
±3.0
[Auto] is the setting in which the camera automatically determines a
range of exposures.
111
LOCK FUNCTION
This product provides the lock function that locks button operations and
allows the user to concentrate on shooting without being bothered by
erroneous button operations.
The lock on/off function must be assigned to the Quick Set menu. Assign
[ LOCK] in Custom QS (P.37).
LOCK
To lock, select [ ] in the Quick Set menu, and press the AEL button.
While the lock function is active, the icon is displayed at the
bottom of the screen.
UNLOCK
Slide from the left to the right on the touch panel.
Alternatively, press the QS button, and then press the AEL button.
You can also specify a button you want to enable operation for even while
the lock function is active. Select [ SYSTEM ] → [Operation in LOCK
Mode] to specify the target operation.
+ REC button
The shutter button and REC button are available.
+ REC button
The shutter button, REC button, and Front/Rear dial
are available.
USING THE EXTERNAL FLASH
Optional Sigma Electronic Flash EF-630 (FOR SIGMA) with the S-TTL
system allows you to use features such as Auto Flash with this camera. The
Electronic Flash EF-630 (FOR SIGMA) lets you do even more, such as use
Multi Flash and other advanced features.
CAUTION
When using the flash, attach the hot shoe unit HU-11, which is supplied
with this product, to the camera ). (P.19
112
This product does not support the FP flash function and Dedicated
receive & flash function.
The following functions or settings cannot be used in combination.
Drive Mode:
Continuous, Interval Timer,
Electronic Stabilization,
ISO sensitivity settings added with the [Composite Low ISO Expansion],
HDR, Exposure BKT, Focus BKT
The flash tuning speed is set to 1/30 sec. or less (1/15 sec. or less when
the image quality is set to DNG and DNG + JPEG and the memory bit
count is 14 bits). When shooting with the flash using manual exposure,
set the shutter speed to 1/30 sec. or less (1/15 sec. or less).
FLASH MODE SETTING
Some items of the external flash can be set from the camera side.
To set the flash mode, select [ SHOOT] → [ Flash].
-RED EYE REDUCTION FLASH (Red- eye)
When taking a picture with a flash, sometimes the person’s eyes reflects the
flash light and the "red-eye" phenomenon will appear in the picture. In order
to avoid this effect, the light flashes for about one second before the picture
is taken to reduce the effect of red-eye.
Depending on the lighting and subject conditions, the Red-eye Reduction
flash may not completely eliminate the red- eye in all cases.
REAR CURTAIN SYNCHRONIZATION (Rear Curtain Sync.)
When
you
use
rear
curtain
synchronization,
the
flash
will
fire
just
before
the
rear
curtain begins to close and the subject will be exposed to ambient light from
the time the shutter opens until the flash fires. As a result of the subject traces
will be recorded behind the subject. This gives a more natural effect.
SLOW SYNCHRO MODE (Slow Sync.)
When using the flash with P A/ mode, the shutter speed value, which will
reduce camera shake, is set automatically. The slow synchro mode
changes the shutter speed by up to 30 seconds depending on the lighting
conditions. This mode is suitable for shooting portraits and nightscapes.
113
AF ASSIST LIGHT (AF Assist Light)
When the AF Assist Light prevents appropriate shooting, disable it by
setting [AF Assist Light] to [Off].
CAUTION
The Flash Mode cannot be set if a flash is not attached to the camera, or
the flash is turned off.
FLASH EXPOSURE COMPENSATION
It is possible to compensate the flash output level without changing the
background’s exposure.
To set the Flash Exposure Compensation, select [ SHOOT] → [ ]Flash →
[ Flash Exposure Compensation].
Select the desired compensation value by using the buttons.
Exposure compensation can be set in 1/3 stop increments from +3.0 to
-3.0 stops.
When the setting is completed, the setting icon and
compensation value are displayed.
CAUTION
The flash exposure compensation can not be set if the flashgun is not
attached to the camera, or the flashgun is turned off.
The flash exposure compensation will not disable automatically. After
taking
the
picture,
set
the
compensation
value
to
±0.0
by
above
procedure.
114
CHANGING OTHER SETTINGS
This section describes other settings that can be configured in the items of
[ / ]. SHOOT
COLOR SPACE
(STILL)
It is possible to select sRGB, which is a common color space or Adobe RGB,
which is mainly used for commercial printing, and other industrial purposes.
[SHOOT] → [ ] [ ]. Color Settings → Color Space
sRGB (Default)
AdobeRGB
When reviewing images recorded in Adobe RGB, their
Folder numbering / File numbering will be underlined.
CAUTION
Please set the color space to sRGB for regular usage. Use the image set
to Adobe RGB under the environment compatible with Adobe RGB.
LENS FUNCTION SETTINGS
The lens function items are compiled in [Lens Function Settings] of
[ / ]. SHOOT
Focus Mode
(Refer to P.52.)
Optical Stabilization
(Refer to P.67.)
Focus Limiter
(Refer to P.58.)
AFL Button Settings
AFL Button Settings
You can customize the AFL button functions of the lens equipped with the
AFL button.
AFL (Pressed)
(Default)
If you press the AFL button while AF mode is active,
AF mode stops.
AF-ON
If you press the AFL button, AF mode is activated.
116
CAUTION
Depending on the setting conditions, it may not be displayed with the
specified number of pixels.
Color
White
Red
Green
Blue
Black
Yellow
Cyan
Magenta
Shading
Darkly masks an area outside a frame in Semi-Transparent mode.
Off (Default)
On
Custom Frame
A custom frame can be displayed by entering any aspect ratio or absolute
size value on the image sensor.
Select [Custom Frame 1] or [Custom Frame 2], select [On], and then set a
custom frame.
Select an input method from [Input] in the [FORMAT] tab.
Sensor Area
Specify the size on the image sensor to display the
frame guide.
Aspect Ratio
Specify any aspect ratio to display the frame guide.
Input in [Sensor Area]
For [Width / Height] on the entry screen, specify the width and height.
For example, to display a frame guide 20 mm wide and 10 mm high, enter
"20.00 x 10.00 mm", and press the button to confirm your entry. The
aspect ratio of the frame guide is displayed as 2.00:1 on the setting screen.
The maximum value of the image sensor when shooting a movie is 35.64
wide and 20.05 mm high.
The frame guide can be resized while maintaining the aspect ratio of the
entered values. For [Aspect Ratio / Scaling] on the entry screen, specify
the percentage (1 to 100%). For example, to change the size from 20.00
x 10.00 mm to 10.00 x 5.00 mm, enter 50% and press the button to
confirm your entry.

Produkt Specifikationer

Mærke: Sigma
Kategori: Kamera
Model: Fp

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