Electro Harmonix Bass Micro Synth Manual

Electro Harmonix Ikke kategoriseret Bass Micro Synth

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Side 1/3

BASS MICRO SYNTH

Analog Bass Synthesizer

Congratulations on your purchase of the Electro-Harmonix XO Bass Micro Synth! You have

purchased a very powerful tool for musical expression. Please take a few minutes to familiarize

yourself with the Bass Micro Synth’s controls and how they work

The XO can create many of the most popular analog lead synthesizer BASS MICRO SYNTH

textures at a fraction of the normal cost for such capabilities. Its four voices: GUITAR,

OCTAVE, SUB-OCTAVE, SQUARE WAVEand are completely independent and fully mixable.

The BASS MICRO SYNTH can modify these signals with envelope control for a variety of

“bowed” and “blown” sounds. In addition, a sophisticated swept filter control allows highly

variable frequency adjustments to be made to the signal. When combined, these controls offer

the user a creative capability that is virtually limitless.

PREAMP GAIN ADJUSTMENT The preamp gain in the Bass Micro Synth has been set at the

factory for use with a bass equipped with single-coil passive pickups. If you will be using

another instrument with higher or lower output, it may be necessary to readjust this setting. A

screwdriver or alignment tool with a tip width of no more than 1/16" is required. To access the

preamp gain adjustment, remove the bottom plate from the Bass Micro Synth. Look for the

small trim pot in the lower left corner of the circuit board, it is labeled TRIM1 GAIN TRIM.

Turning the trim pot clockwise will increase the preamp gain. Turning it counter-clockwise will

decrease preamp gain. Please do not touch any other components when the bottom plate is

removed or you risk damaging the circuit board or the components.

OPERATION -The Bass Micro Synth’s controls operate as described below. In all cases, high

numbered control settings increase the level of the given effect.

FOOTSWITCH and Status LED – The Footswitch selects either effect mode or True Bypass.

When the Status LED is lit, the Bass Micro Synthesizer is in effect mode. When the Status LED is

off, the Bass Micro Synth is in True Bypass mode.

TRIGGER Determines the input volume at which the – filter circuits will “turn on.” It does not

affect any other circuitry. If the TRIGGER is set too high, the filter may “stutter” due to

multiple triggering. This is especially true if chords are played. It is best to set the TRIGGER

at exactly the sensitivity needed for your playing.

WARNING:

Your

Bass Micro Synth

comes equipped with

Electro-Harmonix 9.6DC-200BI

power supply

(same as used by Boss & Ibanez 9.6 Volts DC 200mA). ™ ™

Use only the adaptor

supplied

. Using the wrong adapter can cause serious bodily injury. Using the wrong adapter

may also damage your unit and will void the warranty. In addition, do not use a daisy

chained supply with the Micro Synth. The Micro Synth must have its own power supply.

The next four controls of the BASS MICRO SYNTH comprise the sectionVOICE MIXING :

GUITAR, SUB-OCTAVE (one octave below), OCTAVE (one octave above), and SQUARE

WAVE. Each voice is completely independent and can be mixed with the others in any degree.

Please not the following voice characteristics:

GUITAR- Controls the output volume of the input signal through the filter.

SUB OCTAVE Controls the output volume of the Sub-Octave. The Sub-Octave –

effect only tracks single notes.

OCTAVE Controls the output volume of the Octave. The Octave only tracks single –

notes. This voice contains a small amount of harmonic distortion for added richness of

tone.

SQUARE WAVE Controls the output volume of the Square wave. Intensity of this –

voice is also determined by instrument attack or volume. In all other respects it

operates in a similar fashion to a standard distortion device.

ATTACK DELAY Determines the time required for the voice signals to reach full volume. –

Higher-numbered settings can completely remove the initial attack of the instrument. Different

delay times contribute greatly to the characteristic sounds of various instruments. It is

recommended that you synchronize your playing to the speed setting of the . ATTACK DELAY

The final four controls comprise the FILTER SWEEP section.

RESONANCE – Affects the degree of sharpness, or “Q” of the

filter. Higher settings will produce a more emphasized filter sound

and also add a slight boost to the signal.

START FREQUENCY - Determines the frequency at which the

filter sweep begins.

STOP FREQUENCY Determines the frequency at which the filter –

sweep ends. This is also the “resting frequency” of the filter, and

if the and controls are set at the same level no START STOP

sweep will occur, though the filter will provide emphasis of that

particular frequency band. In addition to lead synthesizer sounds,

START STOP and controls can be used to simulate attack, decay,

and harmonic content of acoustic instruments.

RATE- Determines the speed at which the filter sweeps from

START FREQUENCY STOP FREQUENCYto . It is recommended

that RATE be synchronized with your playing speed.

SOUND TEMPLATES- The sample settings include with these instructions will help you get -

familiar with your BASS MICRO SYNTH and its controls. Once you’ve tried all the sample

settings, feel free to experiment to develop your own unique palette of sounds. You can record

your new settings in the blank templates provided.

Produkt Specifikationer

Mærke:	Electro Harmonix
Kategori:	Ikke kategoriseret
Model:	Bass Micro Synth

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