Walrus Audio Descent Manual

Walrus Audio Ikke kategoriseret Descent

Læs gratis den danske manual til Walrus Audio Descent (2 sider) i kategorien Ikke kategoriseret. Denne vejledning er vurderet som hjælpsom af 14 personer og har en gennemsnitlig bedømmelse på 5.0 stjerner ud af 7.5 anmeldelser. Har du et spørgsmål om Walrus Audio Descent, eller vil du spørge andre brugere om produktet?

Download PDF

Side 1/2

Dry Mix – Controls how much of the Actual

Instrument volume is running through the

effect. Set to zero to hear only the effected

signal; set to full to bring in your instrument

signal.

Reverb Time – This will control the time length

of your effected signal. Set to zero for no

effect; set to full to add a long trail to your

signal.

Diminish – This controls your reverb diffusion.

Turn clockwise to diffuse your reverb signal.

Reverb mimics the size of a room but diffusion

mimics the walls of the room. Set to zero to

rough or rocky wall sound (diffused).

Tweak – Here you can control your reverb

damping. Turn clockwise to lower the threshold

of higher frequencies allowed in the

reverberated signal.

Dry Signal – Your instrument signal is running

Octave and, +1 Octave. Your Dry signal is

controlling how much pure instrument is

heading to the top row reverb controls. At

zero, only octaves send to the top reverb

controls. Dimed – your whole dry signal goes

to the top reverb controls along with whatever

you have your octaves set to.

-1 Octave – Tracks and plays back one octave

below the note you are playing. Set to zero for

none; set to full for maximum sub octave

reverberation.

+1 Octave - Tracks and plays back one octave

above the note you are playing. Set to zero for

none; set to full for maximum octave up

reverberation.

Wet Mix – This control mixes your ratio

between how much dry signal and how much

wet signal is in your output. Set to 12:00, you

will get 50% dry and 50% Wet. Turn clockwise

to get less dry and more wet, turn count-

er-clockwise to hear more of your instrument

without the effected signal.

REVERSE MODE

HALL MODE

Dry Mix – Controls how much of the Actual

Instrument volume is running through the

effect. Set to zero to hear only the effected

signal; set to full to bring in your instrument

signal.

Reverb Time – This is your Pre-delay

controller. Set to zero for a quick return

and turn clockwise to delay your reversed

return signal.

Diminish – In Reverse setting, this will act

as your Reverb Time and will control how

long your signal draws out. Set to zero for

no effect; set to full for a long trail to your

signal.

Note that your Pre-delay and your Reverb

time are playing off of each other in the

Reverse mode. The Pre-delay captures a

Descent. Then, the reverb time (controlled

by Diminish control) lets you choose how

much reverb goes on to that captured

Tweak – This controls your signal’s tone.

To get a dark, warm tone, set control to

zero; to get a brighter, chimey tone, set

control to full. Your tone will move from dim

to bright as you move the control clockwise.

Dry Signal – Your instrument signal is

Dry Signal, -1 Octave and, +1 Octave. Your

Dry signal is controlling how much pure (dry)

instrument is heading to the top row reverb

controls. At zero, only octaves send to the

top reverb controls. At maximum – your

whole dry signal goes to the top reverb

controls along with whatever you have your

octaves set to.

-1 Octave – Tracks and plays back one

octave below the note you are playing. Set

to zero for none; set to full for maximum sub

octave reverberation.

+1 Octave - Tracks and plays back one

octave above the note you are playing. Set

to zero for none; set to full for maximum

octave up reverberation.

Wet Mix – This control mixes your ratio

between how much dry signal and how

much wet signal is in your output. Set to

12:00, you will get 50% dry and 50% Wet.

Turn clockwise to get less dry and more

wet, turn counter-clockwise to hear more of

your instrument without the effected signal.

SHIMMER MODE

Dry Mix – Controls how much of the Actual

Instrument volume is running through the

effect. Set to zero to hear only the effected

signal; set to full to bring in your instrument

signal.

Reverb Time – In shimmer, this will act as

your reverb time. This will control how long

your signal draws out. Set to zero for no

effect; set to full to add a long trail to your

signal.

Diminish – This will control your reverb

feedback; how many times your copied

signal is stacking on top of itself. You will

get a small amount set at zero and a large

amount when the control is at full.

Tweak – This controls your reverb diffusion.

Turn clockwise to diffuse your reverb signal.

Reverb mimics the size of a room but

diffusion mimics the walls of the room. Set

full to get a rough or rocky wall sound.

RIGHT 1/4TH INPUT (RING)

LEFT 1/4TH INPUT (TIP)

RING

SLEEVE

TIP

STEREO - S1 SWITCH UP/S2 DOWN

MONO - S2 SWITCH UP/S1 DOWN

IN 9V

RIGHT OUT LEFT OUT EXPRESSION REMOTE

S 1 S 2

STEREO INPUT MODE

The Descent Reverb has stereo input functionality

as well as stereo output. To use this capability you’ll

need an existing stereo signal and a ¼” TRS splitter

cable. To activate the stereo input mode, remove th

backplate and locate the red DIP switches on the

left hand side of the circuitry. The switches will be

just under the input and right output jacks. The

Descent will come ready with the S1 switch down

and the S2 switch up – activating the mono input

mode. To switch the pedal to stereo input, toggle S

to the up position and S2 to the down position.

Once this is complete, replace the backplate. Using

the ¼” TRS splitter cable, plug your two incoming

stereo signals into the female ends of the splitter

cable and the TRS male end of the splitter cable int

the input of the Descent Reverb.

