Focusrite Green 6 Manual

Focusrite Ikke kategoriseret Green 6

Læs gratis den danske manual til Focusrite Green 6 (14 sider) i kategorien Ikke kategoriseret. Denne vejledning er vurderet som hjælpsom af 3 personer og har en gennemsnitlig bedømmelse på 4.4 stjerner ud af 2 anmeldelser. Har du et spørgsmål om Focusrite Green 6, eller vil du spørge andre brugere om produktet?

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Side 1/14

QUAD COMPRESSOR LIMITER

Introduction

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3

Dynamic Range . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Getting to know the unit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Section (i): Setting Up

Installing the unit

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6

Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6

Power Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Voltage select

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6

Audio inputs and Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Input operating level

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7

Section (ii): Functions

Controls

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8

Threshold . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Ratio

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9

Attack and Release

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9

Auto Rel

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11

Make Up . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11

Limiter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12

Link. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12

How to use Compression

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13

When to use Compression

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13

When to use Limiting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14

Section (iii): Trouble Shooting

Non-Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14

Changing a Fuse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15

Worldwide Distributors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

c o n t e n t s

q u a d c o m p r e s s o r l i m i t e r

Green 6 Compressor/Limiter

Introduction

The Green 6 is a 4-channel compressor and limiter. Each channel can operate

independently (so allowing you to compress and limit up to four mono signals),

or channels can be linked, for example to compress and limit two stereo signals

independently.

Compressors and limiters both act like automatic volume controls, turning down the

volume of a signal if it gets too loud. The difference between the two is:

• A limiter sets an upper limit on the volume, and will not allow the signal to go

above that volume

• A compressor reduces changes in volume, so that the dynamic range of the

compressed signal is lower than the dynamic range of the input signal

The compressor reduces the dynamic range of a signal by automatically reducing the

gain when it gets louder than a certain threshold. To understand a compressor, you

must understand dynamic range – if you do not, you should read the section later

about dynamic range.

Note that compression tends to even out a performance (particularly of stringed

instruments such as guitar) since it stops the instrument getting very loud or very

quiet in the mix. When compressing hard, it also reduces an instrument’s attack

(again, this is most noticeable with stringed instruments).

Dynamic Range

The dynamic range of a signal is the difference in volume between the quietest and

loudest parts: for music, the dynamic range can be as wide as 120 dB.

Signals with wide dynamic range demand greater attention from the listener, and

require listening conditions with low background noise. Consequently, in areas with

high background noise, such as a restaurant, it is hard to listen to signals with a wide

dynamic range – only the loud parts are heard, with the quiet parts being lost in the

ambient noise. Compressing the signal reduces the dynamic range and so makes it

easier to hear in such situations.

Produkt Specifikationer

Mærke:	Focusrite
Kategori:	Ikke kategoriseret
Model:	Green 6

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