Dry Signal - Your instrument signal is

running through the octave controls rst; Dry

signal, -1 octave and, +1 octave. Your Dry

Signal is controlling how unaffected

instument signal is heading to the top row

reverb controls. At zero, only octaves send to

the top reverb controls. Dimed - your whole

dry signal goes to the top reverb controls

along with whatever you have your octaves

set to.

-1 Octave - Traccks and plays back one

octave below the note you are playing. Set to

zero for none; set to full for maximum sub

octave reverberation

+1 Octave - Tracks and plays back one

octave above the note oyu are playing. Set

to zero for none; set to full for maximum

octave up reverberation.

Wet Mix - This control mixes your ratio

between how much dry signal and how

much wet signal is in your output. Set to

12:00, you will get 50% dry and 50% wet.

Turn clockwise to get less dry and more wet,

turn counter-clockwise to hear more of your

instrument without the effected signal.

DESCENT REVERB

INSTRUCTION MANUAL

Thank you for purchasing the Walrus Audio

Descent. The Descent was designed to create

ambient textures of sound, from thick and endless

hall reverbs to symphonic shimmers. The Descent

is a three mode reverb system; hall, reverse, and

shimmer. In each mode, the user has the ability to

feed +1 and -1 octaves into the reverberated signal.

The Hall mode will feature a classic reverb sound

that can move your signal from a small-room-echo

to a haunting long hall- echo. The Reverse mode

responses and can be manipulated with pre-delay

time controls. Shimmer mode highlights the octave

features, dry signal, -1, and +1 to mix in your signal

and creates a symphony of sound.

The Descent offers you eight controls to precisely

hone in your perfect reverb. In addition, the user can

use an auxiliary momentary switch in the fav input to

switch the pedal on/off and/or save presets. If you

have an already crowded pedal board, you can set

your Descent at the back of the board and run a

small SPST switch to the front of the board so you

don’t lose valuable real estate. The Fav input

requires a TRS cable to be used. The expression

pedal control works with most on-the-shelf expres-

sion pedals. This feature allows the user to set the

high and low parameters of each control and then

fade in and out the those controls by moving your

foot up or down on the expression pedal.

FOOT SWITCHES

INPUTS AND OUTPUTS

Power – Power supply is activated by plugging in an

external 9VDC power supply. The Descent requires 140

mA current draw. (Note: The Walrus Audio Aetos Isolated

Power supply will power this pedal from the higher

current 250mA outputs)

In – This is the main input for your instrument into the unit

and requires a ¼ inch plug.

Left Out (Mono) -

cation and run in Mono

Right Out (For Stereo) – Use instrument cable to run to

Exp – Use Expression pedal to switch between settings.

Preset Footswitch –Changes between presets

Bypass Footswitch / Preset Save – Push down

Bypass to turn the pedal on and off. To save a

setting and add the setting to your bank of

presets, hold the Bypass footswitch down until

SETTING PRESETS

To save a preset, move the controls into

the desired position. Hold down the

Bypass button. Bypass button will blink

and when the blinking ceases, your

preset has been saved. There are 3

available presets, indicated by the blue,

green and red LED above the ‘preset’

footswitch. You can toggle between

those presets by pressing the Preset

footswitch.

EXPRESSION PEDAL

Using the expression pedal adds a

completely new dynamic to the Descent

reverb, allowing you to roll in/out a single

parameter or multiple parameters with your

foot. To program the foot controller with the

Descent, plug the foot controller into the

‘expression pedal’ input. Set the expres-

sion pedal to toe down and set the Descent

controls to the highest parameter desired.

Then put the expression pedal heel down

and set the controls to the lowest parame-

ter desired. Move the expression pedal up

and down to glide between the two settings

you created.

EXPRESSION PEDAL - TOE DOWN

EXPRESSION PEDAL - HEEL DOWN

Cont.

REMOTE - Use a 2-channel remote switch to control the

Descent’s two foot switches. This Feature allows you to

place the Descent at the back of your pedal board and

and run a small remoate control switch to the front of your

board; freeing up real estate on your boards front row. To

use the Fav option with a 2-channel remote switch, a TRS

cable is required (2-channel switch is available for

purchase seperately).

D E S C E N T

Produkt Specifikationer

Mærke:	Walrus Audio
Kategori:	Ikke kategoriseret
Model:	Descent

Har du brug for hjælp?

Hvis du har brug for hjælp til Walrus Audio Descent stil et spørgsmål nedenfor, og andre brugere vil svare dig

Dit navn*

Din email*

Skriv dit spørgsmål her

Ikke kategoriseret Walrus Audio Manualer

Walrus Audio Ages Manual

7 Juni 2025

Walrus Audio Jupiter V2 Manual

6 Juni 2025

Walrus Audio Fundamental Delay Manual

31 Maj 2025

Walrus Audio Slötvå Manual

14 Januar 2025

Walrus Audio Kangra Manual

7 Januar 2025

Walrus Audio Meraki Manual

3 Januar 2025

Walrus Audio Descent Manual

1 Januar 2025

Walrus Audio Julia Manual

1 Januar 2025

Walrus Audio Lillian Manual

1 Januar 2025

Walrus Audio Canvas Mono Manual

31 December 2025

Ikke kategoriseret Manualer

Nyeste Ikke kategoriseret Manualer

Simrad Active Imaging HD (Thru-Hull) Manual

14 Juni 2025

Garritan Harps Manual

14 Juni 2025

Marshall CV-H20-HF Manual

14 Juni 2025

Aiphone IXW-MAA Manual

14 Juni 2025

Rival HM-743 Manual

14 Juni 2025

Lutec Avony Manual

14 Juni 2025

Giordani G-SAFE & PLAY Manual

14 Juni 2025

Gourmia GAF799 Manual

14 Juni 2025

Arendo 307503 Manual

14 Juni 2025

Hughes & Kettner Tube 100 Manual

14 Juni 2025